The new stereo R88A active ribbon microphone with custom toroid transformers captures sound as your ears hear it with an honest, open tonality. The R88A effortlessly records the sonic intricacies of drums, strings, piano, and other instruments that produce complex transients. The extra 12dB of transformer gain is advantageous when recording quiet sources like vocals or soft acoustic guitars. The active impedance buffers help prevent noise interference on long cable runs or when operating near large lighting rigs. The R88A requires standard 48V phantom power to operate. Features: Same award-winning stereo perspective as the passive R88mk2 Phantom powered (48V) version of AEA's classic R88mk2 with 12dB more transformer gain Compatible with any preamp and input impedance Fast, accurate transient reproduction Stereo ribbon microphone that offers a natural sound Captures amazingly precise stereo imagery with a single mic Larger-than-normal ribbon elements handle high SPLs with ease Figure-8, Blumlein Configuration (90 degrees) polar pattern 141dB Max SPL

  In the past few years AEA's acclaimed R84 Ribbon Microphone has become a new studio standard. Now AEA has once again expanded the sonic possibilities of ribbon mics with the R92 Ribbon Microphone. Reduced proximity bass boost and excellent wind blast protection make it suitable for close micing (6-12 inches) of guitar amps, vocals, percussion, etc. In addition, the smooth high frequency response of the R88 transducer has been further extended in the R92, making the R92 a unique voice in the world of ribbon mics. AEA has designed the R92 to have slightly different tones on the front and rear pickup lobes of the microphone. The front lobe of the R92 is the 'crisp' side, offering exceptionally clean and realistic high end detail. The rear lobe is the 'smooth' side, which has a bit of classic ribbon high end rolloff that can help to handle harsh transients in a very refined and flattering way. Just like its bigger brothers in AEA's LRG™ microphone series, the bass reproduction of the R92 is very solid and extended to the lowest audible bass frequencies. The R92 is designed with an integral elastic shock mount, featuring a unique mounting system that allows excellent flexibility of mic positioning. The mic ships with a two meter cable and a durable plastic carrying case. Matt Ashman comments about the R92: 'It was designed to have a very full range sound, and to capture it all with a minimum of resonance artifacts for the ultimate in realism. It's perfect for getting FAT guitar sounds with a present and clean high end.' Transducer element Ribbon Thickness: 1.8 microns ( .0000018 meter ) of pure aluminum Ribbon Width: 4.7 mm Ribbon Length: 59.7 mm Polar Pattern: Native bidirectional (figure-eight) Frequency Response: 20 Hz to 18 kHz (+/- 3 dB) Maximum SPL: >115 dB SPL (C-weighted fast) Output Sensitivity: > -55 dBv/Pa Output Impedance: 270 ohms nominal Recommended Load: 1.2 K ohm or greater Powering: Not required or recommended Polarity: Pin 2 high Connector: XLR-3M wired to a 2 meter captive cable Includes durable plastic case with foam interior Operating manual for proper care and usage.   Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's

Another step forward… Amphion’s first Base Extension System was introduced back in 2015. The concept of keeping the stereo information all the way down has since spread and many brands have followed suit. The updated BaseTwo25 System combines the best attributes of our previous Base systems making it powerful modern creative audio tool. BaseTwo25 provides insightful detail and control and packs maximum energy into the lowest octave – giving no hidden surprises in the playback – and allows the sound engineer to hear and feel throughout the whole frequency spectrum. BaseTwo25’s low-frequency extension system is equally at home with any sound making in any application, be it music, gaming, or movies. It excels in any two or multichannel context, where correct reproduction and appreciation of the lowest octave is critical. Amphion’s innovative approach to low-frequency monitoring provides producers, sound engineers, and artists with a completely new perspective on bass frequencies – for example how they contribute to rendering of spaces – especially helpful in modern multichannel and Atmos applications. The BaseTwo25 is a state-of-the-art monitoring solution converting any Amphion two-way studio monitor into a full-range, time and phase coherent, three-way system. These full-range towers extend all the way down to 20Hz. Each BaseTwo25 has 2 x 10 inch woofers (top) and matching 2 x 10 inch radiators (below) mounted in back-to-back force-canceling mode on both sides of the cabinet. The system is driven by single 2U rack mountable BaseAmp1200, which houses a 2 x 700W amplifier, and Amphion’s discrete filtering module with a crossover selection and variable-level attenuator. In addition to providing tight, tuneful bass, BaseTwo25 improves midrange clarity and increases the midrange power-handling abilities of the paired monitors. This is achieved by reduced intermodulation distortion as the low-end frequencies are transferred from the monitors to the base extenders. The new selectable crossover provides integration even when extenders are placed behind a large format console, while keeping the monitors on the meter bridge. BaseTwo25 works with all Amphion products, as well as with monitors that have sufficient speed and resolution in the critical upper-bass/lower-mid frequencies.

