Pinnacle Microphones

The Fat Top is a short ribbon passive microphone that delivers a warm, rich, fat, rounded tone. The bi-directional polar pattern picks up sound essentially equally from both faces with a large null between faces ideal for isolating sound sources. Best suited for guitar cabinets, piano, brass and percussion instruments. Can be used in pairs in a Blumlein set up to pick up the entire room.

Das Pinnacle Microphones Fat Top Black Stereo Pair ist ein Stereoset aus zwei passiven Kurzband-Ribbonmikrofonen, die für einen warmen, vollen und abgerundeten Klang entwickelt wurden. Jedes Mikrofon verwendet ein 99,99 % reines Aluminium-Ribbon mit einer symmetrischen Achter-Richtcharakteristik. Dadurch wird der Schall von Vorder- und Rückseite gleichmäßig aufgenommen, während die ausgeprägte seitliche Auslöschung eine effektive Schallquellenisolierung ermöglicht.Das Kurzband-Design des Fat Top sorgt für eine natürliche Glättung der Höhen und eignet sich daher besonders für Klangquellen, die von einem volleren und weniger aggressiven Klangcharakter profitieren. Die Mikrofone können einzeln oder gemeinsam als Stereopaar für Instrumente, Ensembles und Raumaufnahmen eingesetzt werden.Dank der bidirektionalen Achtercharakteristik lassen sich die beiden Mikrofone als Blumlein-Stereopaar zur Aufnahme von Räumen und Ensembles einsetzen. Das Set enthält zwei Shock Mounts, eine passende Blumlein-Stereoschiene und einen Aluminiumkoffer. Die Stereopaare werden als Set zusammengestellt; fortlaufende Seriennummern sind daher nicht automatisch ein Hinweis auf ein gematchtes Paar.

The Fat Top is a short ribbon passive microphone that delivers a warm, rich, fat, rounded tone. The bi-directional polar pattern picks up sound essentially equally from both faces with a large null between faces ideal for isolating sound sources. Best suited for guitar cabinets, piano, brass and percussion instruments. Can be used in pairs in a Blumlein set up to pick up the entire room.

The Fat Top is a short ribbon passive microphone that delivers a warm, rich, fat, rounded tone. The bi-directional polar pattern picks up sound essentially equally from both faces with a large null between faces ideal for isolating sound sources. Best suited for guitar cabinets, piano, brass and percussion instruments. Can be used in pairs in a Blumlein set up to pick up the entire room.

Fat Top II Active Passive Black Ribbon Microphone w/Lundahl, Shockmount, Carrying Pouch, Alum. Case

The Fat Top II is a short ribbon passive microphone that delivers a warm, rich, fat, rounded tone. The bi-directional polar pattern picks up sound essentially equally from both faces with a large null between faces ideal for isolating sound sources. Best suited for guitar cabinets, piano, brass and percussion instruments. Can be used in pairs in a Blumlein set up to pick up the entire room. Fat Top II comes standardly fitted with the upgraded Lundahl LL2913 transformer. Introducing the upgraded Lundahl to the already quality hardware makes for an extended frequency range. This gives the mic improved definition, lower floor and higher ceiling. 

The Fat Top II is a short ribbon passive microphone that delivers a warm, rich, fat, rounded tone. The bi-directional polar pattern picks up sound essentially equally from both faces with a large null between faces ideal for isolating sound sources. Best suited for guitar cabinets, piano, brass and percussion instruments. Can be used in pairs in a Blumlein set up to pick up the entire room. Fat Top II comes standardly fitted with the upgraded Lundahl LL2913 transformer. Introducing the upgraded Lundahl to the already quality hardware makes for an extended frequency range. This gives the mic improved definition, lower floor and higher ceiling. 

The Fat Top II is a short ribbon passive microphone that delivers a warm, rich, fat, rounded tone. The bi-directional polar pattern picks up sound essentially equally from both faces with a large null between faces ideal for isolating sound sources. Best suited for guitar cabinets, piano, brass and percussion instruments. Can be used in pairs in a Blumlein set up to pick up the entire room. Fat Top II comes standardly fitted with the upgraded Lundahl LL2913 transformer. Introducing the upgraded Lundahl to the already quality hardware makes for an extended frequency range. This gives the mic improved definition, lower floor and higher ceiling. 

Fat Top II Active Passive Brown Ribbon Microphone w/Lundahl, Shockmount, Carrying Pouch, Alum. Case

The Fat Top II is a short ribbon passive microphone that delivers a warm, rich, fat, rounded tone. The bi-directional polar pattern picks up sound essentially equally from both faces with a large null between faces ideal for isolating sound sources. Best suited for guitar cabinets, piano, brass and percussion instruments. Can be used in pairs in a Blumlein set up to pick up the entire room. Fat Top II comes standardly fitted with the upgraded Lundahl LL2913 transformer. Introducing the upgraded Lundahl to the already quality hardware makes for an extended frequency range. This gives the mic improved definition, lower floor and higher ceiling. 

