Digital Audio Service | Professionelle Audiotechnik

25 %

PreSonus HD9

Wenn Sie konzentriert arbeiten müssen, aber niemanden in Ihrem direktem Umfeld stören möchten – oder auch selbst nicht gestört werden möchten – ist der PreSonus® HD9 Kopfhörer die richtige Wahl für Sie. Er klingt extrem sauber, bietet einen hohen Tragekomfort und zeichnet sich durch einen breiten, transparenten Frequenzgang aus, der akkurates Mischen ermöglicht. Das geschlossene Wandlerprinzip des HD9 sorgt für eine herausragende Dämpfung des Umgebungsschalls und minimiert das Übersprechen des Kopfhörers, sodass Sie sich auf die Musik konzentrieren können – ohne Ihre Mitbewohner zu stören. Durch ihre hohe Leistung (900 mW pro Kanal an 40 Ohm) stellen die 45 mm Neodym-Treiber des HD9 eine laute, extrem saubere Audiowiedergabe sicher, ohne das Gehör zu ermüden. Sein angepasster Frequenzgang von 10 Hz bis 26 kHz sorgt für eine akkurate Basswiedergabe und ermöglicht präzise Mischungen. Der leichte HD9 verfügt über ein verstellbares Kopfband und Ohrmuscheln, die sich über zwei Achsen um 180 ° drehen lassen und dank langlebiger Ohrpolster bequem zu tragen sind. Das gerade, etwa 3 m lange Kabel wird einseitig aus dem Hörer geführt und ist daher in der Praxis nicht im Weg. Das führt zu einem bequemen Hörerlebnis, das Sie auch bei langen Sessions schätzen werden. Dabei ist der HD9 so stabil gebaut, dass Sie sich auch unterwegs immer auf ihn verlassen können.

59,00 €* 79,00 €*

16 %

PreSonus Eris Studio 4 (Single)

Der Eris® Studio 4 setzt einen neuen Standard für kompakte Studiomonitore. Mit erstaunlichem Bass und einem breiten, gut kontrollierten Sweet Spot ermöglicht er auch in kleinsten Mixräumen ein erstklassiges, präzises Monitoring. Der speziell entwickelte EBM-Wellenleiter (Elliptical Boundary Modeled) sorgt für eine überragende Hochfrequenzwiedergabe, die Ihnen erlaubt, die feinsten Details Ihres Mixes zu hören. Eine breite horizontale Streuung von 120 Grad schafft einen großen Sweet Spot mit lebensechtem Stereo-Bild. Die schmale vertikale Streuung reduziert Reflexionen vom Tisch, und ein Seidenkalotten-Hochtöner garantiert eine präzise, reaktionsschnelle Transientenwiedergabe. Der 4,5-Zoll-Tieftöner aus gewebtem Kompositmaterial produziert klaren, präzisen Bass mit kräftigem Punch, der die kompakte Größe des Eris Studio 4 weit übertrifft. Das Bassreflexgehäuse und die 50W Bi-Amping-Leistung maximieren die Basswiedergabe und ermöglichen es dem Eris Studio 4, beeindruckende 55 Hz zu erreichen. Für überragende Leistung in Heimstudios und kleinen professionellen Regieräumen konzipiert, vereint der Eris Studio 4 flexible Anschlussmöglichkeiten mit einer Klangpräzision, die ihn in seiner Klasse einzigartig macht.