Amphion’s FlexBase25 is a modern approach to subwoofer design. FlexBase25 is room friendly and equally suited for studio acoustics as well as less-treated home studio environments. It is easy to setup and intuitive to adjust. FlexBase25 is a single box, stereo base extension system, which is placed on the center line between the main speakers. Wide adjustment possibilities regarding crossover frequency (35-260 Hz), subwoofer level, as well as the mono-stereo spread, allow FlexBase25 to address the needs of a rapidly changing landscape of modern music-making. With a turn of a few dials, the system adapts to any task you happen to be working on. It can be fat, fun, and vibey when writing and producing. It will be precise, correct, and analytical when putting the finishing touches on a track or a film score. FlexBase25 does not work like a conventional subwoofer. It does not only add, it also transforms. FlexBase25 turns your 2-way monitor into a 3-way full range system, which increases the monitor’s headroom radically. Pair it with One12 or One15 for an ultra-fast, easy to adjust small room full-range system. Place it behind your console and let it blend seamlessly with your One18, Two15 or Two18 monitor, which are located on a meter bridge. When you want to dial in on the midrange the by-pass function allows you to use your monitors for a narrower midrange view. While FlexBase25 is naturally optimized for Amphion products, nothing prevents using it with different studio monitors as well.

The One12 studio monitor utilises a 1″ (25mm) titanium dome tweeter set in a Corian waveguide. The tweeter is meticulously aligned with a 4.5” (115mm) woofer, delivering surprisingly tight and even lows for speakers with such a small footprint. This approach, together with a very low crossover at 1600 Hz, ensures a rock-solid “phantom” center image, exceptional time and phase coherence, spectacular 3D soundstage and imaging, and an extremely wide and deep sweet spot. These small One12 monitors provide an amazingly correct translation to much bigger mixing and mastering studio systems, home audio setups, or even large PA systems. Many other monitors fall apart at low listening volume, but the One12 sounds equally solid at any volume. The One12 monitors are a perfect fit for home studios, small post-production edit bays, mobile trucks, or FOH where space is a precious commodity. Designed for any pro audio application, in the studio, or on-the-go, these extreme-nearfields take the room out of the equation and allow you to listen to the pure music – and not affected by the surrounding acoustics. One12 studio monitors are like a large pair of high-resolution headphones which are very comfortable to wear all day long but also allow sharing the experience with the whole production team.

One15 studio monitors are pure and authentic across the whole frequency spectrum. They offer an impressive stereo image, keeping the accurate balance even at low listening levels. These monitors translate perfectly to any other playback system, saving you time from additional checks and amendments. Be it for tracking, mixing or mastering, One15 studio monitors are the optimum affordable nearfield monitors. Providing clear and transparent mids, smooth highs, and an incredibly honest bass response, the One15 can easily fit in any musician’s set up, even in those, demanding extra clarity in the low-frequency spectrum. Any pro-monitoring setup could benefit from Amphion One15s. These high-end passive monitors employ custom-designed drivers, a high-density Corian waveguide, and a sealed enclosure with a passive radiator to deliver the natural, transparent, un-hyped sound needed to make critical mixing decisions. Every tool a sound engineer or producer uses, either helps to make the final product better or allows working quicker. But with the One15 studio monitors, you can do both. Make better decisions faster no matter if you are composing, tracking or mixing. The One15 nearfield monitors are equally suited to the commercial or home studio environment.

One15 studio monitors are pure and authentic across the whole frequency spectrum. They offer an impressive stereo image, keeping the accurate balance even at low listening levels. These monitors translate perfectly to any other playback system, saving you time from additional checks and amendments. Be it for tracking, mixing or mastering, One15 studio monitors are the optimum affordable nearfield monitors. Providing clear and transparent mids, smooth highs, and an incredibly honest bass response, the One15 can easily fit in any musician’s set up, even in those, demanding extra clarity in the low-frequency spectrum. Any pro-monitoring setup could benefit from Amphion One15s. These high-end passive monitors employ custom-designed drivers, a high-density Corian waveguide, and a sealed enclosure with a passive radiator to deliver the natural, transparent, un-hyped sound needed to make critical mixing decisions. Every tool a sound engineer or producer uses, either helps to make the final product better or allows working quicker. But with the One15 studio monitors, you can do both. Make better decisions faster no matter if you are composing, tracking or mixing. The One15 nearfield monitors are equally suited to the commercial or home studio environment.