The Fat Top II is a short ribbon passive microphone that delivers a warm, rich, fat, rounded tone. The bi-directional polar pattern picks up sound essentially equally from both faces with a large null between faces ideal for isolating sound sources. Best suited for guitar cabinets, piano, brass and percussion instruments. Can be used in pairs in a Blumlein set up to pick up the entire room. Fat Top II comes standardly fitted with the upgraded Lundahl LL2913 transformer. Introducing the upgraded Lundahl to the already quality hardware makes for an extended frequency range. This gives the mic improved definition, lower floor and higher ceiling. 

The Fat Top II is a short ribbon passive microphone that delivers a warm, rich, fat, rounded tone. The bi-directional polar pattern picks up sound essentially equally from both faces with a large null between faces ideal for isolating sound sources. Best suited for guitar cabinets, piano, brass and percussion instruments. Can be used in pairs in a Blumlein set up to pick up the entire room. Fat Top II comes standardly fitted with the upgraded Lundahl LL2913 transformer. Introducing the upgraded Lundahl to the already quality hardware makes for an extended frequency range. This gives the mic improved definition, lower floor and higher ceiling. 

Vinnie is a long ribbon microphone featuring a 2 7/16” long ribbon. Provides open sound with no modifications required. Results in the most intimate, warm, and articulate sound produced by any type of microphone.

Vinnie is a long ribbon microphone featuring a 2 7/16” long ribbon. Provides open sound with no modifications required. Results in the most intimate, warm, and articulate sound produced by any type of microphone.

Vinnie is a long ribbon microphone featuring a 2 7/16” long ribbon. Provides open sound with no modifications required. Results in the most intimate, warm, and articulate sound produced by any type of microphone.

Vinnie is a long ribbon microphone featuring a 2 7/16” long ribbon. Provides open sound with no modifications required. Results in the most intimate, warm, and articulate sound produced by any type of microphone. The custom winding and core material of the Lundahl transformer offer improved definition along with extended low and top end frequencies.

Vinnie is a long ribbon microphone featuring a 2 7/16” long ribbon. Provides open sound with no modifications required. Results in the most intimate, warm, and articulate sound produced by any type of microphone. The custom winding and core material of the Lundahl transformer offer improved definition along with extended low and top end frequencies.

Vinnie is a long ribbon microphone featuring a 2 7/16” long ribbon. Provides open sound with no modifications required. Results in the most intimate, warm, and articulate sound produced by any type of microphone. The custom winding and core material of the Lundahl transformer offer improved definition along with extended low and top end frequencies.

The X-Treme Stereo ribbon microphone houses two separate matched ribbon elements that are positioned one above the other. The elements are offset 90 degrees and are configured in the Blumlein setup. Stereo separation is superb and off-axis coloration is minimal. Add in the excellent frequency response and extended sensitivity range the X-Treme is ready for the big leagues. The fit and finish are of top quality and includes a premium suspension shockmount, thick padded vinyl pouch and an upgraded aluminum case. A 5-pin cable is included, the cable connects splitter where two separate XLR connectors give access the upper and lower ribbons. Legendary symmetrical ribbon design is incorporated into the X-Treme. Unlike most ribbon motors designed today, X-Treme has two hand-tuned ribbon elements that are offset that incorporate the legendary symmetrical ribbon design. This design offers a true figure 8 pattern. The corrugated aluminum membrane itself is positioned in the center from front to back, thus producing a balanced audio input signal to both sides of the ribbon assembly. Application: Drum overheads, guitar cabinets, acoustic guitars, horns, piano, room ambiance, Percussion, choir and Orchestra.    Note: As with all ribbon type microphones, the X-Treme is not suitable for instruments that produce air-pressure, i.e. kick drum or blowing directly into the grill. 

The X-Treme Stereo ribbon microphone houses two separate matched ribbon elements that are positioned one above the other. The elements are offset 90 degrees and are configured in the Blumlein setup. Stereo separation is superb and off-axis coloration is minimal. Add in the excellent frequency response and extended sensitivity range the X-Treme is ready for the big leagues. The fit and finish are of top quality and includes a premium suspension shockmount, thick padded vinyl pouch and an upgraded aluminum case. A 5-pin cable is included, the cable connects splitter where two separate XLR connectors give access the upper and lower ribbons. Legendary symmetrical ribbon design is incorporated into the X-Treme. Unlike most ribbon motors designed today, X-Treme has two hand-tuned ribbon elements that are offset that incorporate the legendary symmetrical ribbon design. This design offers a true figure 8 pattern. The corrugated aluminum membrane itself is positioned in the center from front to back, thus producing a balanced audio input signal to both sides of the ribbon assembly. Application: Drum overheads, guitar cabinets, acoustic guitars, horns, piano, room ambiance, Percussion, choir and Orchestra. Introducing the upgraded 2912 Lundahl to the already quality hardware makes for an extended frequency range. This gives the mic improved definition, lower floor and higher ceiling.     Note: As with all ribbon type microphones, the X-Treme is not suitable for instruments that produce air-pressure, i.e. kick drum or blowing directly into the grill.