83,00 €* 99,00 €*

12 %

PreSonus Faderport 16

Als überragende Lösung für alle, die mit dem Computer mischen, bietet der FaderPort 16 16 berührungsempfindliche 100 mm Motorfader in einem kompakten Gehäuse, das auf jedem Schreibtisch Platz findet. Wie der beliebte PreSonus® FaderPort 8 verfügt auch der FaderPort 16 über digitale Beschriftungsfelder, Mute- und Solo-Tasten für jeden Kanal, umfassende Automatisierungs- und Transport-Funktionen sowie Pegel-, Pan-, Send- und Plug-In-Modi für jeden Fader. Der einzigartige Session Navigator bietet direkten Zugriff auf acht wichtige Funktionen wie Navigation, Zoom und Master-Fader-Steuerung und ermöglicht damit eine schnelle und einfache Mischung und Steuerung Ihrer DAW. FaderPort 16 ist mit fast jeder DAW für Mac® oder Windows® kompatibel und unterstützt sowohl HUI als auch Mackie Control, inklusive spezieller Modi für Logic, Cubase und Sonar. Dank der nativen Unterstützung für Studio One® bietet FaderPort in Kombination mit der benutzerfreundlichen DAW von PreSonus noch zusätzliche Funktionen wie die Control-Link-Unterstützung oder Parameter Follow, mit der Sie jeweils den Parameter an der Mausposition steuern können. Mit seinem ergonomischen Design ist der Controller eine komfortable Erweiterung zu Tastatur und Maus.

849,00 €* 969,00 €*

11 %

Triton Audio FetHead Germanium

Germanium microphone preamp FetHead Germanium is a high quality, in-line microphone preamplifier. It provides a punchy and direct, ‘larger than life’ germanium sound for ribbon and dynamic microphones, adding classy Germanium harmonics. Sounding full and rich it is reminiscent of much higher priced vintage gear, making FetHead Ge's desirable coloration a really great addition to (Interface) preamps which sound rather neutral. Germanium flavour Germanium transistors were widely used in earliest transistor designs by Neve, EMI, Telefunken, and Fairchild, and have developed a reputation for a decidedly vintage mojo that remains sought after today. We created a novel hybrid circuit that consists of low noise JFets and a hand-selected ‘new old stock’ germanium transistor to take full advantage of the "Germanium" sound and at the same time achieve the same sonic quality we are known for. Protects the microphone Some ribbon microphone do not tolerate phantom power. FetHead Germanium circuit uses 48v phantom power but shields it from the microphone, your microphone is protected. Germanium microphone preamp For Ribbon and Dynamic microphones Great addition to neutral sounding preamps New old stock Germanium transistor 29dB amplification Shielded Enclosure Easy install - 2 clicks and done

79,00 €* 89,00 €*

11 %

Triton Audio FetHead Transformer

Features Low noise Class A FET amplifier 28 dB amplification XLR input/output Custom nickel core transformer Frequency response 30hz-100 kHz Circuit is powered with 48V phantom power PhilosophyFetHead Transformer is a high quality inline microphone preamplifier. It provides a very warm andthick yet articulate sound for dynamic and ribbon microphones. FetHead Transformer’s desirablecharacter is a really great addition to (interface) preamps which sound rather neutral. Our tried andtrue FET technology combined with a custom wound nickel core transformer delivers 28dB oftransformer infused gain. OperationYour Fethead Transformer will latch straight onto any XLR equipped microphone, or anywhere else inthe signal path between microphone and preamp/mixer. The electronics are housed in a robust metalchassis with a balanced female XLR input and a balanced male XLR output, rugged enough for use athome, in the studio or on tour. Recommended applicationOur FetHead Transformer is recommended in the following situations: For tracking vocals and making podcasts Adding transformer sound to your signal chain Recording direct into a DAW interface Mixers/preamps that negatively impact the sound at higher gain setting Adding warm and thick focus to the sound source Circuit topologyOur FetHead Transformer utilizes a low noise Class A FET amplifier with a nickel core outputtransformer. A low impedance output buffer provides output drive to long cables.

79,00 €* 89,00 €*

51 %

Newfangled Audio Generate

Novel chaotic oscillator has 8 types: Double Pendulum, Vortex, Pulsar, Discharge, Turbine, Helix, Crescent, and Magma Wavefolders based on the Buchla 259 Complex Waveform Generator, Fractals, and a special Animated Equation Low Pass Gate based on the Buchla 292 adds controls for POLES and RESONANCE Modulate all controls with MIDI/MPE, two Looping Envelopes, two LFOs, Sample and Hold/Random, and a Step Sequencer Innovative modulation UI allows modulation over almost every control from the main page, allowing up to 957 modulation routings in a single pane Innovative EQ, Chorus, Delay, Reverb, and Limiter effects to turn the sounds into magic MPE support allows amazing control from expressive controllers All mod sources have multiple outputs generated at once, and they can modulate each other, just like a modular synth Animations! The Double Pendulum, Wavefolder, and Low Pass Gate modules each have animations to show how each module responds to your input, and to modulation Color Schemes! Don’t like the look of it, change it Resizable UI Over 600 Presets, including many renowned artists