Amphion’s One18 studio monitors offer a wide sweet spot and pinpoint-accurate imaged sound. This allows for fast and accurate creative decisions. Whether you are writing music, recording, or mixing, the One18 loudspeakers can be your creative weapon-of-choice. Thanks to their natural tone and balanced frequency response you can enjoy 12-hour-long sessions, with no ear fatigue. Extremely detailed but not bright or harsh, the One18 studio monitors allow you to achieve great results quicker and without any doubt. Their perfect translation to any other listening system or environment brings no surprises when auditioning your work outside of your studio. While being remarkably accurate, One18 monitors are strikingly musical and able to translate not only the finest mixing details but also the most delicate acoustic emotions. This results in an effective and deeply enjoyable music-creating process. The Amphion One18 studio monitor offers premium performance for critical monitoring sessions. These high-end passive monitors employ a custom-designed 6.5″ (180mm) woofer, a fast-response titanium tweeter, a high-density Corian waveguide, and a sealed enclosure with a passive radiator to deliver the natural, transparent, un-hyped sound you need to make critical mixing decisions.

Amphion’s One18 studio monitors offer a wide sweet spot and pinpoint-accurate imaged sound. This allows for fast and accurate creative decisions. Whether you are writing music, recording, or mixing, the One18 loudspeakers can be your creative weapon-of-choice. Thanks to their natural tone and balanced frequency response you can enjoy 12-hour-long sessions, with no ear fatigue. Extremely detailed but not bright or harsh, the One18 studio monitors allow you to achieve great results quicker and without any doubt. Their perfect translation to any other listening system or environment brings no surprises when auditioning your work outside of your studio. While being remarkably accurate, One18 monitors are strikingly musical and able to translate not only the finest mixing details but also the most delicate acoustic emotions. This results in an effective and deeply enjoyable music-creating process. The Amphion One18 studio monitor offers premium performance for critical monitoring sessions. These high-end passive monitors employ a custom-designed 6.5″ (180mm) woofer, a fast-response titanium tweeter, a high-density Corian waveguide, and a sealed enclosure with a passive radiator to deliver the natural, transparent, un-hyped sound you need to make critical mixing decisions.

Der Amphion One25A ist ein 3-Wege-Studio-Monitor, der den Amphion-Kernstärken fortgeschrittener akustischer Gestaltung, einfachem Signalweg, Natürlichkeit und hoher Auflösung entspricht, die durch die Vorteile des aktiven Designs verstärkt werden, ohne dabei Nachteile zu haben. Know-how aus dem höchsten Instrumentenbau wurde angewendet, um Resonanzkontrolle und Energieübertragung sicherzustellen, damit nicht nur die technischen, sondern auch die Ziele hinsichtlich Emotionalität und Musikalität erfüllt werden. Ein innovatives, verschlossenes Doppelschrank-Design verbessert die Klarheit aller Frequenzen, indem der Mittelton von dem achteckigen Bassgehäuse getrennt wird, was stehende Wellen eliminiert. Ausreichend Verstärker-Headroom, ein eleganter, einfacher aktiver Crossover und ein Schutzlimiter, der nur im Signalweg aktiv ist, wenn er gebraucht wird, tragen alle zu höchster Auflösung bei.

Cable for Amphion Speakers. Loudspeaker cable: 2×2.5 metre, specially braided silver coated copper conductor, terminated with Chord banana connectors. *Color might differ from picture, often Black Cables are supplied

Spend more time creating and less time re-mixing. With Amphion Two15 studio monitors you do not need to check your mixes on various other systems anymore. Two15 loudspeakers ensure that your mixes sound identical outside the studio as they do in your own. No matter if you are composing or mixing, Two15 deliver you the musical detail you need in order to make the right creative decision. These speakers are able to draw out the finest spatial details without masking the big picture. Two15 studio monitors present dynamic, frequency and transient content in extreme resolution. Two15 loudspeakers truthfully reproduce the material with all engineering nuances while retaining the musical emotions present and vivid. This allows for highly effective, fast and intuitive work, which still keeps the fun as a part of the process. The dual LF/MF drivers of Two15 studio monitors work together in perfect phase alignment to reproduce a wide sonic range with exceptional accuracy. These high-end passive speakers employ custom-designed drivers, a high-density Corian waveguide, and a sealed enclosure with a passive radiator to deliver the natural, transparent, un-hyped sound you need to make critical mixing decisions.

