ADAM Audio subwoofers are designed with one primary goal in mind: Achieving absolute accuracy and an authentic natural sound in the process of music reproduction. This means combining exceptional bass power with precision and clarity in every subwoofer. These elements are the perfect partners to complement the highly acclaimed clarity and transparency of ADAM monitors in the lower and lowest frequencies. All subwoofers feature both balanced (XLR) and unbalanced (RCA) input/output connectors and comprehensive control options that allow for adapting to different room acoustics and requirements. Panel / Controls All subwoofers feature a level control (-60dB to +6dB), phase switch (180°) and a variable upper frequency control (50-150Hz). For the satellite outputs, an 85Hz high pass filter can be switched in to block frequencies below 85Hz so satellite speakers can meet the Dolby® recommendations for theater sound and also to relieve the satellites from the lower frequencies. In addition, you can either switch on/off the subwoofer manually or use the option of automatically powering up the subwoofer whenever it receives a signal (‚signal-on/ continuous'). Sub15 The Sub15 is an extremely powerful subwoofer capable of extending the frequency range of main and midfield monitors down to 20Hz. The sturdy 15" woofer is made of an exceptionally rigid aluminum membrane and is driven by two powerful magnets and a 100mm voice coil. With 1000 Watts (RMS) power capability, the PWM amplifier has an efficiency factor of nearly 90%. With these performance features, the Sub15 is easily capable of handling critical musical passages with intense and sudden bass peaks without showing signs of distortion or overheating. The downward firing bass port has been specially designed with ample dimensions and rounded edges to cancel any port noise. In order to adjust the sound of the Sub15 to different room situations or individual taste, we have implemented several controls including one for volume (-60dB to +6dB) and one for the crossover frequency (50Hz - 150Hz). The satellite speakers can either be driven full range or high pass filtered at 85Hz. This allows the Sub15 to be easily integrated into a Dolby surround setup. Unfavorable phase relationships between the satellites and the subwoofer, particularly in the crossover frequency range, can be easily controlled with the supplied phase reverse switch. The Sub15 is also very flexible when it comes to connectivity: There are balanced (XLR) and unbalanced (RCA) input/output connectors to be found on the rear of the subwoofer. The Sub15 combines excellent transient response capability with an impressive low frequency performance to enable a genuinely musical reproduction experience. With a high and undistorted sound pressure output of 120dB maximum SPL at one meter, the Sub15 makes the perfect subwoofer for mid-sized and larger control rooms.

ADAM Audio subwoofers are designed with one primary goal in mind: Achieving absolute accuracy and an authentic natural sound in the process of music reproduction. This means combining exceptional bass power with precision and clarity in every subwoofer. These elements are the perfect partners to complement the highly acclaimed clarity and transparency of ADAM monitors in the lower and lowest frequencies. All subwoofers feature both balanced (XLR) and unbalanced (RCA) input/output connectors and comprehensive control options that allow for adapting to different room acoustics and requirements. Panel / Controls All subwoofers feature a level control (-60dB to +6dB), phase switch (180°) and a variable upper frequency control (50-150Hz). For the satellite outputs, an 85Hz high pass filter can be switched in to block frequencies below 85Hz so satellite speakers can meet the Dolby® recommendations for theater sound and also to relieve the satellites from the lower frequencies. In addition, you can either switch on/off the subwoofer manually or use the option of automatically powering up the subwoofer whenever it receives a signal (‚signal-on/ continuous'). Sub2100 ADAM has developed the unique Sub2100 subwoofer for the special requirements of large control rooms and studios. The Sub2100 combines a huge 21.5" woofer and an amplifier capable of 1000W continuous power housed in a bass reflex enclosure tuned for reproducing frequencies down to 18Hz. The sheer power and extremely high efficiency (99dB/ W/m) enable this system to produce linear SPL peaks of ≥128dB without any significant compression. The world‘s largest voice coil Essential to the volume of this woofer is the gigantic 6” voice coil, which is the largest worldwide. Equipped with this voice coil, the Sub2100 is capable of reaching the highest SPLs in the lowest frequencies that can be perceived by the human ear. On every level, the Sub2100 establishes a new benchmark in subwoofer technology.

ADAM Audio subwoofers are designed with one primary goal in mind: Achieving absolute accuracy and an authentic natural sound in the process of music reproduction. This means combining exceptional bass power with precision and clarity in every subwoofer. These elements are the perfect partners to complement the highly acclaimed clarity and transparency of ADAM monitors in the lower and lowest frequencies. All subwoofers feature both balanced (XLR) and unbalanced (RCA) input/output connectors and comprehensive control options that allow for adapting to different room acoustics and requirements. Panel / Controls All subwoofers feature a level control (-60dB to +6dB), phase switch (180°) and a variable upper frequency control (50-150Hz). For the satellite outputs, an 85Hz high pass filter can be switched in to block frequencies below 85Hz so satellite speakers can meet the Dolby® recommendations for theater sound and also to relieve the satellites from the lower frequencies. In addition, you can either switch on/off the subwoofer manually or use the option of automatically powering up the subwoofer whenever it receives a signal (‚signal-on/ continuous'). Sub8 The Sub8 is a small yet powerful subwoofer designed to extend the low frequency capabilities of any nearfield monitoring system down to 30Hz. It houses a robust 8.5" woofer with a 1.5" voice coil driven by a 160W ICE power amplifier. This amp combines low heat generation with high performance to handle maximum power levels, even during long mix sessions. The front baffle features two motorized knobs that let you tailor input level and crossover frequency settings. These settings can also be controlled via the included wireless remote, allowing you to optimize your sound reproduction from your ideal listening position. The Sub8 is designed for smaller rooms up to 20 square meters. It is an ideal match for the ADAM AX-Series and the S1X and S2X nearfield monitors.

