If you prefer keys to pads, you’re in for a treat. KeyStep Pro features a great-feeling 3 octave keyboard with velocity sensitivity and aftertouch. Letting you fully articulate your musical ideas, this expressive little sequencer truly puts the power at your fingertips. KeyStep Pro works the way you want it to, and removes the barriers between you and the music you want to create. Powerful performance controls Our sequencers can be seen all over the world, and are loved by top artists, studios, and amateur producers alike. KeyStep Pro makes gigging easy and fun, with instant and intuitive access to inspiring performance features. Multi-mode arpeggiator, randomness, easy chord mode, and real-time recording for creating on the fly. The crisp OLED displays and LED-illuminated controls will help you see it all in the dark, too! Tracks 4 independent sequencers, controlling whatever synth, module, or drum machine you want. Patterns 16 patterns per track. Each sequencer pattern can be up to 64 steps long, and contain 16 notes per step. Chains Link up to 16 patterns together to create whole songs or sections of your set. Scenes Snapshots of all the sequences within a pattern, letting you instantly switch between sets of sequences. Projects Everything in one place. Load, duplicate, tweak, edit, and save for later in its onboard memory. Unite your gear Your ever-growing collection of boutique modular gear, vintage synths, and software instruments can finally perform in unison, thanks to the jaw-dropping connectivity KeyStep Pro has to offer. 4 CV, Gate and Mod outputs, 8 dedicated drum Gate outputs, Clocks, MIDI in, 2 MIDI outs, a solo metronome output, sustain input to let you get expressive with your performance, and USB for easy power and DAW/softsynth control. Control hardware, software,and your DAW at the same time If you prefer to create music “in the box”, KeyStep Pro can also help your creativity come alive. Easily sequence and arpeggiate your virtual instruments, sync it with your software studio, and switch to the dedicated Control mode to control parameters in your favorite synths and effects. The possibilities are limitless.

Power beyond the matrix The matrix can also be used to recall your presets. So go on stage, and select any of the 256 presets instantly! No menus or awkward selection screensscreens, everything is at your fingertips. As if it was not enough, the matrix is also made to program and play sequences. This is no ordinary step-sequencer. With its ability to also be used as a modulation source, sounds evolve in melody and texture, just the way you want. Sound beyond the power Offering a audiosignal path that is is 100% analogue, MatrixBrute also features true analogue effects. The MatrixBrute gives you the sonic quality and power of a vast modular synthesizer but with the flexibility of presets along with a great arpeggiator and an advanced sequencer. MatrixBrute is a truly empowering instrument!! It offers tons of connections so you can work in any set-up. It brings a quality keybed and a solid chassis. No endless menus or screens to navigate or multi-function buttons to remember. Forget about connectivity issues. This is you in control. This is you inventing sounds. This is analog avant- garde.   Main Features Analog Matrix Synthesizer 256 Preset memory locations 2 Analog Exponential VCO’s: -Saw + UltraSaw, Square +Pulse width, Triangle + Metalizer, Sub 1 Analog Linear VCO/LFO - Saw, Square, Triangle, Sine waveforms; LFO time divisions; Key track VCO 2>1 Hard Sync Audio Mod: - VCO1>2 ; VCO1 < VCO3> VCO2 ; VCF 1 < VCO3> VCF 2 ; VCF1 < Noise> VCF2 Noise Generator: - White ; Pink ; Red ; Blue noise types 5 input Audio Mixer with Filter routing Steiner Parker filter with 12+24 db per octave modes ; Drive ; Brute factor; Low Pass, High Pass, Band Pass, Notch Ladder filter with 12+24 db per octave modes ; Drive ; Brute factor; Low Pass, High Pass, Band Pass 2 LFO’s - Sine, Tri, Square, Ramp, Saw, Random, S&H 3 Envelope Generators - 2 Attack, Decay, Sustain, Release - 1 Delay, Attack, Decay, Sustain, Release External Audio In 16x16 Matrix modulation panel 64 step sequencer - STEP enable, Slide, Accent, Modulation - Save and recall sequence patterns on the fly Analog Effects - Stereo delay, Delay, Flanger, Chorus, Analog Reverberator Arpeggiator 12 CV / Gate Inputs/Outputs Audio Input, Line or Instrument level Stereo audio output MIDI and USB I/O Pedal inputs for Expression and Sustain  

A synthesizer like no other, MicroFreak is a peculiar, exceptional instrument that rewards the curious musician. It blends wavetable and digital oscillators with analog filters. It features a unique poly-aftertouch flat keyboard. It adds controlled randomness to sequences. This isn’t a revolution, it’s a mutiny. Whether you’re looking for your first, affordable hardware synth or are collector looking for original sounds and unique interface, MicroFreak is the synth you need. This out-there little music machine features a versatile digital oscillator so you can create rare and interesting sounds with ease. Modes like Texturer, KarplusStrong, Harmonic OSC, and Superwave give adventurous musicians the chance to explore totally new, unheard possibilities. Like having dozens of synths in just one instrument, both wild-eyed newcomers and seasoned professionals will fall in love with MicroFreak’s flexible, powerful synth engine. Small but fierce MicroFreak packs so much in to such a compact instrument, you'll wonder how we did it. We'd love to say it was magic, but it was pure skill and passion. Physical modelling, wavetable synthesis, virtual analog, there is nothing as complete and exciting as the MicroFreak oscillator on the market. It's hard to believe from such a small synth, but here it is, ready for you to explore. Excite your creativity and reward your curiosity with a large, diverse sound palette. MicroFreak features 11 awesome oscillators, 4 bespoke Arturia engines, and 7 modes from our friends at Mutable Instruments. There's a little freak inside you, and this instrument will bring it out. The best of both worlds Even though MicroFreak has a digital oscillator at its heart, “opposites attract” as the saying goes. That’s why we’ve included a lush-sounding analog filter. Inspired by the trailblazing 12-dB Oberheim SEM filter, you can make MicroFreak’s filter scream or whisper to taste. The filter is state-variable, and can even auto-oscillate! You can use this is any way you like, from taking the edge of the razor-sharp wavetable sounds, or automating the cutoff by modulating it with keyboard pressure or the in-built sequencer. Wait. Did we mention that MicroFreak has a sequencer? And a mod matrix? Things are about to get seriously interesting... Taste the spice, throw the dice MicroFreak is packed with unique, exciting features that let you create music with a fresh perspective. Record up to four automations, edit notes per step or use the innovative Spice and Dice sequencer functions to find happy accidents. Add randomization to create evolving, original patterns, and virtually rewire and reconfigure its signal chain and controls with the 5x7 modulation matrix. This truly is a budget-friendly synth like no other. “That’s a funny looking keyboard” That’s right, it is. It isn’t really even a keyboard. It’s a PCB. Super-flat, with no moving parts. Will it track lightning-fast synth solos? You bet. Better than a traditional keyboard, actually. Will it let you be expressive? Of course, it’s not only pressure sensitive, but also offers poly-aftertouch. This means each key can control parameters in a different way depending on how much you touch. You can also use its USB, MIDI, and CV outputs to control instruments in your DAW and modular synths. This also means that you can also use MicroFreak as a controller to experience polyphonic aftertouch with cutting edge software instruments. for more information see product page