Amphion Two18 studio monitors are Choice #1 for a number of A-list composers, sound engineers, and producers. The Two18 monitors bring them the confidence that their work will translate accurately to the outside world. These loudspeakers provide a neutral presentation, with a phase-accuracy and imaging that is second to none. Whether you are composing, tracking, mixing, or mastering, the Two18 studio monitors are the perfect tool to assist you finishing your work both faster as well as achieving premium results. These transparent and elegantly-truthful studio monitors are perfectly balanced, and easily respond to any acoustic environment, personal tastes, or music genre. The Two18 monitor provides very clear definition – particularly space and sonic placement, and even frequency response and dynamic changes. They remain full and sonically constant at lower listening levels, making them ideal for long-haul mix or mastering sessions. The Two18 studio monitors provide exceptionally precise imaging and a wide sweet spot, keeping the sound well-balanced even when you move around the room. Amphion’s Two18 is a high-end passive monitor that employs custom-designed drivers, a high-density Corian waveguide, and a sealed enclosure with a passive radiator to deliver natural, transparent and un-hyped sound. The dual LF/MF drivers work in tandem with precise phase alignment to reproduce a wide sonic range with exceptional accuracy.

Features: Two Inputs Per Channel – Seamlessly switch from Mix to Record Inputs at the push of a button Third channel strip Input for dual-layer use Mix up to 48 Mono Signals at once Marinair® Transformers on Mix, AFL, CUE bus for true Neve voltage mixing  80 - series Neve® sound in a compact frame  Large format console Centre Section. Multiple speaker sets, dual Cue system and three-way talkback system Internal Snapshot system to Save/Load multiple all console settings across multiple sessions 500 series slots for internal expansion options   1073® preamps and DI inputs with Smart Routing for recording in the live or Control room  In-Line Console capability  25-way D-Type and Balanced Jack Inputs on rear and on front for a combination of simple and professional I/O Connection  The 8424 is designed to connect to and utilise all of your instruments and outboard equipment, becoming the centrepiece of your studio

The sound of Neve has been the audio recording benchmark for generations of leading engineers, musicians and producers. Wherever sound matters, from a full orchestral recording for a blockbuster film to a lone singer, from a rock drummer to an R’n’B vocal, Neve technology provides the warmth, punch and definition so sought after by modern and classic producers.The legendary sound of Neve now becomes available to DAW based producers. Sixteen input channels include level, pan, cut and cue controls. A +15dB gain range accommodates both -10dBv and +4dbm input levels. If sixteen inputs aren’t enough for your mix, multiple 8816 units can be cascaded together via the fixed level two track buss. The ultimate analogue mix buss utilises classic Neve transformer mixing topology. The mix outputs appear simultaneously as balanced +4dBm and unbalanced -10dBv. Mix Inserts are pre-fade for full control and can be switched between normal insert mode and mastering style sum and difference mode with stereo width control.  An optional digital output converts the analogue mix to any standard PCM sample rate up to 192kHz or DSD, Output PPM meters are complemented by overload LEDs to indicate clipping at the ADC or analogue output. The monitor section selects between Mix Out, 2 Track Return, Channels 1 & 2 (DAW mix replay) and 'i-mon' front panel input mini-jack, handy for quick mix comparisons. The monitor level is independent of the mix level and the monitor outputs can be switched between Main and Alt speakers. A separate Cue Output can be fed from three sources and the inbuilt Talkback mic. Headphones can be used to listen to either Cue or Monitor source. A USB connector allows snapshots of the 8816 settings to be saved to a PC or Mac and recalled ready for remix.  Instant Recall of settings stored on PC or Mac via USB16 input channels plus aux additional inputsCue, Level, Pan, Solo and Mute controlsClassic Neve analogue transformer mix bussMix Insert pointsVarious solo and solo in place functionsSum and difference insert with exclusive 'Stereo Width Control'Dance mix style insert Mix functionSeparate Monitor and Cue levels >Main and Alt speaker outsIn built talkback mic and headphone OutputOptional digital output cardUnits can be cascaded for multiple output2 rack U high with special shielded power supply  Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.