Features: active 10" Subwoofer 130 Watt Class-D-Amplifier Frequency Range: 32 Hz - 120 Hz adjustable low pass filter perfect match with loudspeaker of the T-Series (T5V & T7V)

Der T5V ist ein Budget schonender 2-Wege-Nahfeldmonitor und wurde für den Einsatz in kleineren Kontrollräumen optimiert. Der T5V verfügt über einen 5″ Woofer, der eine Bass-Erweiterung bis hinunter zu 45 Hz ermöglicht. Der neue U-ART Hochtöner bietet einen unverfälschten und erweiterten Hochtonbereich von bis zu 25 kHz und stellt eine bahnbrechende Lösung für hochauflösende Aufnahmen und Mixes mit kleinem Budget dar. Der U-ART Hochtöner ist mit einem Präzisions-Waveguide versehen, der die gleiche exzellente Abstrahlcharakteristik aufweist wie der High-Frequency-Propagation-Waveguide (HPS), der in den Studio-Monitoren der S-Serie verwendet wird. Die sehr gleichmäßige Wiedergabe der hohen Frequenzen durch den Waveguide sorgt für einen unglaublich breiten Sweetspot, der einem das Verharren in einer starren Position während der Arbeit erspart. Ein neues Gehäuse mit kleiner Standfläche, abgeschrägten Kanten und eine Bassreflexöffnung auf der Rückseite erlaubt die Platzierung überall im Raum, egal wie klein dieser ist. Außerdem verfügt der T5V über DSP-gesteuerte Frequenzweichen und Equalizer sowie analoge Anschlussmöglichkeiten (XLR/Cinch). Angetrieben von einem 50 W Class-D Verstärker für den Tieftöner und einem 20 W Class-D Verstärker für den U-ART Hochtöner, erreicht der T5V beeindruckende Pegelspitzen von 106 dB SPL pro Paar. Mit seinen ausgezeichneten akustischen Eigenschaften, kleinen Abmessungen und einem hervorragenden Preis/Leistungs-Verhältnis eignet dieser Studio-Monitor hervorragend für den Einsatz in kleinen Regieräumen für Musikproduktion, Video-Postproduktion und Rundfunk. Wer noch mehr Tiefbass benötigt: der T5V ist mit dem ADAM Audio T10S Subwoofer kompatibel. Technische DatenTieftönerAnzahl1Korb Ø5" (127 mm)MembranmaterialPolypropylenHochtönerAnzahl1TypU-ARTMembranfläche2420 mm² (4 inch²)Äquival. Membran Ø48 mm (1,9")Geschwindigkeitsübersetzung4:1Membrangewicht0,17 gWaveguideHPSEingebaute VerstärkerAnzahl2Tieftöner1TypPWMVerstärkerleistung RMS50 WHochtöner1Typ1PWMVerstärkerleistung RMS20 WRegelmöglichkeitenEingangsempfindlichkeitSchaltbar +4 dBu / -10 dBVVerstärkungJaHigh-Shelf- 2 dB, 0 dB, +2 dBLow-Shelf- 2 dB, 0 dB, +2 dBEingangsbuchsenAnalogXLR, RCAEingangsimpedanz10 kOhm / 20 kOhmAllgemeinesPanelHintenFrequenzgang45 Hz - 25 kHzTHD > 80 Hz0,5 %Maximaler Peak Schalldruck pro Paar in 1 m≥106 dBÜbergangsfrequenz3 kHzMax. Stromverbrauch132 WGewicht5,7 kg (12,6 lbs)Höhe x Breite x Tiefe298 mm x 179 mm x 297mm (11.7" x 7" x 11.7")Garantie5 Jahre (2 Jahre Garantie plus 3 Jahre optional bei Produktregistrierung)LieferumfangStromkabel, Quick-Start-Guide

The T7V is a two-way studio monitor designed for vertical use in a nearfield application. The T7V features a 7” woofer that provides bass extension down to 39 Hz, while the U-ART tweeter’s diaphragm provides pristine and extended high-frequency response up to 25 kHz – virtually unheard of in monitors in this price range. The U-ART tweeter is fitted to a precision waveguide with the same dispersion-control attributes as the High Frequency Propagation (HPS) waveguide used in ADAM Audio’s flagship S Series studio monitors. The waveguide’s highly uniform dispersion of high frequencies provides an incredibly wide sweet spot that frees you from being glued to a rigid mix position while working. On the rear side of the T7V’s beveled cabinet, a rear-firing bass reflex port joins a sturdy metal backplate that’s home to the analog input connections. The U-ART tweeter is powered by a 20 W Class-D amp, while a 50 W Class-D amp serves the woofer. These new powerhouses yield an impressive maximum of 110 dB SPL per pair. The wide frequency response, high dynamic range, excellent transient response, wide sweet spot and small footprints make the T7V perfectly suited for use in small control rooms for music production, video post-production and broadcast production – a great fit for the modest budgets that many facilities need to work with. The ADAM Sub8 subwoofer is the perfect match to complement the T7V to extend the capabilities of monitoring in the bottom end.

The T8V is an affordable, professional 2-way powered studio monitor with an 8˝ woofer and ADAM Audio’s latest addition to the T Series. Designed around the same technology, features and build quality as its smaller siblings, the T8V provides best-in-class characteristics and sound performance.The T8V impresses with a multitude of features that bring real benefits to the user: The U-ART tweeter’s 4:1 velocity transfer ratio, in combination with the new Class D amplifiers’ high dynamic range, yield respective max. peak SPL of 118 dB per pair. The tweeter, which extends up to 25 kHz, works as a team with the HPS Waveguide. This allows an optimal radiation of the high frequencies, which means the advantage of a more controlled, larger usable sweet spot during monitoring. With a bass extension down to 33 Hz, the T8V is especially suitable for users who produce bass-heavy music.

