Features: Two Inputs Per Channel – Seamlessly switch from Mix to Record Inputs at the push of a button Third channel strip Input for dual-layer use Mix up to 48 Mono Signals at once Marinair® Transformers on Mix, AFL, CUE bus for true Neve voltage mixing  80 - series Neve® sound in a compact frame  Large format console Centre Section. Multiple speaker sets, dual Cue system and three-way talkback system Internal Snapshot system to Save/Load multiple all console settings across multiple sessions 500 series slots for internal expansion options   1073® preamps and DI inputs with Smart Routing for recording in the live or Control room  In-Line Console capability  25-way D-Type and Balanced Jack Inputs on rear and on front for a combination of simple and professional I/O Connection  The 8424 is designed to connect to and utilise all of your instruments and outboard equipment, becoming the centrepiece of your studio

Features: Neve classic sound using Class A topology Console sizes: 10,16,24, 32 or 48 channels 1073N microphone preamp and EQ module in each channel Classic voltage mixing using 1272 balanced mixing topology 2x 500-series slots fitted with Neve 2264ALB compressors, patchable or selectable across the Mix Bus Direct outputs on every channel selectable pre or post channel insert Simple Input to each channel doubles the mix inputs when mixing and also allows monitor and cue mixes 4x Auxes, 1x Stereo Cue, 1x Stereo Main Mix Bus Stereo and 5.1 monitor with passive 24 position gold plated monitor level control 3x Stereo & 1x 5.1 selectable loudspeaker output sets Comprehensive Solo system with destructive and safe/isolate modes 2x Stereo reverb returns with width, mono and balance controls & 2x mono DI to bus inputs Main Mix output insertion selectable pre or post fade with IMR (Insert Mix Return) parallel processing controls 25-way D-sub connectivity for easy installation into home or studio environments Optional side car stand on castors

Features: 12 Mono- und 4 Dual-Mono/ Stereo Kanäle. Mikrofonvorstufen in Spectra-Qualität Phasentreues Schaltungsdesign unter Nutzung von Mother-Daughterboards, abgeleitet aus der Spectra Serie, 19 Zoll/10 HE Pro Kanal schaltbar: 48-V-Phantomspeisung, Mic/Line, Pad und Phasendrehung Durchstimmbares High-Pass-Filter (20…400 Hz) mit 12 dB/Okt. Flankensteilheit Alle Mono-Eingangskanäle verfügen über zwei durchstimmbare Bell (MF)- sowie zwei feststehende Shelfing (HF+LF) Filterbänder Stereo-Eingangskanäle sind mit feststehenden HF und LF sowie einem durchstimmbaren MF ausgestattet. Der EQ Einschalter ist innenbleuchtet 6 Aux Sends; paarweise schaltbar pre/post Fader, kanalweise schaltbar pre/post EQ Aux Sends 5 und 6 können zum Stereopaar verschaltet werden Schaltbares Routing der Eingangskanäle auf die Busse L, C, R und/ oder die Subgruppen 1-4 Alle entsprechenden Ausgänge (einschließlich Aux) sind als symmetrische XLR-Stecker ausgeführt und verfügen zusätzlich über TRS-Eingänge und Inserts. Die Ausgänge L, C, R und Mono Mix sind wahlweise schaltbar von Line- auf Mikrofonpegel Innenbeleuchtete PFL/AFL und Mute-Schalter, eine 6-Segment-Pegelanzeige und 100-mm-Fader sorgen für übersichtliches und flüssiges Arbeiten 4 LED Pegelmesser für die Busse L, C, R und Mono oder die Gruppen 1-4; bei Solo zeigen die Meter automatisch den Pegel des entsprechenden Kanals Für zusätzliche Überwachung der Pegel steht pro Mix-Bus eine zweifarbige LED zur Verfügung (L, C, R, Mono, Gruppe 1-4 und Aux 1-6) Netzteil 100…240 V~, 50/60 Hz, steckbar, ohne Demontage des Mischers Dimmer für die optionale Schwanenhalslampe (4-pol.-XLR) Drehbares, arretierbares Anschlussfeld