49,00 €* 99,00 €*

7 %

WesAudio CALYPSO

_CALYPSO is an audio interface designed to work in 500 series enclosure. It features state of art 8 channels of AD/DA conversion and perfectly integrates with ng500 chassis - _TITAN, through I.A.C. connector. Besides its very convenient integration with ng500 chassis, it still can be used in standard 500 series enclosure using two DB25 connectors. Features summary: 24bit conversion Supported sample rates: 44.1kHz, 48kHz, 88.2kHz(SMUX), 96kHz(SMUX) Ultra low jitter clock Word clock IN/OUT Full integration with _TITAN via IAC connector (Just ADAT cables are need to route signal to, and from chassis) Two DB25 connectors allows integration with any 500 series chassis Two converter reference levels +4dBu/-10dBV LCD screen with channels metering Specification: Inputs: Impedance - 10K THD+N - 105dBFS Maximum level - +24dBu Freq. response - 20Hz-20kHzm +/- 0.1dB Connector type - DB25/IAC Outputs: Impedance 100ohm THD+N - 103 dBFS Maximum level - +24dBu Freq. response - 20Hz-20kHzm +/- 0.1dB Connector type - DB25/IAC

799,00 €* 859,00 €*

20 %

WesAudio Dione

It implements famous bus compressor design made with best components available on the market. Unit is fully compatible with GCon protocol which allows complete parameters management over USB or through open specification 500 series frame – _TITAN. Besides its vintage and transparent nature, unit itself implements many modern features which brings extreme flexibility to shape your sound – like parallel compression or configurable harmonic distortion. Features: famous bus compressor design with usage of best analogue components, compatible with GCon – innovative High-speed USB/Ethernet protocol, digitally controlled and isolated analog circuit direct USB connection to control analogue device with usage of VST2/VST3/AAX plugins. hardware A/B settings switch, digital sidechain – side chain signal can be sent from the plugin itself (DAW) to the compressor, 3 touch sensitive encoders allow record automation of particular parameters (Threshold, Mix, Make Up) in DAW, true bypass accurate analogue GR meter and its precise simulation implemented in the plug-in itself, THD – harmonic distortion with two modes (Medium & High), Mix knob which allows parallel compression, free software and firmware upgrades, +24dBu of headroom

959,00 €* 1.199,00 €*

20 %

WesAudio HYPERION

_HYPERION is fully analog parametric EQ with +24dBu of headroom. It features a lot of innovative improvements that no other processor on the market provides. Its innovative design utilizes 15 VCAs per channel to provide essentially noiseless parameter changes and very musical nature. _HYPERION is next product in NG500 line where total recall is implemented through front panel USB socket or _TITAN chassis. Features: +24dBu of headroom Stereo / Dual mono / Mid/Side operation mode 4-Band EQ with switchable gain range for 5db or 15dB boost or cut per band: High band – 2kHz to 25kHz (bell or shelf) High-Mid band – 600Hz to 8Khz with full Q control Low-Mid band – 200Hz to 2.5Khz with full Q control Low band – 30 Hz to 350Hz (bell or shelf) HPF with 12dB/Oct or 6 dB/Oct slopes Each band features its own Bypass switch Essentially Noiseless parameter changes Proprietary THD implementation Flexible DAW/Live plug-in control for instant recall 12 touch sensitive encoders allows to record automation True bypass In and OUT metering with clip detection A/B compare feature