Wandhalterung für S-Serie Gewicht: 3,1 kg (6,7 lbs) Höhe x Breite x Tiefe: 410 mm (16,1″) x 565 mm (22,2″) x 126 mm (5″) Max. Last: 37 kg (81,6 lb)

AEA Big Ribbon A440 Finally, a high performance phantom-powered Big Ribbon™ AEA is proud to announce the high performance phantom-powered Big Ribbon™ A440. Inspired by AEA’s forty years of experience with ribbon mics, particularly 44s, this mic has the greatest useable dynamic range of any ribbon microphone manufactured today. The A440 is also the quietest ribbon microphone in existence. At the low frequency end the A440 delivers bass with effortless authority. It has a flat frequency response and holds an accurate figure-eight polar pattern down to 20 Hz. The A440 has a smooth and articulate midrange, and at the high end, transients are quick and detailed without hard edges. Frequency Response: 20 Hz to 20 kHz Maximum SPL: 132.5 dB SPL with a 1 kΩ load for < 1% THD Output Sensitivity: 30 mV (-33.5 dBV) /Pa 1 Pa = 94 dB SPL Equivalent Noise Level: 6 dB SPL, A-weighted per IEC 651 Dynamic Range: 126.5 dB Signal to Noise Ratio: 88 dB (A) (94 dB SPL minus equivalent noise) Output Impedance: 92 Ω broadband Recommended Load: 1 kΩ or greater Powering: P48 phantom power, 9 mA Polarity: Pin 2 high for positive pressure on the front of the microphone. Connector: XLR-3M wired to a 3 meter captive cable Directional Pattern : Polar Pattern: Native Figure-8 (Bi-Directional) Horizontal: Level changes with angle, frequency response is consistent, null at right angles to major axis 90° / 270° Vertical: Level changes with angle, reduced HF response above and below 0° / 180° axis, null at right angles to major axis 90° / 270° Transducer element Ribbon Thickness: 1.8 μ (0.0000018 m) of pure aluminum Ribbon Width: 4.7 mm Ribbon Length: 59.7 mm Accessories: Included: Custom storage / shipping case, stand adapter, manual Optional: Any length cable, inquire for price and delivery. Custom transformer case laser engraved with your art or logo   Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's

AEA KU4 Unidirectional Ribbon Microphone Details The AEA KU4 unidirectional ribbon microphone is their newest and perhaps most unique offering. The KU4 is AEA's modern interpretation of the original RCA KU3A, which many engineers consider to be the best ribbon microphone ever made. The increased rear rejection of the supercardioid pattern reduces the amount of room sound, which is often desired in modern production applications, particularly vocal recording. With a custom transformer, strong neodymium magnets and a low-tuned RCA new-old stock ribbon, the KU4 continues AEA's legacy for wide-bandwidth, top-quality ribbon microphones handmade in Pasadena, CA. As always, Front End Audio will bring you more information as it becomes available from AEA. Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's

Feature: Supercardioid polar pattern that rejects room tone and instrument bleed Detailed, extended top end with ribbon smoothness and warmth Supreme durability for close-range, outdoor, and live use Active electronics and custom transformer optimized for all preamps Front address design with built-in yoke is simple to position Integrated high-pass filter switch reduces proximity effect at close-range Matte black finish is discreet on camera Made in the U.S.A. The supercardioid KU5A breaks new ground in ribbon technology with its acutely focused directionality that rejects bleed from other instruments, room reflections, and loud ambience in the studio and on stage. Never before has a ribbon mic delivered as much clarity and breadth of sound in a package so fit for both studio and live use. As a near-field ribbon designed for close range recording, the KU5A delivers the low-end heft and pronounced midrange one expects of AEA ribbons and with moderate, manageable proximity effect. Vocalists can sing directly into the grill of the KU5A, as its interior components are the most protected of any in the AEA lineup. The KU5A is equipped with active electronics, fit for any preamp in the studio and on the road, as well as an integrated high-pass filter to roll off low end in close range recording applications. THE SUPERCARDIOID RIBBON The KU5A’s supercardioid polar pattern captures pure, direct sound while rejecting room tone from behind the mic. This feature prevents excessive monitor and audience bleed when tracking musicians live in one room or on stage. Traditional figure-of-8 ribbons, which distinctly incorporate both direct sound and room sound, rely on sharp nulls to reject unwanted bleed. The KU5A’s end-address directionality and tight supercardioid pattern allow for effortless positioning on snare, toms, and other instruments that may be difficult to access. Signal bleed captured by dynamic mics and condensers often sounds harsh and brittle due to top-end frequencies. The minimal bleed captured by the KU5A sounds more natural as a result of its smooth top end and coheres well in a mix.

N13The AEA N13 is designed to be natural and open at a mid-field distance, with a particularly strong ability to pick up fast transients. Relatively bright for a ribbon mic, the N13 microphone excels in capturing drum overheads, strings, acoustic guitars, and piano.N13 MICROPHONE OVERVIEWAEA's first non-Big Ribbon™ bidirectional microphoneEvenly balanced proximity effect at mid-field distances (~8”-36”)1.2 micron thick ribbon excels at capturing transientsLow profile and slate gray finish for discreet placementShines on horns, strings, acoustic guitar, and drum overheadsMade in the U.S.A.Operating Principle: Pressure gradient transducerDirectional Pattern: BidirectionalFrequency Range: <20 Hz to >20 kHzMaximum SPL: 13 dB SPL (1% third harmonic > 1 kHz)Sensitivity: 11.48 mV/Pa (-38.8 dBV) (at 1 kHz, no load)Output Impedance: 92 Ω broadbandRec Load Impedance: 1.0 kΩ or greaterPhantom Power: P48 phantom power, 7 mAPolarity: Pin-2 high for positive pressure at the front of the microphone.Off-Axis ResponseHorizontal: Up to 90 dB rejection at right angles to the front/back axis.Vertical: Level changes with angle of incidence, but frequency response is consistent.Transducer ElementMaterial: Pure aluminum corrugated ribbonThickness: 1.2 µmWidth: 0.113 in (2.87 mm)Length: 1.30 in (33.0 mm)Microphone DimensionsHeight: 8.83 in (22.5 cm)Width: 1.62 in (11.7 cm)Depth: 1.62 in (9.5 cm)Weight: 12 oz (335 g)Shipping Weight: 1 lb 13 oz (810 g)Connector: XLR-3MAccessories Included: Storage/shipping case, mic stand clip, soft cloth bag, user manual.