Size & weight Instrument size : 16,3 x 5,12 x 1,46 inches (414 x 130 x 37 mm) Instrument weight : 1,71 lbs (770 g) Main Features Software specifications: Analog Lab Lite software with over 500 classic keyboard sounds Bitwig 8-Track UVI Grand Piano Model D Hardware specifications: 25 note velocity sensitive slim keyboard 2 touch sensors for pitch bend and modulation wheel USB powered Perfect Integration: USB/MIDI class compliant no drivers needed Low power: can be powered by Android devices or Apple iPads® (camera connection kit required)

Play, perform, create: MiniLab MkII has everything you need to unleash your creativity. MiniLab MkII is a high quality, feature-packed controller which gives you hands-on access to the sounds in your virtual studio. Breathe new life into your sounds by playing, tweaking, tapping and twisting its rugged controls. This powerful controller also comes with several critically acclaimed software titles that will have you creating professional recordings in no time. Analog Lab Lite lets you perform using hundreds of legendary synth, piano, organ & string machine sounds. Ableton Live Lite lets you record, arrange, and cultivate your musical ideas into a finished product. UVI Grand is a recreation of the Steinway Model D piano. Your musical journey starts here.   Ready when you are Thanks to the constructive feedback from Arturia’s family of product owners - people just like you - we have refined the original MiniLab into something new and exciting. Created with the mobile musician in mind, MiniLab MkII has a slim, compact profile which makes it perfect for transporting to and from gigs, and for keeping you creating when you’re travelling. With its rugged, durable construction, the revitalized MiniLab can take the strain of life on the road, ready to perform night after night. Not everyone has the luxury of a spacious studio, and this is where our reinvented controller really shines. MiniLab MkII has a tiny footprint allowing you to place it virtually anywhere within your set-up, even if the only space available is on your lap. The quality of every component has seen an improvement over the original model, from the keybed to the controller knobs, the touch sensors to the outer casing. Despite the hardware upgrade, MiniLab MkII is still one of the most affordable dedicated controllers on the market. Portable, yet fully featured. Lightweight but rugged. MiniLab MkII is the new go-to small controller for producers in the know.   At your command Time is precious. and you need simple, effective control. MiniLab MkII gives you unadulterated access to your software sounds. Helping you make the most of your virtual instruments and recording software, MiniLab MkII features a great-feeling keybed with 25 slim-keys, 16 knobs, 8 pads, and touch controls in a space-saving package. Whether you want to experiment with a bass line, tap out a solid drum beat, or tweak the parameters of your favorite synth patch, our new controller gives you the freedom to totally control your music any way you like. To help transform your musical ideas into fully-fledged, pro-sounding recordings, MiniLab MkII includes a powerful music production platform, Ableton Live Lite. Every single one of MiniLab’s controls is automatically assigned thanks to dedicated pre-mapping, letting you spend less time in the settings menu and more time making music. Adjust your track levels, tweak filters and effects using the knobs; launch clips, capture drum performance, or control playback with the pads. MiniLab is here to make your musical life easier. From inception to completion, MiniLab MkII keeps you in control every step of the way.   Inspiring software What good is a controller with nothing to control? MiniLab MkII comes loaded with some of the best software around. The new MiniLab is a pure controller which - while containing no onboard sounds - lets you play, tweak, and manipulate software instruments via MIDI. To get your virtual recording studio up and running, we have included a wealth of professional quality instruments and production software to take your music to exciting new places. Analog Lab Lite: Your very own vintage keyboard collection. Analog Lab Lite gives you access to hundreds of the best sounds from our award-winning V-Collection, and gives an amazing introduction to our whole software instrument catalog. Featuring 17 iconic instruments, including analog synths, revolutionary digital workstations, organs, string machines and pianos, all pristinely recreated using Arturia’s exclusive True Analog Emulation technology. Ableton Live Lite: An introduction to one of the most the most intuitive, popular production platforms around. New users and seasoned pros alike love working with Ableton Live Lite. Featuring an innovative twin workflow, time stretching and pitch shifting functions, as well as numerous studio quality effects, you’ll be releasing professional quality tracks in no time. UVI Grand Piano Model D: An essential instrument for any songwriter’s sound palette. Steinway pianos are found in only the very best concert halls and recording studios. Thanks to MiniLab, you can have one in your living room. The UVI Grand Piano Model D puts the sound of the famous Steinway Model D grand piano at your fingertips, sampled in exquisite detail, and ready to play. MiniLab MkII gives you everything you need so you can start creating music right out of the box.   Main Features 25 note velocity-sensitive slim keyboard 2 banks of 8 high quality velocity & pressure sensitive pads with RGB backlighting 16 rotary encoders (2 of them are clickable) 2 capacitive touch sensors for pitch bend and modulation wheel 8 user presets Sustain pedal jack Octave up and octave down buttons for full range USB powered USB/MIDI class compliant no drivers needed. Mac or PC Kensington Security Slot Size & weight Instrument size : 14 x 8.7 x 2 inches (355 x 220 x 50mm) Instrument weight : 3.3 lbs. (1.5 Kg)