88RS Console Preamp The 88M uses the same microphone preamplifier as the world-leading 88R console. The 88 Marinair transformer-coupled preamp, used on countless top ten singles and film scores, is a proven design that delivers analogue punch and clarity to all signal sources. Transformer-Coupled Inputs The 88M microphone, line and DI analogue inputs are fed through the Marinair transformer, ensuring that all microphone & instrument inputs benefit from the legendary Neve preamp sound. 10x10 Audio Interface The 88M has plenty of audio inputs for more extensive recording sessions – two analogue inputs via the onboard preamps combined with eight digital inputs via ADAT optical connection allow for tracking up to ten signals. In addition, there are ten available outputs, two analogue monitor sends and eight digital outputs via ADAT optical connection, ideal for expanded monitoring, additional performer cue sends or connecting to different analogue units. Studio Monitor Outputs The 88M has two dedicated TRS outputs for your studio monitors, precisely controlled from the 88RS-style monitor pot with a centre detent set to -12dB below the maximum for the ideal studio listening level. Professional Headphone Amplifier The 88M headphone amplifier has plenty of headroom for professional headphones with independent level control and a front-mounted TRS connection. Balanced Insert Loop Both preamp channels feature a balanced insert send & return loop, ideal for connecting analogue outboard processing into your recording chain. Each insert send is always active, allowing for signal splitting, and providing an analogue output for each preamp before the A/D converter. Built to Last Like its progenitor – the two-ton 88RS console, the 88M is built to last. Housed in a high grade and robust shell, the 88M is the ideal interface to take out on the road. Reference-Grade Conversion The 88M uses premium AD/DA conversion chips to deliver ultimate fidelity for all outgoing and incoming audio signals. With the 88M in your home studio arsenal, you can trust your converters, knowing that the recorded sound is as Latency-Free Monitoring Several built-in and simple to use monitoring options are available, providing latency-free monitoring for mono and stereo signal sources. Ideal for playback, tracking and overdubbing. USB 3.0 Bus Powered The 88M is designed for plug-and-play connectivity, taking power directly from the USB 3.0 connection. This class-compliant audio interface can be connected quickly to any laptop and be ready to record music in minutes.

Features: Neve classic sound using Class A topology Console sizes: 10,16,24, 32 or 48 channels 1073N microphone preamp and EQ module in each channel Classic voltage mixing using 1272 balanced mixing topology 2x 500-series slots fitted with Neve 2264ALB compressors, patchable or selectable across the Mix Bus Direct outputs on every channel selectable pre or post channel insert Simple Input to each channel doubles the mix inputs when mixing and also allows monitor and cue mixes 4x Auxes, 1x Stereo Cue, 1x Stereo Main Mix Bus Stereo and 5.1 monitor with passive 24 position gold plated monitor level control 3x Stereo & 1x 5.1 selectable loudspeaker output sets Comprehensive Solo system with destructive and safe/isolate modes 2x Stereo reverb returns with width, mono and balance controls & 2x mono DI to bus inputs Main Mix output insertion selectable pre or post fade with IMR (Insert Mix Return) parallel processing controls 25-way D-sub connectivity for easy installation into home or studio environments Optional side car stand on castors

Multiple 10MHz outputs and an ultra-stable Word Clock signal in just 1U rack space 10MX is the newest and the premier member of the Isochrone family. It features technologies from two of Antelope's legendary products. The atomic precision of the 10M and the sophisticated jitter-management algorithm of Trinity are combined in a futuristic, 1U rack space enclosure, providing the world's most stable and musical clocking. 10MX is a fusion of proven technologies and contemporary industrial design, where no compromises are allowed and both build-quality, and performance-excellence are top priority. The new Rubidium Atomic Clock is an epiphany of more than 20 years’ expertise in the digital audio world, making vividly real the clarity, depth, width and 3-dimensionality distinctive of the analog sound. 10MX is perfectly suited for recording, mixing and mastering environments. Its form factor, occupying only 1U of rack space, makes it ideal for live sound application where rack slots are precious commodity. The multiple atomic outputs allow up to 10 devices to be clocked simultaneously over BNC outputs of 10MHz. The unit can also be used as a master clock with 4 outputs, supporting the outstanding sampling rate of up to 768 kHz via BNC. Two more clocking outputs are available via AES and two via S/PDIF. The new Rubidium Atomic Clock is equally easy manageable either from the front panel or the intuitive software control panel available for OS X and Windows, connecting via a USB port. Features Rubidium core with accuracy of 0.05 ppb (parts per BILLION) 4th generation Acoustically Focused Clocking (AFCTM ), employing 64-bit DSP Master clocking up to 768 kHz over 4 WC 2 x S/PDIF and 2 x AES/EBU master clocking outputs up to 192 kHz Atomic clocking compatible with any device that accepts 10MHz reference Utmost ease of operation, just connect it and power it on PC/Mac connection via USB, allowing remote control and firmware upgrades Intuitive Software Control Panel Extremely sturdy mechanical construction  