AEA N22 NUVO Series Ribbon Microphone The Missing Link In Your Recording- Specifically designed for singer-songwriters, musicians, and home studios.- Bridging the gap between the top end clarity of a condenser and the classic tone of a ribbon.- Phantom-powered electronics for optimal performance with any preamp.- Highly protected ribbon for close-up use and live sound applications.- Featuring the same Big Ribbon technology as the AEA R44 and R84 microphones.- 100% handcrafted in Pasadena, CA.  How is the N22 different from other ribbon microphones?The AEA N22 was designed with the singer-songwriter musician in mind. Hard working artists, honing their musical craft for many years, feel strongly about their personal tone, so they need a microphone that translates their signature sound in a recording. The N22 delivers on exactly those key points - providing a great ribbon tone without the need for EQ in most applications. Most importantly, the N22 was designed by listening first, and measuring only after experienced musicians told us the microphone sounded great. Bridging the gap between vintage and modern, ribbon and condenser, studio and live, the N22 is the perfect companion for musicians and engineers alike. What is under the hood?Featuring the same Big Ribbon technology that has earned AEA its reputation, the N22 offers an incredible sound in close-mic applications like acoustic and electric guitars, piano, vocals, and drums. With phantom-powered JFET electronics and a custom German transformer the N22 achieves optimal performance with a wide range of preamps including USB or Firewire audio interfaces in home studio setups. The highly protected pure aluminum ribbon allows for using the N22 in live sound applications and vocal recording without the need for an additional pop-filter. At well under $1,000 street price it delivers a handcrafted US-made microphone built to last a lifetime. About the NUVO SeriesThe N22 is the first member of AEA's NUVO series of microphones. Rooted in the RCA tradition just like other AEA ribbons, all NUVO microphones are designed to offer a fresh approach to the ribbon transducer and represent Wes Dooley's take on the evolution of the ribbon microphone.      Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's

"Depth, detail, and bottom end for days. So much focus and tone from one phantom powered ribbon mic." - Darrell Thorp (Radiohead, Beck, Paul McCartney)   More open and natural than any ribbon mic you've ever heard Designed for overheads, strings, and room mics Unobtrusive, video friendly look The same Big Ribbon™ as the R44 Phantom powered electronics for optimal performance with any preamp 100% manufactured in Pasadena, CA   Modern Look, Big Ribbon Sound! Following the successful N22 model designed for singer-songwriters and project studios, the N8 sounds distinctly different despite having a similar appearance to the N22. In designing the N8, we set out to create the most open and natural sounding ribbon microphone ever made. Conceived to render acoustic spaces as faithfully as possible, the new N8 microphone excels in capturing drum overheads and rooms, strings, classical ensembles, and orchestras. As such, it is the ideal complement to the N22 microphone. But even when used up close, the N8 delivers exceptional clarity and warmth, while also taking EQ extremely well without ever being harsh.By employing a similar design philosophy as used on the popular R88 stereo ribbon microphone, the N8 achieves an astonishingly transparent sound with a superior transient response that lets AEA’s famed Big Ribbon truly shine. The aluminum ribbon in the N8 is identical to the flagship R44 model in its dimensions and tuning, putting it in direct lineage of the iconic RCA 44 type.The N8’s unobtrusive size and the “stealth” matte black finish is ideal for orchestral and TV work, where microphones need to be easy to position and more or less invisible. The N8’s phantom-powered electronics and a custom German transformer complete the package and deliver groundbreaking low level detail and optimal distortion performance, even when driving long cable lines in remote recording situations. Just like all other AEA products, the N8 is 100% manufactured in Pasadena, CA. The N8 is the second member of AEA’s NUVO series of microphones. Rooted in the RCA tradition just like other AEA ribbon microphones, all NUVO microphones are designed to offer a fresh approach to the ribbon transducer and represent Wes Dooley’s take on the evolution of the ribbon microphone.   About the NUVO Series The N22 is the first member of AEA's NUVO series of microphones. Rooted in the RCA tradition just like other AEA ribbons, all NUVO microphones are designed to offer a fresh approach to the ribbon transducer and represent Wes Dooley's take on the evolution of the ribbon microphone.   "The N8 has the wonderful natural sonic characteristics of a ribbon mic, with a very focused tone that captures acoustic instruments like no other mic I own. Whether it's placed near or far from the sound source, there is a warmth imparted that is clear and true to the instrument." - Ben Tolliday (Alanis Morissette, Wolfmother)

