Yamaha BMS 10 AThe BMS10A from Yamaha is an adapter that allows you to mount loudspeakers weighing up to 11 pounds to a standard microphone stand. The mount conforms to the 5/8" threading standard and comes with a 3/8"-16 European threading adapter. In addition to loudspeakers, the adapter can also support MG10/2, MG8/2FX, and STAGEPAS 300 or 500 mixers. For more information, please visit this products webpage.   

Yamaha BWS 251 300Yamaha BWS 251-300 Wall Mount for MSP10ST/MS100/200/MSR400.Wall mount for Yamaha MSP10ST. For more information, please visit this products webpage.   

The CBR15 provides the lowest frequency in its lineup, delivering outstanding performance for the front-of-house sound for live performance, DJ events or for installation situations that require highly prominent low and high SPL.

High Resolution Sound HPH-MT7 headphones are designed to deliver flat, high-resolution sound with precise stereo imaging at any sound pressure level, and to faithfully reproduce every nuance of the source signal with the highest level of accuracy possible. Yamaha has applied decades of accrued knowledge and expertise in professional and high-end audio equipment manufacturing to the design of each and every acoustic component in these headphones. Drivers MT7 headphones feature custom drivers equipped with CCAW voice coils and powerful neodymium magnets to achieve precise definition and control. Made from aluminum wire coated in highly conductive copper, these lightweight yet powerful drivers provide a broad frequency response of 15 Hz-25 kHz, and deliver flat, ultra high-resolution sound that meets the demands of modern professional monitoring. Other acoustic components From the arms to the earcups, all acoustic components in MT7 headphones have been designed to deliver the most accurate sound possible by completely eliminating extraneous resonance. Superb Isolation. Premium Comfort. For professional audio engineers who perform critical listening and studio recording, it is important that their headphones fit in a way that prevents fatigue during extended listening sessions, and isolation that allows concentration while working. HPH-MT7 headphones provide superb comfort and isolation, and are specifically designed to meet the high standards of professional users. Design MT7 headphones feature a sleek, stylish design with a closed-back, circumaural configuration that provides a comfortable fit and excellent isolation. Ear pads MT7 headphones are equipped with large ear pads for an extremely comfortable fit. Smooth synthetic leather and low-resistance cushions that absorb excess vibrations provide stress-free wearability and high levels of isolation—ideal for studio recording and live mix monitoring situations in particular, where sound leakage is a concern. Wearability A three-dimensional arm pivot construction and highly adjustable slider length allows the angle of the ear pads to fit the shape of the wearer’s head perfectly, helping to alleviate fatigue when working for extended periods. MT7 headphones also feature moveable earcups, allowing single-ear monitoring when required. Sturdy, Reliable Construction Built for professional use, HPH-MT7 headphones feature a sleek, simple construction with the durability to withstand the rigors of road travel. Whether you’re recording or mixing in the studio, doing live sound for an outdoor gig, or even checking tracks on the move, the MT7 headphones are a flexible monitoring solution for the professional user. Housing, support-arms and headband Each component in the MT7 headphones has been developed with durability in mind. The solid ABS housing, die-cast aluminum support-arms, and sweat-resistant headband ensure that these headphones are able to endure extended use in any working environment. Connectivity MT7 headphones have been designed to make users aware of the cable without being hindered by it, while providing enough length for monitoring applications where mobility is a consideration. For added versatility, the straight, lightweight 3 meter cable comes equipped with a corrosion-resistant gold-plated stereo mini-plug and a gold-plated 6.3 mm stereo adaptor, allowing MT7 headphones to be used with both professional audio gear and portable audio players.

2-way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer and 1" dome tweeter. 2-way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer and 1" dome tweeter 54Hz - 30kHz frequency response 45W LF plus 25W HF bi-amp system for high-performance 70W power amplification ROOM CONTROL and HIGH TRIM response controls XLR and TRS phone jack inputs accept balanced or unbalanced signals  

2-way bass-reflex bi-amplified nearfield studio monitor with 6.5" cone woofer and 1" dome tweeter. 2-way bass-reflex bi-amplified nearfield studio monitor with 6.5" cone woofer and 1" dome tweeter 43Hz - 30kHz frequency response 60W LF plus 35W HF bi-amp system for high-performance 95W power amplification ROOM CONTROL and HIGH TRIM response controls XLR and TRS phone jack inputs accept balanced or unbalanced signals