Amari is a hi-end 384kHz PCM / DSD256 AD/DA Converter. Its majestic sound will suit mixing engineers, mastering gurus and the most dedicated audiophiles. The beautifully designed desktop unit is equipped with a slick touchscreen display. Amari offers 1 pair of Analog outs (either on XLR or TRS connectors), 1 pair of analog inputs (either on Combo XLR or RCA), and 2 high power headphone (HP) outputs with dedicated volume control and adjustable output impedance. Key features: High-End 24-bit 384kHz for play back and recording A/D – Dual AK5578 ADC chips. Dynamic Range 128dB D/A -Eight CS43198 DAC chips. Dynamic range of 138dB DSD64, DSD128 and DSD256 formats supported (DSD over PCM a.k.a. DoP)  playback 2 headphone outputs with dedicated volume control for each output with user-selectable output resistance (a.k.a. headphone membrane weight compensation) that can be switched to balanced mode. Standard and Balanced mode for Headphones 4th Generation 64-Bit Acoustically Focused Clocking. 10M Atomic Clock Input and Word Clock Input for better system integration and improved audio clarity 2 pairs of Analog Ins on combo XLR and RCA 2 pairs of Analog Outs on combo XLR and TRS AES/EBU, S/PDIF and TOSLINK I/O. Large touchscreen display to ease the advanced functions control and visualization USB 3.1 Connection for playback and recording. Software Control Panel for flexibility and advanced functionality both on MAC and PC. Stunning design

14-in/10-out Dual USB-C bus-powered audio interface with Discrete preamps, class-leading converters, and included real-time DSP+FPGA effectsThe Zen Quadro stretches the limits of modern audio interface technology by implementing top-shelf components into an affordable price and portable bus-powered form factor.Taking the AD/DA chips from Antelope Audio’s flagship Galaxy range, along with console-grade Discrete preamps with 75dB gain, the Zen Quadro provides creators of all kinds with the same uncompromising sound quality enjoyed by the world’s premiere recording studios. Synergy Core real-time effect processing and enhanced standalone functionality are only part of the additional features packed into it, while the revolutionary dual-USB design allows simultaneous playback and recording on two systems – making it a no-brainer for all budding producers, musicians, and streamers looking to power up their production setup.High-fidelity conversion with up to 130dB headroom, paired with 64-bit AFC™ clocking technology for increased sound width, separation, and detail;Four Discrete console-grade 6-transistor preamps for crystal-clear recordings;Real-time Synergy Core processing, for tracking, monitoring and streaming with near-zero latency through faithful digital recreations of legendary studio equipment;Includes 37 effects modeled after vintage analog compressors, EQs, guitar amps, modulation effects and more;Dual-USB design, with secondary USB-C port (OTG) for simultaneous playback and recording on two systems;Easy access to routing and mixer settings, device control and preset recall via large color display provide complete standalone functionality;DC-coupled inputs and outputs for controlling synths via control voltage (CV) signals. Unparalleled AD/DA Conversion and ClockingZen Quadro Synergy Core packs the latest gen converters, with up to 130dB dynamic range at 24-bit/192 kHz, outperforming competitors at several times the cost. Paired with Antelope Audio’s proprietary 64-bit AFC™ clocking technology, the interface provides you with a new level of detail in your recordings and wider soundstage for an exceptional stereo image in audio playback – allowing you to make the best decisions for your mix. Crystal Clear PreampsThe Zen Quadro’s four Discrete preamps are built with a 6-transistor topology inspired by the British and American analog console designs of the eighties and nineties, offering maximum noise reduction and precise sound capture. With extremely low noise and up to 75dB gain, the Zen Quadro can handle even the quietest dynamic and ribbon mics. Synergy Core: The Magic of Real-time DSP and FPGA Processing Antelope Audio engineers combined DSP with FPGA chips to model each and every individual component of analog hardware. This ensures sound and behavior that’s virtually indistinguishable from the real thing—with near-zero latency, and zero strain on your computer’s CPU. Zen Quadro comes with 37 legendary compressors, EQs, guitar amps and cabs, modulation effects and more, that can be applied in real-time during recording, streaming or live performances. Up to 48 mono effect instances can be loaded on 6 input chains simultaneously, putting the power of a complex multi-rack setup on your desktop. At any time, you can expand your collection with more real-time effects such as Antares’ Auto-Tune Synergy and Grove Hill's Liverpool, available as additional purchases. Revolutionary Dual-USB designThe Zen Quadro’s dual USB-C ports unlock a new world of possibilities for creators of all kinds. It’s like having two interfaces in one – freely route signals and create mixes between the two USB connections, using Mac, PC, iOS (USB-C) or Android devices together. The convenient loopback makes it great for streaming, and the secondary port can charge your mobile device while the primary port provides power for the Zen Quadro. Enhanced Standalone Functionality for Live and TouringTake the studio on the road with bus-powered USB-C connectivity alongside a durable metal enclosure. With complete standalone operation, you can easily access routing and mixer controls through the color display, and recall settings and real-time FX chains, making it ideal for live performances. The secondary USB-C port even allows collaboration between duo live acts that are using two computers on stage! Flexible Connectivity for Your Entire StudioFour mic/line inputs, two instrument inputs, ADAT input and S/PDIF I/O are at your disposal to record a total of up to 14 inputs simultaneously. On top of the monitor outs, you also get an additional pair of line outs to connect a second pair of speakers or use them for outboard processing. The second headphone out has an independent mixer, so 2 people can listen to different cue mixes at the same time. The DC-coupled I/O can also send and receive control voltage (CV) signals and allow the Zen Quadro to be part of a modular synth setup. FeaturesConversion & Clocking Class-leading AD/DA conversion with up to 130dB of headroom.Recording, mixing and playback at up to 24-bit/192kHz. Proprietary 64-bit AFC™ (Acoustically Focused Clocking) technology & Jitter Management algorithm delivering increased sound width, separation, and detail. Connectivity Connectivity 4 × Discrete 6-transistor preamps with 75dB of gain for pristine recordings. All work as microphone/line and two are also Hi-Z inputs, on combo XLR jacks, and supply 48V of phantom power. 2 x monitor outs and 2 x line outputs via TRSTwo stereo headphone outputs with separate gain control and mixTwo independent USB-C ports (OTG) for simultaneous playback & recordingADAT Input (up to 8 ch) and S/PDIF I/O (2 ch)DC-coupled inputs and outputs for controlling modular synths with control voltage (CV)Workflow-enhancing features Direct monitoring with Synergy Core effects, processed in real-time with near-zero latency. Easy routing - select audio sources per channel, for each monitoring mix. Also available through the color display.Simultaneous playback and recording with two computers or computer + mobile device.Flexible loopback options for streaming.Customizable presets with signal routing, level adjustments, mixer, and effects settings. Customizable monitoring mixes with adjustable levels, panning and reverb. Class-compliant, no driver required on macOS and iOS.Standalone operation – simply connect to a phone charger and use without being connected to a computer.Remote control of software features from a separate computer connected to the same network. Real-time effects processing Included collection of 37 Synergy Core effects modeled after classic and rare analog outboard gear. Synergy Core - proprietary FPGA+DSP platform for real-time effects processing allows up to 48 effects loaded simultaneously with near-zero latency.Mic Modeling Engine allows pairing with the Edge microphones for real-time use of vintage microphone emulations.