"Depth, detail, and bottom end for days. So much focus and tone from one phantom powered ribbon mic." - Darrell Thorp (Radiohead, Beck, Paul McCartney)   More open and natural than any ribbon mic you've ever heard Designed for overheads, strings, and room mics Unobtrusive, video friendly look The same Big Ribbon™ as the R44 Phantom powered electronics for optimal performance with any preamp 100% manufactured in Pasadena, CA   Modern Look, Big Ribbon Sound! Following the successful N22 model designed for singer-songwriters and project studios, the N8 sounds distinctly different despite having a similar appearance to the N22. In designing the N8, we set out to create the most open and natural sounding ribbon microphone ever made. Conceived to render acoustic spaces as faithfully as possible, the new N8 microphone excels in capturing drum overheads and rooms, strings, classical ensembles, and orchestras. As such, it is the ideal complement to the N22 microphone. But even when used up close, the N8 delivers exceptional clarity and warmth, while also taking EQ extremely well without ever being harsh.By employing a similar design philosophy as used on the popular R88 stereo ribbon microphone, the N8 achieves an astonishingly transparent sound with a superior transient response that lets AEA’s famed Big Ribbon truly shine. The aluminum ribbon in the N8 is identical to the flagship R44 model in its dimensions and tuning, putting it in direct lineage of the iconic RCA 44 type.The N8’s unobtrusive size and the “stealth” matte black finish is ideal for orchestral and TV work, where microphones need to be easy to position and more or less invisible. The N8’s phantom-powered electronics and a custom German transformer complete the package and deliver groundbreaking low level detail and optimal distortion performance, even when driving long cable lines in remote recording situations. Just like all other AEA products, the N8 is 100% manufactured in Pasadena, CA. The N8 is the second member of AEA’s NUVO series of microphones. Rooted in the RCA tradition just like other AEA ribbon microphones, all NUVO microphones are designed to offer a fresh approach to the ribbon transducer and represent Wes Dooley’s take on the evolution of the ribbon microphone.   About the NUVO Series The N22 is the first member of AEA's NUVO series of microphones. Rooted in the RCA tradition just like other AEA ribbons, all NUVO microphones are designed to offer a fresh approach to the ribbon transducer and represent Wes Dooley's take on the evolution of the ribbon microphone.   "The N8 has the wonderful natural sonic characteristics of a ribbon mic, with a very focused tone that captures acoustic instruments like no other mic I own. Whether it's placed near or far from the sound source, there is a warmth imparted that is clear and true to the instrument." - Ben Tolliday (Alanis Morissette, Wolfmother)

AEA R44C Hand-crafted 44 reproduction The R44C is a museum-quality replica featuring details such as a bronze investment cast yoke rather than the original zinc yokes provided by RCA (which have a tendency to corrode over time). The iconic "streamline moderne" transformer case with "radio" finish (black with bright nickel) comes standard. The R44C is distinguished by a black and silver AEA emblem. The microphone package includes a three-meter cloth covered Accusound Silver Studio Pro cable, a zippered canvas bag, and AEA 44VC vertical case for proper shipping and storage.   RCA 44 ribbon microphones have remained an essential part of studio life well after RCA stopped manufacturing them in 1955. The sound and response of the 44 B/BX were unlike anything else available, and was cherished for its smoothness, forgiving nature and unique tonal balance. As collectors began to buy up the supply of RCA44’s through the 90’s, the availability of this wonderful ribbon mic to the studio was greatly endangered. Wes Dooley, a specialist in ribbon mics of all kinds, has now restored the 44 type microphone to its rightful position in the studio. After tracking down the engineers whodesigned and built the original RCA 44, AEA acquired ribbon material, made the tooling and custom machined all the parts necessary to build the original RCA 44 B/BX design to its original specifications, just as it was in the 1930s. After years of painstaking work, AEA has again begun production of the most important ribbon mic of all time: the AEA R44C.   An accurate reproduction of the original RCA Ribbon Mic Uses the same ribbon material as the original Built to the highest studio standards possible A single diaphragm Figure 8 ribbon microphone High null-axis rejection Custom AEA Transformer High SPL capability, max level of 140dB plus above 200Hz Low Self Noise Consistent polar response Operable in high humidity environments Sounds equal to or better than the original RCA 44 How is the R44 different from other ribbon microphones ?The 44 was RCA’s best microphone from the 1930s into the ‘50s. Is AEA’s R44 that good? Both listeners and measurements saythat the R44 is better and, we’ve been listening to both users and ex-RCA engineers for over 25 years. We start by using only ribbonmaterial originally manufactured for RCA. Next, we use modern magnet technology which is much more robust than periodmagnets. We also combined the original American undamped ribbon design with the British RCA 44 innovations that lower theweight and hum sensitivity.The R44 design runs contrary to all current ribbon microphone manufacturing. It is large and heavy when other microphones aresmaller and lighter. The internal ribbon element is by far the longest and its resonance tuning the lowest of today’s ribbon micro-phones. It is a pure undamped ribbon design, an approach that has been out of production for over 50 years while remaining incontinuous studio use. It is different, and its sound is unique.The R44 sounds good on everything. Leave it out and use it whenever you need to do a quick take. Bruce Swedien particularlylikes them on vocals, Joe Chicarelli on sax, Allen Sides on electric guitar. Everyone has a favorite use and everyone finds theysound good anywhere: brass, woodwinds, percussion, strings or voice work.   Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's

AEA R44CE The R44CE is the value edition of the R44C. It comes with a black transformer case with white emblem logo and one-piece cushion mount, satin nickel grill and formed steel yoke with a satin nickel finish. The R44CE comes with a captive three-meter starquad XLR output cable and AEA 44VC vertical carrying case for proper shipping and storage.   RCA 44 ribbon microphones have remained an essential part of studio life well after RCA stopped manufacturing them in 1955. The sound and response of the 44 B/BX were unlike anything else available, and was cherished for its smoothness, forgiving nature and unique tonal balance. As collectors began to buy up the supply of RCA44’s through the 90’s, the availability of this wonderful ribbon mic to the studio was greatly endangered. Wes Dooley, a specialist in ribbon mics of all kinds, has now restored the 44 type microphone to its rightful position in the studio. After tracking down the engineers whodesigned and built the original RCA 44, AEA acquired ribbon material, made the tooling and custom machined all the parts necessary to build the original RCA 44 B/BX design to its original specifications, just as it was in the 1930s. After years of painstaking work, AEA has again begun production of the most important ribbon mic of all time: the AEA R44C.   An accurate reproduction of the original RCA Ribbon Mic Uses the same ribbon material as the original Built to the highest studio standards possible A single diaphragm Figure 8 ribbon microphone High null-axis rejection Custom AEA Transformer High SPL capability, max level of 140dB plus above 200Hz Low Self Noise Consistent polar response Operable in high humidity environments Sounds equal to or better than the original RCA 44 How is the R44 different from other ribbon microphones ?The 44 was RCA’s best microphone from the 1930s into the ‘50s. Is AEA’s R44 that good? Both listeners and measurements saythat the R44 is better and, we’ve been listening to both users and ex-RCA engineers for over 25 years. We start by using only ribbonmaterial originally manufactured for RCA. Next, we use modern magnet technology which is much more robust than periodmagnets. We also combined the original American undamped ribbon design with the British RCA 44 innovations that lower theweight and hum sensitivity.The R44 design runs contrary to all current ribbon microphone manufacturing. It is large and heavy when other microphones aresmaller and lighter. The internal ribbon element is by far the longest and its resonance tuning the lowest of today’s ribbon micro-phones. It is a pure undamped ribbon design, an approach that has been out of production for over 50 years while remaining incontinuous studio use. It is different, and its sound is unique.The R44 sounds good on everything. Leave it out and use it whenever you need to do a quick take. Bruce Swedien particularlylikes them on vocals, Joe Chicarelli on sax, Allen Sides on electric guitar. Everyone has a favorite use and everyone finds theysound good anywhere: brass, woodwinds, percussion, strings or voice work.   Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's