Pigments 5 ist ein vielseitiger Software-Synthesizer, mit dem Sie mühelos einzigartige und fesselnde Sounds erstellen können. Die schlanke Benutzeroberfläche macht die Bearbeitung und Erstellung von patch zu einem Kinderspiel. Mit zwei zuweisbaren Sound-Engines und vier verschiedenen Synthese-Vierteln (Analog, Wavetable, Sample und Harmonic) haben Sie die vollständige Kontrolle über Ihre Klangerzeugung. Pigments wurde für die Version 5 verbessert und für Multi-Core-Prozessoren konzipiert, was eine höhere CPU-Effizienz und eine reibungslosere Nutzung ermöglicht, um die erweiterten Funktionen optimal zu nutzen. Mit über 150 neuen Presets, Wavetables und Samples bietet Pigments 5 insgesamt mehr als 1.500 neue Sounds, die es zu entdecken gilt. Pigments hat nicht nur die Anzahl der verfügbaren Sounds erhöht, sondern auch die Funktionalität verbessert. Dank der intelligenten Sequenzerstellung mit nur einem Klick können Sie mit jedem click neue Patterns und Rhythmen entdecken. Eine überarbeitete Benutzeroberfläche erleichtert das Laden externer Sounds über das Utility engine und die Bearbeitung von Sounds über das Plugin für noch mehr Möglichkeiten der Klangformung und -veränderung. Ein überarbeitetes FX-Routing und ein neuer Play Mode ergänzen die umfangreichen Klangmanipulationsmöglichkeiten der Vorgängerversionen, für die Pigments bekannt ist. Pigments 5 verbindet die bewährten Synthese-Fähigkeiten mit den für eine ganze Reihe von Synthesizern geeigneten Funktionen und fasst sie zu einer All-in-One-Lösung zusammen.

RackBrute 6U is an all-inclusive Eurorack case ensuring the total security of your modules and maximum practicality in all conditions of use. Its multi-position configuration and included dependable power supply make it the true specialist solution. Artists may have a bodyguard. Modules deserve armor-plating. RackBrute 6U provides you with 176HP to store and secure your enviable collection of Eurorack modules in an everlasting yet lightweight aluminum chassis flanked by two wood panels. Once you're locked and loaded, your modular setup will look and feel like a monolith, yet more flexible than ever thanks the Link fastening system and the paired handle. When on the move, it will make the transport of your modular equipment a walk in the park. When in position, it will let you organize your command center the way you want it. Modules don't live on love alone, and RackBrute 6U keeps everything alive with its +12V / -12V / +5V power supply. “This is my modular. There are many like it but this one is mine. My modular is my best friend. It is my life. I must master it as I must master my life.” Armed and ready, Sir! It cannot crawl, run, jump and climb, true, but it can lie down or stand up on demand. When you have to hold your position for hours, it's better to be well set up and to have a clear view of the surroundings. For this reason, we developed the Link system, a convenient and simple-to-use fastening system that allows you to orientate the dedicated handle so that you can give your modular the most tactically advantageous position. Whether prone, crouching, or standing to attention, RackBrute 6U will always be on the lookout, ready for orders. Troops are nothing if they are not properly fed. No problem, RackBrute 6U is not just a box. It includes an formidable +12V / -12V / +5V power supply ensuring your firepower up to 1600mA. This is coupled with a military-grade power rail with 32 available slots, including advanced noise filtering technology that guarantees optimum conditions. With RackBrute 6U, even the most headstrong modules fall into line. Main Features Eurorack format, 176 HP Aluminum Chassis Provided with a 5 HP power module Up to 1600mA on +12V and 1600mA on -12V (4 separate circuits of 800mA) Up to 900mA on 5V Power rail with Noise filtering 32 standard power slots 20-slot zone with up to 800mA on +12V and -12V 12-slot zone with up to 800mA on +12V and -12V Link system and smart handle to fasten a MiniBrute 2/2S or another RackBrute unit in various configurations Built-in Spacers for the highest protection in transport configuration Box contents RackBrute 6U unit Power cord Size & weight Instrument size : 19 x 13.2 x 3.3 inches (484 x 300 x 83mm) Instrument weight : 8.3 lbs. (3.76 Kg)

Ein komplettes Augmented Orchestral series, zwei von Grund auf neu entwickelte Instrumente für mehr Realismus und sechs brandneue Instrumente - die V-Collection ist ein One-Stop-Shop für alle Anforderungen an virtuelle Instrumente. 