Features: Synergy Core fuses the power and speed of FPGA processing with developer-friendly DSP chips All effects processing is off-loaded to the platform for lower buffer sizes and CPU-heavy plug-ins FPGA processing recreates studio effects with incredible realism DSP power brings third-party effects to an efficient real-time, low-latency platform Synergy Core will expand Antelope’s effects library with new types of effects Synergy Core will let Antelope Audio release new effects on all SC devices simultaneously, which wasn’t always possible before Future-proof and configurable architecture allows designing each product for optimal performance FPGA eliminates the issue of latency stacking which is common with DSP-only devices Existing Antelope products will be updated with Synergy Core technology

Features: Synergy Core fuses the power and speed of FPGA processing with developer-friendly DSP chips All effects processing is off-loaded to the platform for lower buffer sizes and CPU-heavy plug-ins FPGA processing recreates studio effects with incredible realism DSP power brings third-party effects to an efficient real-time, low-latency platform Synergy Core will expand Antelope’s effects library with new types of effects Synergy Core will let Antelope Audio release new effects on all SC devices simultaneously, which wasn’t always possible before Future-proof and configurable architecture allows designing each product for optimal performance FPGA eliminates the issue of latency stacking which is common with DSP-only devices Existing Antelope products will be updated with Synergy Core technology

Features: Powerful mic modeling engine duosonic / stereosonic microphone output split in 2 independent audio channels for maximum control and re-micing large double-membrane condenser capsule switchable polar patterns and anything in between ultra-low resonance headbasket and body construction shock mount with pop filter and special oxygen-free copper y-cable extensive library of vintage mic emulations