AEA R44CXE The R44CXE is the value edition of the R44CX. It comes with a black transformer case with red emblem logo and one-piece cushion mount, satin nickel grill and formed steel yoke with a satin nickel finish. The R44CXE comes with a captive three-meter starquad XLR output cable and AEA 44VC vertical carrying case for proper shipping and storage.   RCA 44 ribbon microphones have remained an essential part of studio life well after RCA stopped manufacturing them in 1955. The sound and response of the 44 B/BX were unlike anything else available, and was cherished for its smoothness, forgiving nature and unique tonal balance. As collectors began to buy up the supply of RCA44’s through the 90’s, the availability of this wonderful ribbon mic to the studio was greatly endangered. Wes Dooley, a specialist in ribbon mics of all kinds, has now restored the 44 type microphone to its rightful position in the studio. After tracking down the engineers whodesigned and built the original RCA 44, AEA acquired ribbon material, made the tooling and custom machined all the parts necessary to build the original RCA 44 B/BX design to its original specifications, just as it was in the 1930s. After years of painstaking work, AEA has again begun production of the most important ribbon mic of all time: the AEA R44C.   An accurate reproduction of the original RCA Ribbon Mic Uses the same ribbon material as the original Built to the highest studio standards possible A single diaphragm Figure 8 ribbon microphone High null-axis rejection Custom AEA Transformer High SPL capability, max level of 140dB plus above 200Hz Low Self Noise Consistent polar response Operable in high humidity environments Sounds equal to or better than the original RCA 44 How is the R44 different from other ribbon microphones ?The 44 was RCA’s best microphone from the 1930s into the ‘50s. Is AEA’s R44 that good? Both listeners and measurements saythat the R44 is better and, we’ve been listening to both users and ex-RCA engineers for over 25 years. We start by using only ribbonmaterial originally manufactured for RCA. Next, we use modern magnet technology which is much more robust than periodmagnets. We also combined the original American undamped ribbon design with the British RCA 44 innovations that lower theweight and hum sensitivity.The R44 design runs contrary to all current ribbon microphone manufacturing. It is large and heavy when other microphones aresmaller and lighter. The internal ribbon element is by far the longest and its resonance tuning the lowest of today’s ribbon micro-phones. It is a pure undamped ribbon design, an approach that has been out of production for over 50 years while remaining incontinuous studio use. It is different, and its sound is unique.The R44 sounds good on everything. Leave it out and use it whenever you need to do a quick take. Bruce Swedien particularlylikes them on vocals, Joe Chicarelli on sax, Allen Sides on electric guitar. Everyone has a favorite use and everyone finds theysound good anywhere: brass, woodwinds, percussion, strings or voice work.   Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's

  If you are new to ribbons, you are in for a treat! The AEA R84 Ribbon Microphone is an outstanding general-purpose microphone, ideally suited for solo and accent work. It is hard to find an application where the R84 mic does not shine. Its natural sound and figure-8 directional sensitivity mean the R84 gives you everything professionals expect from a quality ribbon mic. Pure natural sound with quick, smooth transients, just as you hear it when you place your mic in the studio Versatility that lets you capture brass instruments, strings, piano, percussion or vocals Extended bass and treble that handles high SPLs at high frequencies and delivers the details without shoving anything in your face Outstanding transient response for natural sound The AEA R84 uses use a big, 2.35' by 0.185' by 2 micron pure aluminum low-tension ribbon element, that ensures a quick response, whatever the application. This means that percussive attacks, vocal consonants, and other rapid-attack material are cleanly and accurately reproduced by the R84 with no 'dull' or 'flabby' characteristics. It sounds just like you're standing right in front of the source! A versatile mic for multiple recording applications The AEA R84 uses Large Ribbon Geometry (LRG) that's suitable for use by the most demanding audio professional or hobbyist. Whether you're recording brass instruments, strings, piano or percussion, or you're trying to capture that elusive 'perfect' vocal take, the R84 large ribbon microphone is up to the task. Superb bass and treble response that handles high SPLs The R84 produces solid bass down to 20Hz and clean, clear highs up to 20kHz. Plus, it's capable of handling better than 165 dB SPL at higher frequencies, so whether used on vocals or instruments the R84 offers a performance that covers the entire frequency and dynamic range yet is still intimate, warm and detailed, yet never harsh. The AEA R84 is supplied in a complete system that includes a shock mount, 6-foot mic cable and sturdy foam-lined carrying case. Weighing-in at under two pounds and measuring eight inches tall and 2.7 inches in diameter, the R84 is a great sounding microphone that is extremely versatile. Reliable ribbon mic with wide dynamic range Large Ribbon Geometry (LRG), 2.35' by 0.185' by 2 micron pure aluminum low-tension ribbon Able to handle better than 165 dB SPL at higher frequencies Figure 8 pattern for duo recording convenience Includes shock mount, 6-foot cable and sturdy foam-lined carrying case   Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's