8 Channel Microphone Preamplifier and ADC with HMX & IRON ASP800 is an audio powerhouse designed to transform your sessions into world class recordings, making it the perfect addition to your audio interface. ASP800 provides 8 channels of Audient’s renowned console mic preamps, class-leading Burr-Brown converter technology, two JFET D.I’s and two Retro channels with revolutionary tone control. Just plug in your mics, guitars, keyboards and drum machines and you’re ready to go, so get creative and start thinking big! 8 x World Class Audient Console Mic Pres 2 x Retro Channels with Dual Stage COLOUR Saturation Controls - HMX & IRON 2 x Discrete JFET Instrument Inputs Pristine 118-dB Burr-Brown A-D Converters Balanced Analogue Line Outputs ADAT Output for Expandability Word Clock Input All-Metal Enclosure     Upgrade Your Sound. The first step to audio excellence   Whether you’re recording drums or simply need more channels, ASP800 is the perfect tool for expanding your existing interface via ADAT. Its flexible and intuitive feature set will transform your current setup into the complete recording rig, perfectly at home recording both acoustic and electronic instruments.   World Class Mic Pres. The professional sound you deserve.   We are the only company that use the same Class-A mic pre design throughout our entire product range, whether you’re in the studio with an Audient ASP8024 console or on the road with ASP800, you’re always guaranteed the same world class Audient sound. Developed by design legend David Dearden and optimised over 18 years, our mic pre is used by thousands of professional studios around the world. With its versatile nature and smooth tone, the ASP800 will quickly become your ‘go to’ mic pre.   The Retro Channels. Take control of your sound.   We’re known for our super clean mic pres but that doesn’t mean we don’t understand the importance of adding colour. Whether you need to add growl to a bass guitar or make those vocals sparkle, ASP800’s revolutionary harmonic generation circuitry has got you covered. Retro Channels 1 & 2 feature two unique variable harmonic COLOUR controls per channel - HMX & IRON. Designed to emulate tones often associated with 1960’s tube designs and the coveted transformer zing of British audio in the 1970’s, HMX & Iron will add new dimension to your audio by providing warm, sparkly tones. Better still, you can combine them to get anywhere in between!   HMX - MOSFET Drive   We know that plenty of engineers love the sound of tubes/valves and if you’re one of them, then you’re going to love HMX. Travel back in time with ASP800’s very own custom harmonic distortion control. Similar to vintage valve preamplifier designs of the 1960s, HMX provides a sweet, thick tone that will sound incredible on anything from drums to electric guitars. (TIP! Try it on bass synth, or 808 too!) By using discrete MOSFET technology, HMX produces asymmetrical harmonic distortion giving you the option to add richness and body to the pristine tone of the Audient mic preamp, D.I or line input. Take control of your sound and bring your audio to life, 1960’s style.   IRON - Magnetic Transformer Drive   Say hello to Audient’s BRAND NEW British transformer saturator - IRON. A testament to innovation, IRON uses a custom British transformer with a high voltage MOSFET drive network designed to recreate that sparkly, “sounds like a record” signature of 1970’s recording. With one control that simultaneously alters drive impedance, bass response, high frequency damping, phase shift, magnetic saturation and transient shaping - IRON can instantly add sparkle, growl and so much more with one twist of a knob! It sounds killer on snare, bass, acoustic guitar and anything that needs some extra bite.   Prestine Converter Technology. Brilliance on the inside enables brilliance on the outside.   ASP800 provides you with high performance 118-dB AD converters from Burr Brown, the leaders in converter technology. Quality in the analogue stages of our design comes from years of experience as analogue console designers, and when coupled with outstanding converter technology it enables you to hear audio as it’s supposed to sound. The importance of converters should never be underestimated. Experience audio the Audient way.   Plug And Play. Plug in and be inspired.   As well as offering you 8 channels of mic pre, ASP800 has two harmonically rich JFET D.I inputs. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine and start recording instantly.   Built To Last. Quakity deserves protection.   The result of years of experience in analogue design combined with a focus on precision and detail, ASP800 packs a powerful feature set in a ergonomic 1RU rack mount. From it’s beautifully crafted hand milled aluminium knobs to its all-metal construction, ASP800 will stand up to countless late nights in the studio and days on the road.

Upgrade Your Sound The first step to audio excellence. Transform your sessions into world class recordings with ASP880, the perfect addition to your set-up. Bypass the mic pres and converters in your current interface and achieve the same audio excellence as the top studios. World Class Mic Pres The professional sound you deserve. Audient's renowned console grade Class-A mic pre outshines the competition and gives you the same sonic quality of products costing three or four times the price. Capture the detail and excitement of your audio sources, all with a hint of analogue colouration that will sound stunning on any project! Developed by design legend David Dearden, our mic pre is used by thousands of professional studios around the world. With its versatile nature and accurate translation, the ASP880 will quickly become your ‘go to’ mic pre. Pristine Converter Technology Brilliance on the inside enables brilliance on the outside. ASP880 provides you with the highest grade converters from Burr Brown, the leaders in converter technology. The integral ADC guarantees you will have the best conversion possible. This isn't just the best converter in a mic pre either, it stands up against dedicated converters too. You can focus on the music and let ASP880 take care of the rest. Plug and Play Plug straight in and be inspired. As well as offering you 8 channels of mic pre and line inputs, ASP880 has two sonically accurate discrete JFET DI inputs, so you can plug your guitar or bass straight in. Take Control Enhance your audio with ASP880's versatile feature set. Bring your outboard in from the cold Ever wanted to add compression or EQ to your signal before going to the computer? Well with ASP880 you can. Simply insert any analogue processor before the converters - it’s as easy as that! The A-D button allows ASP880 to function as an 8 channel mic pre while you use the converters separately in stand-alone mode. Say Goodbye to Pesky Low frequencies Lose those unwanted low frequencies with a simple to use variable high-pass filter. The result is a clean, ready to record signal. Wrap it up with a ribbon If you’re partial to the character of ribbon mics, then ASP880 is made for you. Variable impedance allows you to match the pre to your favourite ribbon mic. Retain the punch and frequency response the mic was born with. It also works on your other mics, just more subtly. Built to Last Quality deserves protection. ASP880 has been designed to last, its all-metal construction and hand milled aluminium knobs will stand up to countless late nights in the studio and days on the road. All this in 1RU!