2-way bass-reflex bi-amplified nearfield studio monitor with 8" cone woofer and 1" dome tweeter. 2-way bass-reflex bi-amplified nearfield studio monitor with 8" cone woofer and 1" dome tweeter 38Hz - 30kHz frequency response 75W LF plus 45W HF bi-amp system for high-performance 120W power amplification ROOM CONTROL and HIGH TRIM response controls XLR and TRS phone jack inputs accept balanced or unbalanced signals  

8" bass-reflex powered subwoofer delivers low frequencies down to 22Hz. 8" bass-reflex powered subwoofer delivers low frequencies down to 22Hz 22Hz - 150Hz frequency response High-power 150W amplifier exclusively designed for low frequencies LOW CUT switch, LOW CUT control (80-120Hz) HIGH CUT control (80-120 Hz) PHASE switch allow users to set up a subwoofer system with simple connections and no additional equipment XLR and TRS phone for outputs and XLR for L and R and EXT SUB  

Yamaha LA1LALED Lampe für Yamaha IM8 Serie For more information, please visit this products webpage

6-Channel Mixing Console: Max. 2 Mic / 6 Line Inputs (2 mono + 2 stereo) / 1 Stereo Bus

10-Channel Mixing Console: Max. 4 Mic / 10 Line Inputs (4 mono + 3 stereo) / 1 Stereo Bus / 1 AUX (incl. FX)

10-Channel Mixing Console: Max. 4 Mic / 10 Line Inputs (4 mono + 3 stereo) / 1 Stereo Bus / 1 AUX (incl. FX)

12-Channel Mixing Console: Max. 6 Mic / 12 Line Inputs (4 mono + 4 stereo) / 2 GROUP Buses + 1 Stereo Bus / 2 AUX (incl. FX)

12-Channel Mixing Console: Max. 6 Mic / 12 Line Inputs (4 mono + 4 stereo) / 2 GROUP Buses + 1 Stereo Bus / 2 AUX (incl. FX)

16-Channel Mixing Console: Max. 10 Mic / 16 Line Inputs (8 mono + 4 stereo) / 4 GROUP Buses + 1 Stereo Bus / 4 AUX (incl. FX)

16-Channel Mixing Console: Max. 10 Mic / 16 Line Inputs (8 mono + 4 stereo) / 4 GROUP Buses + 1 Stereo Bus / 4 AUX (incl. FX)

The Yamaha MG20XU analog mixer is well-suited for portable rigs or permanent installations, with its rich features and outstanding sound quality. The MG20XU's quality op-amp ensures that your mix sounds transparent and articulate. The MG20XU's crystal clear D-PRE preamps will squeeze every drop of tone from your mics, with natural-sounding bass and smooth highs. Featuring onboard digital effects, switchable phantom power, a pad switch, one-knob compressors, EQ, plenty of I/O, and LED metering, the MG20XU can take on just about any task you throw at it. Utilizing many state-of-the-art features from Yamaha's high-end consoles, the MG20XU is ready to work for you! Yamaha MG20XU Analog Mixer at a Glance: D-PRE discrete Class-A mic preamps deliver clean and natural sound One-knob compressors provide easy-to-use dynamics control EQ and highpass filters allow for effective sound-shaping Built-in SPX digital effects add polish and professionalism High quality op-amp ensures transparent sound reproduction D-PRE discrete Class-A mic preamps deliver clean and natural sound Nobody wants to hear mics that are plugged into thin, distorted, or underpowered preamps. MG Series mixing consoles employ Yamaha's transparent D-PRE preamps, which provide more power with lower impedance, delivering natural-sounding bass and smooth highs. D-PREs simply sound good - without hyping any specific elements of your mix. The D-PRE's pure sound will ensure that you won't need to spend hours EQ-ing just to get a barely-acceptable sound, like you would with low-quality mic preamps. One-knob compressors provide easy-to-use dynamics control When you're in the midst of a live event, you don't have time to tweak a large number of complex outboard units. To resolve this issue, the Yamaha MG Series of analog mixers features simple, time-saving one-knob compressors. Simply twist a single rotary control and you can dial in livelier guitars, punchier basses, tighter drums, and well-defined vocals. EQ and highpass filter allow for effective sound-shaping Whether you're tweaking your sound to perfection or whether you're removing some unwanted frequencies, effective and powerful EQ is necessary for building a successful mix. Featuring equalizers on all mono channels, the Yamaha MG Series mixing consoles provide you with ample control over the tonal balance of your mix. Additionally, a highpass filter allows you to get rid of any mud that might be present in your mix by eliminating unwanted low-frequency noise. Built-in SPX digital effects add polish and professionalism In order to add that final glue and polish to your mix, the Yamaha MG Series mixing consoles provides you with a comprehensive suite of 24 editable digital effects. Based on Yamaha's acclaimed SPX digital multi-effect processor, the MG Series delivers high-quality reverb, delay, chorus, phaser, flanger, tremolo, and auto-wah, in addition to distortion, pitch effects, and more. High quality op-amp ensures transparent sound reproduction Here at Sweetwater, we know that few things will kill tone as quickly as sub-par op-amps. The Yamaha MG Series utilizes new, high-quality MG01 op-amps, ensuring that your mix sounds its best. When designing these op-amps, Yamaha focused on sound quality, rather than prioritizing electrical design and efficiency. Yamaha has always strived to deliver the purest possible signal instead of imparting their "signature" to your sound, and the MG Series is no exception. You can count on a transparent, natural, and articulate sound when you mix through a MG Series analog mixer. Yamaha MG20XU Analog Mixer Features: D-PRE mic preamps deliver clean, transparent, and natural sound 3-band EQ on all mono channels for sound-shaping 1-knob compressors provide straightforward dynamics control Class-compliant USB 2.0 for recording and playback with computers and tablets SPX effect processors provide you with a comprehensive suite of 24 effects Pad switch on mono inputs for managing loud sources Metal chassis for durability