  If you are new to ribbons, you are in for a treat! The AEA R84 Ribbon Microphone is an outstanding general-purpose microphone, ideally suited for solo and accent work. It is hard to find an application where the R84 mic does not shine. Its natural sound and figure-8 directional sensitivity mean the R84 gives you everything professionals expect from a quality ribbon mic. Pure natural sound with quick, smooth transients, just as you hear it when you place your mic in the studio Versatility that lets you capture brass instruments, strings, piano, percussion or vocals Extended bass and treble that handles high SPLs at high frequencies and delivers the details without shoving anything in your face Outstanding transient response for natural sound The AEA R84 uses use a big, 2.35' by 0.185' by 2 micron pure aluminum low-tension ribbon element, that ensures a quick response, whatever the application. This means that percussive attacks, vocal consonants, and other rapid-attack material are cleanly and accurately reproduced by the R84 with no 'dull' or 'flabby' characteristics. It sounds just like you're standing right in front of the source! A versatile mic for multiple recording applications The AEA R84 uses Large Ribbon Geometry (LRG) that's suitable for use by the most demanding audio professional or hobbyist. Whether you're recording brass instruments, strings, piano or percussion, or you're trying to capture that elusive 'perfect' vocal take, the R84 large ribbon microphone is up to the task. Superb bass and treble response that handles high SPLs The R84 produces solid bass down to 20Hz and clean, clear highs up to 20kHz. Plus, it's capable of handling better than 165 dB SPL at higher frequencies, so whether used on vocals or instruments the R84 offers a performance that covers the entire frequency and dynamic range yet is still intimate, warm and detailed, yet never harsh. The AEA R84 is supplied in a complete system that includes a shock mount, 6-foot mic cable and sturdy foam-lined carrying case. Weighing-in at under two pounds and measuring eight inches tall and 2.7 inches in diameter, the R84 is a great sounding microphone that is extremely versatile. Reliable ribbon mic with wide dynamic range Large Ribbon Geometry (LRG), 2.35' by 0.185' by 2 micron pure aluminum low-tension ribbon Able to handle better than 165 dB SPL at higher frequencies Figure 8 pattern for duo recording convenience Includes shock mount, 6-foot cable and sturdy foam-lined carrying case   Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's

The R84A: An Active Version AEA offers the Active R84A (formerly known as the A840), a premium version of the R84 complete with JFET electronics and the same custom transformer used in our active R44. It’s basically an R84 with a built-in preamp. The active R84A mic retains the same sonic character of the R84, but with an additional 12dB of output and a stable impedance. This gives a consistent frequency response and greater flexibility with different preamps, including those found in audio interfaces for personal computers. This is great for on-the-road musicians who might have to use a different preamp each night. The extra 12db of output is vital when recording quiet sources like vocals or soft acoustic guitars. The active circuitry also prevents noise interference on long cable runs or when operating near large lighting rigs. The R84A’s active circuitry requires standard 48-volt phantom power to operate. The premium R84A also flaunts an 18-karat, gold-plated grille. AEA A840 Main Features: Higher output than R84 for versatility Compatible with any preamp and input source Low self noise of 17.5 dB Fast, accurate transient reproduction High SPL capability of 141dB Well-controlled, native figure-8 polar pattern Wide-band response from below 20Hz to above 20kHz

AEA R88 MK2 Stereo Ribbon Microphone DetailsThe new R88 MK2 features the same pure BigRibbon sound in a new shockmount that is easier to position.  The AEA R88 MK2 Stereo Ribbon Microphone is a stereo pair of AEA R84's in one capsule! It utilizes the same basic LRG and acoustic structure as the AEA R44CNE, and delivers that "big ribbon" sound for Stereo applications. Wes Dooley has extensive experience in multi-mic and stereo recording. His experiences in North America, Europe, Africa and New Zealand led him to develop portable recording tools such as multi-channel microphone arrays, MS stereo processors, stereo phase displays and very tall microphone stands. Now he has developed an exceptional stereo ribbon mic! The AEA R88 MK2 is designed to be a higher performance microphone with less internal shielding since it's not intended for close micing situations.The R88 MK2 has been optimized for stereo instrument and ensemble recording. The R88's two ribbon motors are oriented at 90 degrees, and have excellent off-axis frequency response. The R88 MK2 uses the large ribbon configuration of the classic RCA 44 series mics, which gives the mic solid 20Hz bass response and a smooth high end which is flattering to complex tones such as cymbals, strings, and woodwinds. The R88 MK2 is very useful for chamber music, drum overheads, stereo piano pickup, horn sections, and most any coincident stereo pickup application. The high quality passive electronics in the R88 MK2 ensure a huge dynamic range with minimal distortion, but the R88 will sound best with a preamp that has at least 60dB of clean gain, low noise floor (-127dB EIN or better) and input impedance of at least 1.5 kOhm.     The R88 MK2 is minimally protected from wind blasts for the most natural sound quality possible, so a pop filter should be used when making close vocal recordings. The R88 MK2 may be used for both Blumlein stereo and M-S Stereo recording techniques. The mic is finished in Stealth black to reduce visibility in live recording situations, and features an integral shock suspension to reduce noise coupled through the mic stand.AEA R88 MK2 Stereo Ribbon Microphone Features       New shock mount suspension for easy positioning   Matched pair of Large Ribbon Geometry figure-eight mics for Blumlein or MS stereo   20 hz to 20 kHz response Captive 4 meter cable to two A3M connectors   Supplied with a locking angle adapter for flexible positioning   Designed to fly overhead for large venue installations   Three pounds plus the cable weight   2.5" diameter and 14" tall   Black stealth finish   Sturdy zippered case         AEA R88 MK2 Stereo Ribbon Microphone Specifications Transducers: dual 2" ribbons oriented at 90 degrees Sensitivity: -52dBV/Pa Frequency Response: 20Hz–15kHz (± 3dB) Output Impedance: 270 ohms SPL Handling: 165dB SPL at 1 kHz           AEA R88 MK2 Stereo Ribbon Microphone Reviews"There's no other ribbon that duplicates what the R88 ($1,895) does for bass, drums, percussion, brass and mallet instruments. It imparts warmth, has an appealing way of dealing with transients and, most importantly, has a knack for making things sound incredibly "real." At this price, it's a no-brainer."      – Mix Magazine      "When I heard that Wes Dooley at AEA was planning a stereo version of the R84 – the R88 – I was interested. I frequently use my R84s for stereo miking, but putting two 12" long mics end-to-end at 90 degrees on a single stand at a height of 8-12' is no small task."      – EQ Magazine       "When I showed the producer and arranger what the 88 sounded like all by itself, they were shocked...They were hard-pressed to believe that one mic could make a sound that big."        – Lynn Fuston, 3D Audio Inc., Franklin, Tennessee "The R88 is beyond belief. It makes every room in my house like a perfect room...Really joyous mike."      – Pete Townshend, The Who, London     Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's  