The 54F50 is a Class A, compressor and limiter module which occupies three slots in a 500 series rack. Fully populated with Carnhill transformers to achieve its distinctive classic sound. This high-end hand-built British module provides an affordable solution for the modern cost conscious studio.Features Classic 4 stage (Class A) amplifier, 4 transformer designAll discrete component (no surface mount devices)Entirely hand assembled and tested in the England to exacting quality standards.Line Input: Carnhill transformer balanced (Mu-metal screened Classic VTB9046), 10k Input ImpedanceInterstage: Carnhill Mu-metal screened Classic VTB9045 and VTB9046Line Output: Carnhill transformer balanced (Classic full size output transformer)Compressor: (Class A) amplifier designRatio 1.5:1, 2:1, 3:1, 4:1 & 6:1Dual attack speeds (Fast = 5mS, Slow = 25mS) *Make-up gain 0dB to 20dB in 2dB stepsRecovery (release) 400mS, 800mS, 1.6S & AutoThreshold –20dBu to +10dBuLimiter: (Class A) amplifier designDual attack speeds (Fast = 100uS, Slow = 5mS) *Recovery (release) 100mS, 200mS, 800mS & AutoThreshold +4dBu to +12dBu (in 1dB steps)Stereo link via either the backplane edge connector, an XLR or bothIlluminated meter selectable for input, output or gain reduction metering.Power off signal bypass Entirely stainless steel chassis.Total current consumption 150mA (per unit)Also available supplied as a pair in a box containing a “mono/stereo” switch* These are the default factory settings however the; Compressor “Fast” may be internally jumper selected to 0.5mS Compressor “Slow” may be internally jumper selected to 50mS Limiter “Fast” may be internally jumper selected to 1mS Limiter “Slow” may be internally jumper selected to 25mS

The ez1073-500 is a Class A, mic pre-amp, line amp and EQ/Filter module which occupies two slots in a 500 series rack. Fully populated with Carnhill transformers and inductors to achieve its distinctive classic sound. This high-end hand-built British module provides an affordable solution for the modern cost conscious studio.Classic 3 stage (Class A) amplifier designAll discrete component (no surface mount devices)Entirely hand assembled and tested in the England to exacting quality standards.Mic Input: Carnhill transformer balanced (Classic VTB9045) +10dB to +65dB gain, rotary switchable in 5dB steps and switchable 300/1200 Ohm impedance input.Line Input: Carnhill transformer balanced (Classic VTB9046) - 20dB to +20dB, rotary switchable in 4dB steps (centre 0dB), 10k Input ImpedanceLine Output: Carnhill transformer balanced (Classic full size output transformer)EQ/Filter Stage: 3 inductor (Class A) amplifier designHF (12kHz) +/- 16dB gain continuously variableMF (switchable; 360Hz, 700Hz, 1.6kHz, 3.2kHz, 4.8kHz & 7.2kHz) +/- 16dB gain continuously variableLF (switchable; 35Hz, 60Hz, 110Hz & 220Hz) +/- 16dB gain continuously variableLow Pass Filter (switchable; 50Hz, 80Hz, 160Hz & 300Hz) -18dB per OctavePhantom and polarity switchesThe XLR behind the left hand side is the Mic InputThe XLR behind the right hand side is the Line InputThe output is duplicated on both of the output XLRsStainless steel chassisTotal current consumption 110mA (per unit)For use in API (and compatible) Lunchbox and VPR500 racking systems.

PREAMPLIFIER: The VT-737SP has three input selections: 1. The VT-737SP features a higher-performance microphone input transformer with +48v phantom selection. 2. Instrument DI high source input with jack located on front panel. 3. Balanced line input, discrete high-level Class A. The Class A preamplifier utilizes two cascaded, dual vacuum tube triodes configured with minimum negative feedback. A high gain switch boosts the overall gain of the preamplifier. The four high quality tubes are configured as singled ended anode coupled followers. A passive-variable high pass filter and hard-wire relay bypass completes the input signal conditioning. The phase reverse relay is available on all three inputs. OPTO-COMPRESSOR: The opto-compressor features a minimum signal path design with twin Class A vacuum tube triodes for gain matching. The optical attenuator acts as a simple passive level controller. Full dynamic control from soft compression to hard- knee limiting can be achieved with threshold, ratio-compression, attack and release controls plus gain reduction selection on the large VU meter. Special spectral control including de-ess is available with the dual sweep mid EQ to side-chain switch. The EQ section can be flipped pre or post the opto-compressor via a front panel switch for alternate effects and tone shaping. Two VT-737SPs can be linked via a rear panel link cable for stereo tracking. The compressor bypass is a sealed silver relay for the most direct signal path. SWEEP-EQUALIZER AND OUTPUT LEVEL: The VT-737SP equalizer utilizes 100% discrete, Class A-high-voltage transistors for optimum sonic performance. The high and low frequency bands provide the smooth characteristics of an all passive design, while the dual mid bands include variable frequency and switched Q-width selection. The enhanced range of the mid bands is extended into the high and low bands by the use of X10 frequency multipliers. The bypass switch incorporates a sealed silver relay for the most direct signal path. When the EQ to sidechain is engaged, the high-low EQ remains in the audio path for 'tone enhancement'. The output level control provides a variable control of the overall signal path. The output amplifier utilizes another dual triode vacuum tube driving a 100% discrete, Class A, high-current, balanced and DC coupled low noise output amplifier.   "This is the very best channel strip in the world! I love the warmth it's adding to my DAW." - Kenny H., KY "The Vt-737sp is ungodly, awesome, DA BOMB!"  - Ian C., PA "My Avalon Vt-737sp is AMAZING. My friend recommended it to me. I was playing some Spanish guitar on one of his records one day, and he said here's what the Avalon sounds like. I bought mine that week." - Scott V., Email PREAMPLIFIER The VT-737SP has three input selections: 1. The VT-737SP features a higher-performance microphone input transformer with +48v phantom selection. 2. Instrument DI high source input with jack located on front panel. 3. Balanced line input, discrete high-level Class A. The Class A preamplifier utilizes two cascaded, dual vacuum tube triodes configured with minimum negative feedback. A high gain switch boosts the overall gain of the preamplifier. The four high quality tubes are configured as singled ended anode coupled followers. A passive-variable high pass filter and hard-wire relay bypass completes the input signal conditioning. The phase reverse relay is available on all three inputs. OPTO-COMPRESSOR The opto-compressor features a minimum signal path design with twin Class A vacuum tube triodes for gain matching. The optical attenuator acts as a simple passive level controller. Full dynamic control from soft compression to hard- knee limiting can be achieved with threshold, ratio-compression, attack and release controls plus gain reduction selection on the large VU meter. Special spectral control including de-ess is available with the dual sweep mid EQ to side-chain switch. The EQ section can be flipped pre or post the opto-compressor via a front panel switch for alternate effects and tone shaping. Two VT-737SPs can be linked via a rear panel link cable for stereo tracking. The compressor bypass is a sealed silver relay for the most direct signal path. SWEEP-EQUALIZER AND OUTPUT LEVEL The VT-737SP equalizer utilizes 100% discrete, Class A-high-voltage transistors for optimum sonic performance. The high and low frequency bands provide the smooth characteristics of an all passive design, while the dual mid bands include variable frequency and switched Q-width selection. The enhanced range of the mid bands is extended into the high and low bands by the use of X10 frequency multipliers. The bypass switch incorporates a sealed silver relay for the most direct signal path. When the EQ to sidechain is engaged, the high-low EQ remains in the audio path for 'tone enhancement'. The output level control provides a variable control of the overall signal path. The output amplifier utilizes another dual triode vacuum tube driving a 100% discrete, Class A, high-current, balanced and DC coupled low noise output amplifier.