24 Channels, 16x MicPreamps, dual FX processors: REV-X Reverb and SPX, 8x compressors, hybrid- channels with DSP effects, iPhone/iPod Playback, 3-band master compressor, 31-band GEQ, USB device recording (16bit WAV/MP3)

32 Channels, 24x MicPreamps, dual FX processors: REV-X Reverb and SPX, 16x 1-knob compressors, hybrid-channels with DSP effects, iPhone/iPod Playback, 3-band master compressor, 31-band GEQ, USB device recording (16bit WAV/MP3)

Features: Supports 44.1 and 88.2kHz sample rates, in addition to the previously-supported 48 and 96 kHz sample rates. Sample rate pull-up/down can be used to synchronise audio with video that has undergone frame rate conversion. Dante-MY16-AUD2 cards can be daisy chained together via the secondary Ethernet port. Dante-MY16-AUD2 can be PIN-locked and unlocked using Dante Controller. 2x RJ-45 connectors for Dante I/O, 1x D-sub 9 pin connector for RS232-C. Latency can be selected from five preset values: 0.25 ms, 0.5 ms, 1.0 ms, 2.0 ms, or 5.0 ms. More than 16 audio channels can be transferred when used with multiple Dante-MY16-AUD2 cards. Automatic discovery and setup for network devices. Devices names can be specified as required. Allows direct PC or Mac audio input and output without the need for an audio interface.

Yamaha MY16-AEDigital I/O Card 16-channel AES/EBU format I/O Resolution : 24bit Format : AES/EBU Connector : D-sub 25-pin x 2 96kHz double channel

Yamaha MY16 ATThe Yamaha MY16AT digital I/O expansion card is designed for use with the Yamaha DM2000, O2R96 and DM1000 digital consoles. The expansion card delivers 16-channels of simultaneous ADAT lightpipe format signal using a single expansion slot. 16-channel operation is achieved at sample rates up to 48kHz or 8-channels at 96kHz sample rates. Technical Specifications:I/O:Input x 16, Output x 16Format:Alesis Proprietary Multichannel Optical Digital InterfaceConnector:TOS LINK x 4Resolution:24-bit

Yamaha MY16 C IIMY (Mini-YGDAI) series expansion cards for use in the option I/O slots of digital mixers and mixing engines.Feature's:16 Channel I/O CobraNet™ interfaceIntegrates into any standard CobraNet™ networkPrimary and secondary network connections (RJ45 connectors x 2)Reduced power consumption for compatibility with additional models For more information, please visit this products webpage.   

Yamaha MY16ES64With a single Yamaha MY16-ES64 card you can add 16 channels of bidirectional EtherSound connectivity to a range of Yamaha professional audio devices that accept mini-YGDAI expansion cards. Simply add one, two or three MY16-EX expansion cards to the core MY16-ES64 card to increase the EtherSound channel capacity to 32, 48 or 64 channels. For more information, please visit this products webpage.