The Antelope Audio Edge Go is a studio-grade large-diaphragm condenser USB microphone that gives musicians, content creators, and producers unprecedented access to Antelope's industry-leading mic-modeling technology. What would your recordings sound like if you had a locker full of classic vintage microphones? With the Antelope Edge Go, you'll unlock detailed software emulations of the world's most iconic mics and studio effects processors. Just plug your Edge Go USB microphone into your Mac or PC, launch the included Edge Go software, and start rolling. Pristine USB Output for High-Resolution Recording -- Anywhere You've never seen a USB mic quite like the Edge Go. Built to Antelope's exacting specifications, with the same dual-diaphragm capsules as the Antelope Edge Duo condenser microphone, the Edge Go gives you USB-C output for convenient recording directly to your computer -- with no need for an external preamp, mixer, or audio interface. The Edge Go mic functions as its own audio interface, offering pristine A/D conversion with up to 192 kHz/24-bit resolution -- far higher resolution than the typical USB mic can deliver. In the pro audio world, Antelope is known for building the high-end analog-to-digital converters and super-accurate digital clocks found in world-class recording studios and broadcast facilities. The Edge Go draws on this impressive pedigree of engineering expertise to bring you Antelope sound quality in a go-anywhere, bus-powered USB microphone. Edge Go Mic + Software = Classic Microphone Emulations The Antelope Edge Go mic includes Edge Go control panel software, which lets you instantly audition and compare 11 expertly crafted microphone emulations. They're all modeled after the time-tested studio mics you've heard on thousands of hit recordings: Fat-sounding tube mics like the Tokyo 800T, Berlin 49T, Berlin 67, and Vienna 12; crisp FET condensers like the Berlin 87, Berlin M103, Berlin 47 FT, and Vienna 414; and smooth ribbons like the Sacramento 121R and Oxford 4038. Just select the mic you'd like to hear and dial in the pickup pattern you want to use: omnidirectional, cardioid, bidirectional figure-8, and everything in between. Antelope's software models meticulously emulate the distinctive character of each iconic microphone -- effectively giving you access to an epic mic collection. And you can record through the Edge Go microphone with no mic emulation applied for a transparent, flat 20 Hz - 20 kHz large-diaphragm condenser sound. Antelope-Modeled Effects: Preamps, EQ, Compression, Reverb and More Antelope's software magic doesn't end with microphone modeling. The Edge Go also gives you access to a killer collection of 22 effects modeled after classic studio gear, including all the must-have mic preamplifiers, dynamics processors (limiters, compressors, gates, expanders), de-esser, equalizers, and Antelope's AuraVerb with 6 reverb types to help you dial in the right ambiance from barely-there atmosphere to epic echoes. There's even a reel-to-reel tape effect to give your recordings a distinctively vintage vibe. Not sure where to start? Edge Go software gives you one-click access to presets like "Telephone Effect," "Massive Reverb Space," "Fan Noise Reduction," and more, so you can nail that sound in your head and start recording fast. Get creative and build the effects chain of your dreams, then save it as a preset, so inspiration is only a click away. FPGA Processing Inside the Microphone -- Not Your Computer's CPU All the processing power you need to run Antelope's mic emulations and effects models is built right into the Edge Go microphone's hardware, in the form of a dedicated FPGA chip. With the Edge Go mic, there's no need to bog down your DAW with effects processing plug-ins, sap your computer's limited CPU power, or buy an external DSP accelerator or interface box. Antelope Audio is an industry leader when it comes to harnessing the power of FPGA (Field Programmable Gate Array) chips for real-time audio processing -- and with the Edge Go microphone, all that power is now in your hands. Everything You Need to Start Rolling Your Edge Go microphone comes packed in a road-ready hard case with a heavy-duty shock mount, a professional metal mesh pop filter, an adjustable-angle desktop mic stand with a sturdy non-slip base, and a USB-C to USB-A cable. There's even a 1/8" stereo headphone jack right on the Edge Go microphone body for easy zero-latency monitoring. Just add your favorite pair of headphones, your computer with a USB input, and the audio software of your choice, and you'll have everything you need to start recording. Features: Studio-grade dual-diaphragm condenser microphone with 192 kHz/24-bit USB output 1/8" stereo headphone output on the microphone for zero-latency monitoring Includes Edge Go software with 11 microphone emulations and 22 studio effects, with easy presets for dialing in your sound fast Built-in Antelope FPGA processing for real-time processing without sapping your computer's CPU Comes with hard case, shock mount, metal pop filter, desktop mic stand, and USB-C to USB-A cable No need for an external audio interface, preamp, power supply, or DSP accelerator Ideal go-anywhere recording rig for musicians, podcasters, vloggers, voiceover artists, and content creators