The E27 was created for the need of a high quality modular equalizer. High performance, versatility, ease of use, and simplicity is the initial core of the E27’s design. Some of the best analog gear from the past was the inspiration for its character in sound. Outstanding quality and most suitable parts are used throughout – gold-plated switches, high performance capacitors, high-quality transformers, and custom machined aluminum knobs. Today’s engineers deal with many different types of recording equipment from older high-end analog gear to the newest digitally controlled recording equipment. With this in mind, the E27 can interface easily with many types of gear including balanced or unbalanced sources, high or low impedance loads, even unbalanced loads. The level knob controls up to 16 db’s of cut and boost but for those who only need a few db’s, the travel of the pot starts slow and speeds up at the extremes giving the user more fine control at levels of 6 db’s or less. Knob positions are not only easy to see from a distance but are also felt – the level pot knob has a small point so you know where you are without looking at the eq. The outer frequency control knob has a knurl texture for ease of grip. FEATURES Standard 500 series modular size 1.5″ x 5.25″ 3-bands with 9 selectable frequencies per band ±16 dB of boost and cut using continuous variable potentiometer Push button shelving option for low and high frequencies All discrete design; NO IC chips High headroom Low noise Jensen transformer input & output Custom machined aluminum knobs Gold plated rotary switches and 15-way connector for long life Utilizes 1122 discrete opamps Available as software plug-in by PSP Audioware

The KeyPre® was designed for professional keyboard, synthesizer, and drum machine users who want to use something better than a mixer input channel or a DI (direct injection). Electronic instruments often have a wide range of different output levels and impedances, and with much wider bandwidth than traditional passive instruments such as electric guitars. This presents a challenge for any outboard device following it. A high performance preamplifier, specifically designed for electronic instruments, is needed to ensure nothing is being compromised or bottlenecked as your sound is being processed. Over two years have been dedicated to research, test, and develop the KeyPre® and we are confident it will preserve the integrity of your electronic instrument for both recording and live applications. Features: Six independent channels TRS balanced inputs and output with additional inputs in the front for up to 12 inputs Uses the high performance Ingenius® input stage Direct coupled discrete preamplifier Jensen transformer balanced output Up to 32dB’s of Gain Can be used with either balanced or unbalanced keyboards Supports all variety of electronic keyboard or synthesizer output impedances Very wide frequency response to capture the full bandwidth of your electronic instrument 5 bargraph LED meter which can be custom adjusted internally Internal international power supply Patented Xsolate® Ground Lift System to safely isolate output stage ground connection Designed and manufactured in the U.S. 3 Year Warranty

Avedis Audio tells: After some requests from audio engineers, the MA5 was created for the need of a high quality microphone preamplifier in the characteristic sound of early 70's British consoles. The re-engineering in the creation of the MA5 stemmed from years of experience restoring both American and British modules, deeply rooted in classic transformer-balanced, discrete electronics. Only the best and most suitable components are used throughout, regardless of cost, to attain the best sound. Much time was spent on the MA5, not only on the engineering side of the design, but also to extensive sound evaluations in observation of specific settings, gain structures, and key components, spanning a time frame of a little over a year. We have always believed that even with some of the best audio test analyzers we own and use, our ears' sensitivity, coupled with good judgement of sound through experience, is still unparalleled. In the end, it is our ears we are trying to satisfy. Standard 500 series modular size 1.5' x 5.25' Singleended Class A amplifier UK made input transformer Custom designed Jensen output transformer Stepped gain rotary switch in 5dB steps Output level pot for trim and mute LED lit pushbuttons 28kHz feature for more high frequency detail Custom made Marconi style knobs High headroom & CMR, Low noise design  Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.