AEA R88 MK2 Stereo Ribbon Microphone DetailsThe new R88 MK2 features the same pure BigRibbon sound in a new shockmount that is easier to position.  The AEA R88 MK2 Stereo Ribbon Microphone is a stereo pair of AEA R84's in one capsule! It utilizes the same basic LRG and acoustic structure as the AEA R44CNE, and delivers that "big ribbon" sound for Stereo applications. Wes Dooley has extensive experience in multi-mic and stereo recording. His experiences in North America, Europe, Africa and New Zealand led him to develop portable recording tools such as multi-channel microphone arrays, MS stereo processors, stereo phase displays and very tall microphone stands. Now he has developed an exceptional stereo ribbon mic! The AEA R88 MK2 is designed to be a higher performance microphone with less internal shielding since it's not intended for close micing situations.The R88 MK2 has been optimized for stereo instrument and ensemble recording. The R88's two ribbon motors are oriented at 90 degrees, and have excellent off-axis frequency response. The R88 MK2 uses the large ribbon configuration of the classic RCA 44 series mics, which gives the mic solid 20Hz bass response and a smooth high end which is flattering to complex tones such as cymbals, strings, and woodwinds. The R88 MK2 is very useful for chamber music, drum overheads, stereo piano pickup, horn sections, and most any coincident stereo pickup application. The high quality passive electronics in the R88 MK2 ensure a huge dynamic range with minimal distortion, but the R88 will sound best with a preamp that has at least 60dB of clean gain, low noise floor (-127dB EIN or better) and input impedance of at least 1.5 kOhm.     The R88 MK2 is minimally protected from wind blasts for the most natural sound quality possible, so a pop filter should be used when making close vocal recordings. The R88 MK2 may be used for both Blumlein stereo and M-S Stereo recording techniques. The mic is finished in Stealth black to reduce visibility in live recording situations, and features an integral shock suspension to reduce noise coupled through the mic stand.AEA R88 MK2 Stereo Ribbon Microphone Features       New shock mount suspension for easy positioning   Matched pair of Large Ribbon Geometry figure-eight mics for Blumlein or MS stereo   20 hz to 20 kHz response Captive 4 meter cable to two A3M connectors   Supplied with a locking angle adapter for flexible positioning   Designed to fly overhead for large venue installations   Three pounds plus the cable weight   2.5" diameter and 14" tall   Black stealth finish   Sturdy zippered case         AEA R88 MK2 Stereo Ribbon Microphone Specifications Transducers: dual 2" ribbons oriented at 90 degrees Sensitivity: -52dBV/Pa Frequency Response: 20Hz–15kHz (± 3dB) Output Impedance: 270 ohms SPL Handling: 165dB SPL at 1 kHz           AEA R88 MK2 Stereo Ribbon Microphone Reviews"There's no other ribbon that duplicates what the R88 ($1,895) does for bass, drums, percussion, brass and mallet instruments. It imparts warmth, has an appealing way of dealing with transients and, most importantly, has a knack for making things sound incredibly "real." At this price, it's a no-brainer."      – Mix Magazine      "When I heard that Wes Dooley at AEA was planning a stereo version of the R84 – the R88 – I was interested. I frequently use my R84s for stereo miking, but putting two 12" long mics end-to-end at 90 degrees on a single stand at a height of 8-12' is no small task."      – EQ Magazine       "When I showed the producer and arranger what the 88 sounded like all by itself, they were shocked...They were hard-pressed to believe that one mic could make a sound that big."        – Lynn Fuston, 3D Audio Inc., Franklin, Tennessee "The R88 is beyond belief. It makes every room in my house like a perfect room...Really joyous mike."      – Pete Townshend, The Who, London     Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's  

The new stereo R88A active ribbon microphone with custom toroid transformers captures sound as your ears hear it with an honest, open tonality. The R88A effortlessly records the sonic intricacies of drums, strings, piano, and other instruments that produce complex transients. The extra 12dB of transformer gain is advantageous when recording quiet sources like vocals or soft acoustic guitars. The active impedance buffers help prevent noise interference on long cable runs or when operating near large lighting rigs. The R88A requires standard 48V phantom power to operate. Features: Same award-winning stereo perspective as the passive R88mk2 Phantom powered (48V) version of AEA's classic R88mk2 with 12dB more transformer gain Compatible with any preamp and input impedance Fast, accurate transient reproduction Stereo ribbon microphone that offers a natural sound Captures amazingly precise stereo imagery with a single mic Larger-than-normal ribbon elements handle high SPLs with ease Figure-8, Blumlein Configuration (90 degrees) polar pattern 141dB Max SPL