API 1608 II Following the introduction of the 1608 in 2008, API delivered over 600 consoles and expanders to discerning audio professionals throughout the world. New for 2018 and based on the incredible success of the original, API proudly announces the 1608-II. Equipped with an updated feature set and debuting API's new cross-platform Final Touch Automation® system, the 1608-II continues API's rich legacy of crafting the world's highest-quality analog recording consoles. Adding valuable features for today's Engineers, Producers and Musicians, the 1608-II provides the powerful reliability and the incredible API sound that has characterized API products for nearly 50 years. 1608-II Features: 16, 32, or 48 Input Channel Frame sizes Each channel equipped with Mic Pre and Equalizer Accepts API 500 Series Equalizers 8 Multitrack Buses 8 Auxiliary Buses 1 Stereo Bus 4 Stereo Returns, 100mm faders (manual or automated) with Multitrack and Stereo Bus assign Full Center Section Control Surround 5.1 Center Section Monitoring Classic Analog Metering Global 0dB Fader Bypass Comprehensive Rear Panel IO Connectivity Standard fit: 16x 548B Inputs with Mic/Line and Direct Output 12x 550A Equalizers 4x 560 Equalizers 8x Echo Returns 1x Complete Center Facilities Section 16x Manual Faders 1x Stereo Fader

API the Box II

ASP4816 Powerful, flexible and intuitive, the ASP4816 delivers superb audio performance in a compact frame size. ASP4816 provides the key features of a large format recording console in a compact, cost effective form. Designed by audio guru, David Dearden and featuring Audient’s legendary analog circuitry, ASP4816 is the perfect centre piece for production studios and educational facilities. The main input channels feature Audient’s renowned Class A preamp and 4 band EQ – a combination found in hundreds of ASP8024 equipped studios where many users no longer feel the need to reach for their outboard preamps and EQ. The console features 40 faders,16 bus routing, 6 auxes, 2 dedicated cue sends, 4 stereo returns, stereo bus compressor and a comprehensive monitor section. → In-line architecture - twin inputs on each channel → 40 faders → 48 inputs at mix → 16 Audient Class-A mic pres → 16 channels of EQ → 16 record buses → 6 auxes, 2 cue sends → Stereo bus compressor → Comprehensive monitor section

INTRODUCTION With the AIRENCE-USB ON-AIR mixer you can own a modern, split version type of radio production mixer. A smart mixer with an integrated USB based control section. Built with well proven low noise circuitry, this console is the reliable workhorse for the self-op production D.J. Built in Telephone Hybrids (2x), 4 channels USB and 4 Mic inputs. Ideal for streaming to the web and sending and accepting 4 stereo channels from your Play-out software. A heavy duty (19" rack) RF shielded chassis, that can be used as a drop through in your furniture, houses all the vertically mounted input modules. Extension units with six triple input channels with high end quality Mic inputs on XLR and two stereo line level inputs on Cinch (RCA) connectors can be connected to the main unit. The result is a modern split drop through 12 (or 18/24) fader radio console.   MIC, LINE, USB AND TELEPHONE IN-OUTPUTS This brand new AIRENCE-USB model has 4 balanced mic inputs (+48 phantom is standard) with inserts for signal processors, 6 stereo line inputs, 4x USB channels and 2x Telephone Hybrids. If you would like to call with VOIP we would advice to use the CISCO SPA112 as an interface between our 2 Telephone modules and the Internet. One physical USB connection interfaces 4 stereo audio channels from and to your PC plus all (programmable) remote controls on the right hand section of the mixer. Channel 5 and 6 have, apart from the stereo line input, also RJ-11 connectors to interface with an analogue telephone line and a common dial unit. High quality built in Hybrids with R and C balance and direct Talk back to the Hybrid channels makes conversation with callers very easy. Also by simply pushing the Cue button, conversation between DJ and caller outside the broadcast is of course possible. The illuminated front panel ON switch is electronically attached to the built in mechanical fader start enabling selection of a play-out start either by fader or via the ON switch.  Fader start generates in the Mic mode a Mic-on signaling to switch ON-Air lights. There is a 3 band Equalizer on channel 1-4 and on all 6 Triple input channels of the Extender Unit. The stereo Aux send can be set pre or post fader. All high quality low noise mic inputs have low cut jumpers.   EXTENSIVE MASTER SECTION DESIGNED WITH RADIO IN MIND The AIRENCE-USB has all the master controls such as 100 mm stereo master faders, stereo Aux send and return, monitor master with "follow phones" and a phones output with a split listen function.  