Gain range from 0dB – 64dB in 4dB steps for recall-ability Input Trim control for fine control of gain No input PAD to drive transformer into saturation during peaks Utilizes the discrete 1122 op-amp known for depth and resolution All discrete design with Class A buffer amplifier Line Input to interface with DAW’s Custom Jensen input & output transformers SEND feature to run signal through stomp boxes for variety of effects Wide bandwidth, high headroom, very low noise Phase reverse, and filtered 48V phantom power High Pass Filter using a gentle slope for natural bass roll-off (-3dB @ 80Hz) 10 Meg-ohm high impedance DI input great for all instrument pickups Perfect for using as a re-amplification device Designed and manufactured in Los Angeles

The new Mid-SideR came about as a response to hearing several requests from users of our original Mid-Side encoder/decoder box, and implementing them into a full rack space. First, we’ve added every bypass option we could think of in this Mid-Side processor. In addition to our overall Main Bypass, the Mid-SideR now offers a Mid-Side Encoder/Decoder Bypass (labeled Mid-Side Defeat) allowing the user to switch between using the available insert loop in Left-Right mode or Mid-Side mode, an Insert Bypass allowing the user to bypass the Mid-Side XLR out-in loop effectively bypassing their processing on the insert loop, to A/B they’re outboard gear processing in the Mid-Side insert loop with the original signal, as well as both a Mid Mute and a Side Mute to listen to exactly what you’re doing on only the Mid or Side. All this I/O is now conveniently accessed via an all high quality Neutrik XLR equipped rear panel. To take it a few steps further, we even added some additional EQ functionality as well as going to all high quality Rotary switches for the front panel controls. In addition to the original High Pass Filter on the Side(now with the easily recall-able rotary switch), we’ve added a High frequency Shelving EQ on the Side. Toggle between frequency selections of 5 kHz, 10 kHz, or 20 kHz to add presence or air on the Side information, effectively widening the Stereo Mix even more, or tame a bright mix by slightly lowering any harsh highs on the Side.

Pro Tools Carbon PREAudio-Interface, Mic/Line PreampErweitern Sie Ihr mit Pro Tools Carbon betriebenes Studio um bis zu 24 Kanäle für Mikrofon-/Line-Eingänge und mehr. Jedes Pro Tools Carbon Pre bietet die gleiche erstklassige Audioleistung wie Carbon und verfügt über acht Premium Mikrofon/Line-Vorverstärker mit variabler Eingangsimpedanz für größere klangliche Flexibilität und gestapelte ADCs für maximalen Dynamikbereich. Die 32-Bit-Fließkomma-Wandlung sorgt für eine unverfälschte Umwandlung von Anfang bis Ende und ermöglicht die Erfassung jedes klanglichen Details. Nutzen Sie die Pro Tools Hybrid Engine für eine Eingangsverarbeitung mit geringer Latenz - mit abrufbarer Fernsteuerung aller Kanäle über Pro Tools.Pro Tools Carbon Pre ist nicht nur für Pro Tools Carbon geeignet, sondern kann auch als 8-Kanal-Mikrofonvorverstärker-Erweiterungseinheit mit einem vorhandenen Pro Tools HDX- oder HD Native-System verwendet werden, um Ihre I/Os zu erweitern. Oder Sie ersetzen ein älteres Pro Tools PRE-Audiointerface und profitieren von besserer Leistung und makelloser Klangqualität. Integrieren Sie bis zu neun Carbon Pre-Interfaces über die ADAT-Eingänge Ihres Interfaces in ein einziges Pro Tools HD-System und nutzen Sie die Flexibilität, alle Preamps direkt von Pro Tools aus fernzusteuern und abzurufen.Wesentliche MerkmaleErweiterung eines auf Pro Tools Carbon basierten Studios auf bis zu 24 Mic/Line-Eingänge und 24 Line-Ausgänge durch einfaches Daisy-Chaining über Ethernet (AVB)Verwendung als 8-Kanal-Standalone-Mikrofonvorverstärker mit symmetrischen Line Ausgängen und AD/DA-Wandler mit ADAT-Ausgängen unter anderem als Erweiterung für HD Native oder HDX SystemeKann auch als Standalone AVB-Core Interface verwendet werdenVolle 32-Bit-Audioqualität für maximalen DynamikbereichGestapelte ADCs an jedem Eingang und Taktung mit doppelter PräzisionVariable Z Impedanzumschaltung für jeden Mikrofon- oder Instrumenteneingang für variable und authentische KlanggestaltungFernsteuerung, Speicherung und Abruf von Vorverstärkereinstellungen - einschließlich Phantomspeisung, Verstärkung und Impedanzumschaltung - direkt in Pro Tools beschleunigen den WorkflowNutzung der Pro Tools Hybrid Engine für eine latenzarme Eingangsverarbeitung in Verbindung mit Pro Tools CarbonLeistungsmerkmale im Detail24 x 24 gleichzeitige Ein- und Ausgänge192 kHz / 32-Bit-Wandlung8 x XLR/Klinkencombo Eingänge für Mic/Line Vorverstärker mit Variable Z (Eingangsimpedanz) bei den Eingängen 5-8, fernsteuerbar von Pro Tools2 x 6,3 mm unsymmetrische Hi-Z Instrumenteneingänge8 x symmetrische Line Eingänge (DB25)8 x symmetrische Line Ausgänge (DB25)16 Kanäle ADAT E/AWord Clock E/A2 AVB Ethernet Anschlüsse zur Erweiterung von Pro Tools Carbon oder Host-AnschlussInternes NetzteilStandalone VorverstärkerbetriebMaße: 45 x 482 x 343 mmGewicht: 5 kgLieferumfangPro Tools Carbon Pre Audio-Interfacediverse Netzkabel (EU, UK, US)Ethernetkabel (CAT6)4 Rackschrauben mit Unterlegscheiben und 4 klebbare GummifüßeGarantie- und RegistrierungskarteSystemvoraussetzungenPro Tools Carbon oder ADAT-Schnittstelle zur Systemerweiterung;auch als eigenständiger Mikrofonvorverstärker einsetzbarUPC-Code: 724643122621Maße und Gewicht Versandverpackung: 7,8 kg; 203 x 587 x 501 mmUsprungsland: Mexiko

This is the 500 Series version of the 1073MP (a mic pre-amp version of the 1073 equaliser) having the same well-known characteristic Class A sound with its harmonically rich low end, slight resonant highs, and maintained focused mids. Two selectable impedances makes the 1073MPL work well with a variety of microphones. As a coloured and versatile mic-pre, the 1073MPL maintains its sonic signature across a wide bandwidth. Features: All Class A, transformer-coupled design in a 500 series module. Original Marconi knobs. Input impedance selector switch between 1200 and 300 ohms. Line level capability for extra versatility as a line preamp. High impedance DI for guitar and synth. Same Carnhill St Ives transformers as the 1073 and 1084. Same modular design and hand-wiring BAE is known for.