1.089,00 €* 1.359,00 €*

20 %

WesAudio Mimas

Feartures: world class compressor sound GCon – innovative High-speed USB/Ethernet protocol fully digitally controlled analog circuit Saturation Mode – special mode of operation which allows to saturate signal using gain staging between IN and OUT transformers fully balanced in/out by Carnhill transformers USB computer connection VST2/VST3/AAX/AAX DSP/AU (MAC/PC) control plugin dedicated stereo plugin to manage two devices integrated hardware A/B function digital sidechain from DAW to compressor 4 touch sensitive encoders (allow to record automation of all parameters to DAW in real time) true bypass selectable VU(in/out)/GR meter +24dBu of headroom

799,00 €* 999,00 €*

20 %

WesAudio ng76

Main Features Summary: 100% analog FET mono compressor with 24dBu of headroom. Classic lightning speed compression style based on WesAudio Beta76 design. Full Total Recall and plugin control compatible with most DAWs. Classic controls known from FET style compressor - INPUT / OUTPUT / ATTACK / RELEASE. Additional MIX knob for parallel compression. Carnhill Transformers (input and output). Saturation mode - Special mode where static compression is triggered to produce sonicsbased on FET circuit, and One knob which sets INPUT and OUTPUT in an opposite way. Itallows to use the unit as a saturation box / clipper. Four ratio settings 4:1 / 8:1 / 12:1 / 20:1 - all possible combinations including ALL button mode! Modern and Vintage modes to support two 1176 revisions (F & G): Vintage - transformer balanced input, Modern - Electronically balanced input. Sophisticated side chain circuit EQ with two independent sections: HPF 60 Hz / 90 Hz / 150 Hz - to maintain low end information while compressing, High Shelf of 2kHz / 5kHz, 10kHz - to tame high frequencies by emphasizing high/high mid-range content. Vintage gain reduction meter. Very precise INPUT and OUTPUT metering. Hardware A/B buttons to compare two independent settings. THD - total harmonic distortion with LOW and HIGH settings based on the FET circuit. Fully digitally controlled and isolated analog circuit. ANALOG AUTOMATION in DAW. Ethernet and USB connectivity for integration with digital plug-in. Size: 2U.

1.199,00 €* 1.499,00 €*

20 %

WesAudio ngBusComp

Features: 100% analog device with +24dBu of headroom powered by QUAD VCA THAT 2181 Dual mono and stereo compression Mid-side mode Two selectable output stages normal(electronically balanced), IRON (transformer balanced) IRON PAD passive attenuator enabled in IRON mode allows to drive output transformer for musical saturation Flexible DAW/Live plug-in control for instant recall Controllable thorugh standalone WesAudio application Relative parameter linking for better unit management MIX KNOB FOR PARALLEL COMPRESSION Detailed metering for both channels Gain reduction, input and output THD Proprietary THD with precise variable control Side chain filters 3 high pass filters at 60,90 and 150 Hz, and 2 tilt filters which are special “curve” designed filters External side chain for each channel via TRS back connector FIVE RATIO SETTINGS 1.5:1 and 2:1 for gentle mixbus processing, 4:1 and 10:1 for large variety of applications, and INF (crash) mode! Management via Ethernet or USB A/B/C compare feature TOTAL RECALL AND PLUGIN CONTROL compatible with most DAWs. ANALOG AUTOMATION in DAW. 4 Touch sensitive encoders per each channel allow to record automation in DAW Fully digitally controlled and isolated analog circuit, True bypass, Free software and firmware upgrades. Size: 3U

2.649,00 €* 3.329,00 €*

20 %

WesAudio ngLEVELER

Features: 16 channels of analog automation with total recall +24dBu of headroom 6dB passive attenuator (PAD) for better integration with high level signals Very low noise and distortion - THD+N < 0.01% MUTE and SOLO for each channel HUI controllers integration Proprietary THD implementation IN and OUT (before and after signal leveling) metering fully integrated with DAW plug-in Flexible DAW/Live plug-in control for instant recall DB-25 analog connectivity Management via Ethernet or USB