With the AIRLITE mixer you can now own a modern radio mixer for a very attractive price.  This new hand built piece of precision equipment is the result of more than 42 years of experience at D&R. It is an intelligent mixer with an internal USB control section that speeds up daily use and includes a built in Silence Detector. It is a reliable workhorse for the self-op production D.J. with built in Telephone VOIP functionality.  4 in/out channels of stereo USB and 3 very low noise Mic inputs. The AIRLITE, ideal for ON-AIR, Production and perfect for streaming to the web. The AIRLITE accepts and instantly controls a maximum of 4 in/out stereo channels from your Play-out software. It is built into a metal, heavy duty RF shielded, powder coated chassis, designed with elegantly rounded corners. Easily “drops” into your furniture to give that exciting and contemporary radio look. A strong powder coated front panel with reliable controls gives you access to a flawless performance.   For more information visit: http://www.d-r.nl/airlite-usb.html

Mix Back Mixer The Mix Back is a flexible and affordable 16 x 12 x 2 x 2 monitor mixer that features two stereo outputs and twelve mono outputs. There are sixteen high quality Mic/Line inputs with passive split. It also features two HearBus outputs and two ADAT optical outputs. A perfect companion to our Hear Back personal monitor system. A talkback mic preamp permits talking to any mono output, master outputs and the intercom output. Included is a UV LED gooseneck lamp that makes the knob pointers and silkscreen on the front of Mix Back glow-in-the-dark! Input Channel Features: 16 quality Mic/Line inputs with passive XLR split Pin 1 lift and Mic phantom power switches Channel inserts Signal/Clip LED indicator 100 Hz high-pass filter Gain control 4 band EQ with separate controls for sweep and cut/boost on mid bands Two stereo level and pan controls (ST1 and ST2) Twelve mono level controls (1-12) Switch selectable effects 1-2 sends Master Features: 2 stereo and 12 mono TRS outputs Switch selectable meter/headphone monitoring 2 stereo TRS balanced effect returns Switch assignable FX1/FX2 returns to the 12 mono masters Stereo Aux return with level controls to both stereo busses – great for FOH mix or the studio “two mix” Buss inputs permit stacking of multiple mixers Talk back mic preamp assignable to stereo masters 1 and 2, mono outputs 1-12, and the balanced Intercom/slate output Relay contact when the talk back intercom switch is pressed 16 button talkback remote connects using standard CAT5e cable 16 channels of ADAT and HearBus output Other Features: Universal internationally approved internal power supply 11 RU chassis All analog inputs and outputs are balanced

BiG SiX is designed to enhance your production capabilities at any stage of the process. From the SSL console grade faders to the advanced monitoring section and 18 channels of analogue summing at mix-down, the meticulously selected feature-set found on BiG SiX brings almost limitless creative options and engineering authority from large-format SSL consoles to your desk-top. Key features Four SuperAnalogueTM Mic / line / Hi-Z / 48V / HPF and polarity switch Four SuperAnalogueTM stereo line level inputs with dual mono switching Built in 16 channel  96 Khz / 24-bit USB interface with advanced routing Essential version of G-Comp Bus Compressor with 'Auto' release 3 Band SSL LF/MF/HF EQ on every channelClassic SSL channel dynamics processing Listen Mic Compressor Dual independent headphone outputs with source matrix 100 mm console grade faders Professional metering Comprehensive monitoring section Two stereo cue feeds Bus B / Mute switching Two fully balanced stereo external inputs Up to 18 inputs at mixdown Mix Bus inject for cascading additional SiX/BiG SiX

BiG SiX is designed to enhance your production capabilities at any stage of the process. From the SSL console grade faders to the advanced monitoring section and 18 channels of analogue summing at mix-down, the meticulously selected feature-set found on BiG SiX brings almost limitless creative options and engineering authority from large-format SSL consoles to your desk-top. Key features Four SuperAnalogueTM Mic / line / Hi-Z / 48V / HPF and polarity switch Four SuperAnalogueTM stereo line level inputs with dual mono switching Built in 16 channel  96 Khz / 24-bit USB interface with advanced routing Essential version of G-Comp Bus Compressor with 'Auto' release 3 Band SSL LF/MF/HF EQ on every channelClassic SSL channel dynamics processing Listen Mic Compressor Dual independent headphone outputs with source matrix 100 mm console grade faders Professional metering Comprehensive monitoring section Two stereo cue feeds Bus B / Mute switching Two fully balanced stereo external inputs Up to 18 inputs at mixdown Mix Bus inject for cascading additional SiX/BiG SiX