73EQL 500 Series Module AN INSTANT CLASSIC WITH A SHARED LEGACY “The 73EQL shares the same pedigree and workmanship of our classic 1073 lineup,” explained Mark Loughman, President of BAE Audio. “Achieving an authentic 1073 sound inside the 500 series format was a significant milestone for our company five years ago, and today we’ve managed to extend this capability into what we feel is the best sounding 500 series EQ on the market. With its extended control over all three frequency bands, the 73EQL delivers world class vintage BAE sound in a compact form factor.” The highly anticipated 73EQL follows the success of the 1073MPL 500 series preamplifier, which was introduced four years ago and which was quickly adopted as a foundational element for many commercial and project studios around the globe. BAE Audio has been building the 1073 for two decades; consecutively longer than any other company in history. The company’s 500 series rendition of this classic circuitry is the result of many years of research and development, over which time the company strived to retain the authentic sound character of the 1073 in an impossibly small package — without compromising quality, materials or workmanship. Features Gallery 73EQL Features The 73EQL delivers impressive tonal shaping options into a diminutive size, making it the ultimate accompaniment to a BAE 1073MPL 500 series preamplifier or as a stand-alone EQ to complement just any other input source. With a 3-band EQ section and highpass filter controls, the 73EQL is able to shape nuances of sound sources while imparting the classic sound character of the 1073 — this makes it the ultimate companion for on-location, studio recording, mixing or mastering applications. Extended high frequencies of 8 kHz, 10 kHz, 12 kHz, 16 kHz and 20kHz Extended mid-range of 270 Hz, 360 Hz, 500 Hz, 700 Hz, 1.1 kHz, 2.3 kHz, 3.2 kHz,4.8 kHz, 7.2 kHz, 10 kHz Extended low frequency range of 20 Hz, 35 Hz, 60 Hz, 110 Hz and 220 Hz Extended highpass filter of 25 Hz, 45 Hz, 70 Hz, 160 Hz and 360 Hz

1023 FeaturesThe 1023 is completely handwired using Carnhill (St. Ives) transformers. It has the exact same mic/line preamp as the 1073, but with significantly more frequencies in the mid and high sections.Aside from simply offering more frequency settings to play with, these expanded EQ sections also allow you to play the mid bell curve directly against the high and low shelves where they overlap. This capability opens the tone shaping possibilities in very interesting and musical ways. High Frequency: +/-16dB shelving with selectable frequencies of 10kHz, 12kHz, 16kHz, 20kHz and 24kHz. Low Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz & 220Hz. Mid Range: +/-12dB or +/-18dB peaking with switchable selectable centre frequencies of 160Hz, 270Hz, 360Hz, 510Hz, 700Hz, 1.6kHz, 3.2kHz, 4.8kHz, 7.2kHz, 8.2kHz, 10kHz. High Pass Filter: 18dB per octave slope, switchable between 45Hz, 70Hz, 160Hz & 360Hz. EQ Button: Switches the equaliser on or off Phase Button: 180° "This new flexible EQ range on the 1023 is a dream come true for a tech head like me! I literally couldn’t ask for anything more!!" - JR Hutson, American Soul and R&B Producer and Songwriter

1023 FeaturesThe 1023 is completely handwired using Carnhill (St. Ives) transformers. It has the exact same mic/line preamp as the 1073, but with significantly more frequencies in the mid and high sections.Aside from simply offering more frequency settings to play with, these expanded EQ sections also allow you to play the mid bell curve directly against the high and low shelves where they overlap. This capability opens the tone shaping possibilities in very interesting and musical ways. High Frequency: +/-16dB shelving with selectable frequencies of 10kHz, 12kHz, 16kHz, 20kHz and 24kHz. Low Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz & 220Hz. Mid Range: +/-12dB or +/-18dB peaking with switchable selectable centre frequencies of 160Hz, 270Hz, 360Hz, 510Hz, 700Hz, 1.6kHz, 3.2kHz, 4.8kHz, 7.2kHz, 8.2kHz, 10kHz. High Pass Filter: 18dB per octave slope, switchable between 45Hz, 70Hz, 160Hz & 360Hz. EQ Button: Switches the equaliser on or off Phase Button: 180° "This new flexible EQ range on the 1023 is a dream come true for a tech head like me! I literally couldn’t ask for anything more!!" - JR Hutson, American Soul and R&B Producer and Songwriter

1023 FeaturesThe 1023 is completely handwired using Carnhill (St. Ives) transformers. It has the exact same mic/line preamp as the 1073, but with significantly more frequencies in the mid and high sections.Aside from simply offering more frequency settings to play with, these expanded EQ sections also allow you to play the mid bell curve directly against the high and low shelves where they overlap. This capability opens the tone shaping possibilities in very interesting and musical ways. High Frequency: +/-16dB shelving with selectable frequencies of 10kHz, 12kHz, 16kHz, 20kHz and 24kHz. Low Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz & 220Hz. Mid Range: +/-12dB or +/-18dB peaking with switchable selectable centre frequencies of 160Hz, 270Hz, 360Hz, 510Hz, 700Hz, 1.6kHz, 3.2kHz, 4.8kHz, 7.2kHz, 8.2kHz, 10kHz. High Pass Filter: 18dB per octave slope, switchable between 45Hz, 70Hz, 160Hz & 360Hz. EQ Button: Switches the equaliser on or off Phase Button: 180° "This new flexible EQ range on the 1023 is a dream come true for a tech head like me! I literally couldn’t ask for anything more!!" - JR Hutson, American Soul and R&B Producer and Songwriter