1.599,00 €* 1.999,00 €*

23 %

WesAudio Phoebe

Features: 100% analog microphone/line preamp with +28dBu of headroom. Class A fully analog – inspired by famous British design based on dual amp topology. Microphone gain up to 75dB. Carnhill Transformers (input and output). Output signal metering on the front panel with clip detection. Phantom power and phase invert control. Switchable impedance input (1200/300Ohm). All controls/analog settings are fully manageable via the WesAudio GCon DAW plug-in. 15dB OUTPUT PAD – passive output attenuation circuit with 1 dB step. (after the output transformer). Front panel XLR/TS socket which supports – HiZ instrument input (TS), line input (XLR), microphone input (XLR). Recallab

695,00 €* 899,00 €*

22 %

WesAudio PROMETHEUS

_PROMETHEUS is fully analog passive EQ with +24dBu of headroom. It features pultec-style warm sound with a lot of innovative improvements. Its modern approach to design allows instant recall of your classic vibe through very flexible plugin available in most common formats. _PROMETHEUS as all ng500 products, integrates with your DAW environment via front panel USB socket or _TITAN chassis. Features summary: +24dBu of headroom Stereo / Dual mono / Mid/Side operation mode Passive equalizer (Pultec-style) design Low frequency boost/cut – 20, 30, 60, 100, 120, 250 Hz. High frequency boost – 2, 3, 4, 5, 8, 10, 12, 16 kHz. High frequency cut – 4, 8, 12, 20 KHZ. Proprietary THD implementation Flexible DAW/Live plug-in control for instant recall 6 touch sensitive encoders allows to record automation True bypass In and OUT metering with clip detection A/B compare feature

1.089,00 €* 1.399,00 €*

21 %

WesAudio Supercarrier II

Supercarrier II is a second generation of our very popular Supercarrier I – 500 series standardized chassis. It features 11 slots with innovative ISP technology.ISP – Independent Slot Power – is a solution which makes a huge breakthrough in 500 series powering system, it allows best accommodation for even most demanding 500 series modules. So what it is all about ? The answer is very simple – based on the ISP technology, each slot is individually supplied with linear power, causing each module to work in totally isolated, and independent way. To say it simple, it is like each of 11 modules would work in separate 500 series frames, what makes it ideal environment for your beloved hardware – without any interference, noise, pops or clicks. To separate each slot even more, we introduced a tantalum caps for each slot to clean the whole frequency spectrum from any other unwanted noise. The chassis itself, is powered by big 100W toroid external supply. Features: 11 slots ISP (Independent Slot Power) technology Tantalum caps on each slot XLR sockets in/out for each slot DB-25 socket for first 8 slots Internal stereo link switches Linear power supply capable to deliver 5A of power Power mode switch – 115V/230V

659,00 €* 829,00 €*

20 %

WesAudio Titan

_TITAN is 500 series compatible rack frame which implements ng500 connector and GCon protocol. _TITAN is complete recall system designed to provide total integration with your beloved analogue equipment. It implements special connector which is part of new open standard “ng500” – “Next Generation 500 series” where modules can be designed to communicate with outside environment to support digital recall or any other vendor specific functionalities. “ng500” connector is compatible with most of standard 500 series modules* and allows total integration with GCon compatible modules. _TITAN supports USB connection, which can be used to directly connect workstation to your modules, and Ethernet connection where modules can be accessed through LAN network (currently only one subnet is supported). Documentation along with dedicated software framework (including high level API and firmware drivers) will be part of GCon open specification and each vendor can acquire it for free. Features: GCon compatible frame which allows to commnicate with modules through single connection. USB connection to manage up to 10 modules. Ethernet connection (UDP based) to manage up to 10 modules (LAN single subnet). GConManager application which allows to manage stereo links. Internal audio signals are routed into special connector (I.A.C. “Internal Audio Connector”) accessible on 10th slot, which allows integration with “Summing Modules” or “Audio interfaces”. Stereo links are integrated with modules, and pressing “Link” button on modules which supports GCon protocol (e.g. _Mimas) sets stereo link on the _Titan. Open Specification – documentation and software framework including communication drivers for any Vendor that would like to adopt to this standard. 10 slots with ng500 series connector. Remote firmware upgrade – _Titan & all modules inside can be upgraded remotely through USB or Ethernet connection. XLR sockets in/out for each slot. Internal stereo link switches which can be also managed through GConManager standalone application. Linear power supply capable to deliver 5A of power. Power mode switch – 115V/230V