Key Features: A fully professional condensed console for use in the studio, in post-production, on stage, and for podcasting. Benchmark SuperAnalogue™ audio performance Ultra low noise : ultra-low distortion : pristine sound Stunning Record Path Two SSL console grade SuperAnalogue mic pre’s Classic SSL Channel Processing Essential versions of SSL Channel EQ and Dynamics The unique Listen Mic Compressor Nothing slams drums quite like it! Professional Routing & Monitoring  The hidden versatility of truly professional features 12 Input Summing at Mixdown 12 line level inputs with channel and Master Bus inserts Legendary Master Bus Compressor An essential version of the incredible SSL legacy Completely balanced signal path Everything except the headphone jack is fully balanced

The Roots Gen I 16 Channel  Full Featured 8 and 16 channel / 2 Buss Tube Hybrid Console  Features: All Tube: Mic pre / line input / direct input (instrument in) / EQ and limiter on each channel 4 – 500 series slots Vacuum tube linear regulated power supply   Meter Bridge:  Buss master trim 1 & 2 / aux master 1 & 2 / talkback mic in XL / talkback level Stereo select external aux  in 1 & 2 / mono combine / source select Speaker select / big knob monitor level  Buss Master Module:  Big knob master stereo buss level / headphone level with headphone jack  Talkback (to stereo buss or aux master select)

The Roots Gen I  8 Channel Console ​ All channels are pure tube and transformers  Discrete Class A Solid State buss and master section Fully regulated Vacuum tube and linear power supplies ​ Shipping dimensions for a Roots Gen I 8 channel console:  1 Pallet: 48" x 40" x 25" Total weight: Approx. 200 lbs

The Tree Audio The Roots 16 Gen II is a 16-channel version of the Roots. The Tree Audio Roots Gen II is an eight-channel valve and hybrid recording console based around an all valve channel strip design, balanced inserts 4 aux sends and 4 500 series slots. The Tree Audio Roots 16 Gen II has all tube EQ and limiter, mic pre with line in, filter and metering. The EQ section uses a baxandall type curve with controls over low and high bands fro quick shaping of the sound, while the limiter uses an optical design with a simple knob to control the amount. A three-way toggle switch is used to engage the limiter as well as activating the side-chain 6dB/oct 250Hz high-pass filter. The Mic preamp provides up to 60dB of gain and is complemented with a direct output trim. A selectable high-pass offers a choice of three frequencies, 80Hz, 125Hz and 250Hz while an input transformer impedance select lets you find the best impedance to match your microphone or even provide different tonalities. At the top can be found four aux sends with the option to set each pair as Pre or Post (or Off) These can be made to send to the 500 Series section where a 500 series mixbus compressor or other modules can be added. The Roots II also uses a fully regulated tube linear power supply. Tree Audio Roots 16 Gen II Main Features: 16-channel, tube/hybrid, full-featured, recording console All tube and transformer mic pre / line input / DI / EQ and limiter 4 – aux sends / 4 – 500 series slots / Full featured master section Balanced inserts on all channels and stereo buss Fully regulated tube linear power supply Hand-built in the USA.

The Tree Audio Roots Gen II is an eight-channel valve and hybrid recording console based on an all valve channel strip design, balanced inserts 4 aux sends and 4 500 series slots. The Tree Audio Roots Gen II has all tube EQ and limiter, mic pre with line in, filter and metering. The EQ section uses a Baxandall type curve with controls over low and high bands fro quick shaping of the sound, while the limiter uses an optical design with a simple knob to control the amount. A three-way toggle switch is used to engage the limiter as well as activating the side-chain 6dB/oct 250Hz high-pass filter. The Mic preamp provides up to 60dB of gain and is complemented with a direct output trim. A selectable high-pass offers a choice of three frequencies, 80Hz, 125Hz and 250Hz while an input transformer impedance select lets you find the best impedance to match your microphone or even provide different tonalities. At the top can be found four aux sends with the option to set each pair as Pre or Post (or Off) These can be made to send to the 500 Series section where a 500 series mixbus compressor or other modules can be added. The Roots II also uses a fully regulated tube linear power supply. Tree Audio Roots Gen II Main Features: 8-channel, tube/hybrid, full-featured, recording console All tube and transformer mic pre / line input / DI / EQ and limiter 4 – aux sends / 4 – 500 series slots / Full featured master section Balanced inserts on all channels and stereo buss Fully regulated tube linear power supply Hand-built in the USA.