879,00 €* 1.099,00 €*

32 %

Warm Audio WA-67

Das Original von '67 wurde zu einem der begehrtesten und am weitesten verbreiteten Studiomikrofone seiner Zeit, mit ihm wurde eine riesige Sammlung einiger der denkwürdigsten Songs der letzten 50 Jahre aufgenommen – wir sprechen hier von Klassikern unterschiedlicher Künstler wie The Beatles, Led Zeppelin, The Temptations und Nirvana! Die Originalmikrofone sind nach wie vor begehrt, aber für einwandfreie Exemplare wird oft mehr als 8000 $ verlangt, was sie für die meisten Aufnahmestudios unerreichbar macht. Glücklicherweise hat Warm Audio dieses Szenario nun durch Veröffentlichung des neuen WA-67 geändert! Das WA-67 basiert auf einer EF86-Pentodenröhre und hat den gleichen glatten und cremigen Klang wie das Original. Es zeichnet sich dadurch aus, dass es so gut wie alles aufnimmt, was man ihm vorlegt, und es wird schnell zu Ihrer ersten Wahl für Gesang, Gitarren, Schlagzeug-Toms und Overheads, Klaviere, Blechbläser und Streicher.

749,00 €* 1.099,00 €*

16 %

Warm Audio WA-8000

Introducing the WA-8000 tube condenser microphone. The inspiration for our latest release is a highly sought-after and revered design of the early 1990s. The WA-8000 lives up to the sonic legacy that continues to foster die-hard fans to this day. Boasting a natural, open top end, supremely clear midrange, and the ability to render detail in a vocal performance unlike most other mics on the planet, let alone in this price range. Engineered true to spec, the WA-8000 meets all of the critical specifications of the original, giving you the true sound of modern R&B and Hip hop for an unprecedented value. Features New Old Stock 6AU6 tube: Rigorously tested, military-grade 6AU6 tube. Custom transformer from Lundahl Sweden: The highest grade transformers for the widest soundscape and most detail. All-brass K67-style capsule, wired straight to the tube: Custom machined out of solid brass. Optimized to capture subtle nuances External tube mount + heat sink: Lowers self-noise and draws heat away from internal components for optimal operating temperature. Boutique 7-pin GAC-7 tube cable from Gotham Switzerland: Vintage-correct construction methods, highly upgraded components, near-perfect signal transfer. Includes hard carrying case for all components: Safely transport your mic anywhere with the ultra-durable Warm Audio carrying case.

1.139,00 €* 1.349,00 €*

16 %

Warm Audio WA84-C-B-ST

Das WA-84 ist eine präzise Reproduktion des Industriestandard-Kondensatormikrofons mit kleiner Membran. Im Gegensatz zu modernen transformatorlosen Nachbildungen werden Vintage-Geräte für ihren satten und detaillierten Klang geschätzt, der weiche und dennoch detaillierte Höhen liefert. Wie das Original liefert das WA-84 den typischen SDC-Sound, auf den Künstler und Tontechniker bei legendären Aufnahmen von James Taylor, Fleetwood Mac, Paul Simon, Steve Gadd und vielen anderen vertrauen.Wie die originalen Vintage-Geräte liefert der WA-84 offene Klarheit mit starker Rauschunterdrückung. Im Gegensatz zu modernen Neuauflagen, bei denen der Transformator weggelassen und die Schaltung „aktualisiert“ wird, erfasst der WA-84 cremig weiche Höhen und den KRAFTVOLLEN mittleren bis unteren Bereich, der das Original zu der Studiolegende gemacht hat, die es ist. Die Class-A-Schaltung, der Premium-Transformator und das sorgfältige Design ermöglichen es dem WA-84, bei Aufführungen präzise Details mit professioneller Schallisolierung zu erfassen. Der leichte Abfall von 8 - 10 kHz / Anstieg von 11 - 20 kHz glättet harte Höhen, ohne dass die Brillanz verloren geht.

699,00 €* 829,00 €*