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EURE DIGITAL AUDIO SERVICE ANSPRECHPARTNER




Arnd Niemeyer

BERATUNG

RECORDING & VINTAGE

040/4711348-23

an@digitalaudioservice.de



Thomas Römann

SYSTEMTECHNIK

PROJEKTPLANUNG

040/4711348-20 / 0172/272 65 33

tr@digitalaudioservice.de



Arne Kohlscheen

REPARATURSERVICE

RMA - MAC - SUPPORT


ak@digitalaudioservice.de



Heiner Niemann

PROJEKTLEITUNG

BROADCAST

040/4711348-25 / 0173/59 55 015

hn@digitalaudioservice.de

  UNSERE ANGEBOTE


6 %
Grace Design m905 Digital
Analog inputs - unbalanced, balanced, CUE, talkback mic (additional balanced input available on the m905 Analog) Digital inputs - 2x AES3 (Single or dual-wire), 1 S/PDIF, 1 TOSLINK, ADAT (selectable in 4 pairs, or 2 pairs in S/MUX), USB, DSD128 (5.6448MHz) Audio circuitry designed for completely transparent and musical playback performance Asynchronous Class 2 USB playback supports up to 24 bit/192kHz Mastering quality DAC circuitry with configurable de-emphasis filtering s-lock dual-stage Phase Lock Loop for ultra low jitter clock regeneration Hybrid RCU with hardware switches, large level encoder and graphical LCD LCD display shows input, level, output, SPL and DAC status plus a full calibration menu RCU includes built in microphone for talkback and onboard SPL meter SPL meter features include level, peak, fast and slow modes, A & C weighting Precision .5 dB step level control for speakers and headphones Reference headphone amplifier circuitry, with outputs on both the RCU and ACU Dedicated mono, dim, mute and sub mute switches Mono mode can be set to L+R summed, L only in both channels, or R only in both channels L solo, R solo, L-R and sub solo modes are available 3 available stereo speaker outputs, with two assignable mono sub outputs (or single stereo sub output) Multi-mode SUB/ DAC/ METER out SUB out mode for stereo or multiple mono subwoofer outputs DAC out mode for a fixed DAC output fed by the selected digital input METER out mode fed by selected input signal (digital or analog), configurable with a fixed level or to follow yhe monitor level Detachable RCU tilt base

4.880,00 €* 5.176,00 €*
6 %
Grace Design m905 Analog
Analog inputs - unbalanced, balanced, CUE, talkback mic (additional balanced input available on the m905 Analog) Digital inputs - 2x AES3 (Single or dual-wire), 1 S/PDIF, 1 TOSLINK, ADAT (selectable in 4 pairs, or 2 pairs in S/MUX), USB, DSD128 (5.6448MHz) Audio circuitry designed for completely transparent and musical playback performance Asynchronous Class 2 USB playback supports up to 24 bit/192kHz Mastering quality DAC circuitry with configurable de-emphasis filtering s-lock dual-stage Phase Lock Loop for ultra low jitter clock regeneration Hybrid RCU with hardware switches, large level encoder and graphical LCD LCD display shows input, level, output, SPL and DAC status plus a full calibration menu RCU includes built in microphone for talkback and onboard SPL meter SPL meter features include level, peak, fast and slow modes, A & C weighting Precision .5 dB step level control for speakers and headphones Reference headphone amplifier circuitry, with outputs on both the RCU and ACU Dedicated mono, dim, mute and sub mute switches Mono mode can be set to L+R summed, L only in both channels, or R only in both channels L solo, R solo, L-R and sub solo modes are available 3 available stereo speaker outputs, with two assignable mono sub outputs (or single stereo sub output) Multi-mode SUB/ DAC/ METER out SUB out mode for stereo or multiple mono subwoofer outputs DAC out mode for a fixed DAC output fed by the selected digital input METER out mode fed by selected input signal (digital or analog), configurable with a fixed level or to follow yhe monitor level Detachable RCU tilt base

3.870,00 €* 4.110,00 €*
13 %
Grace Design m900
Der Grace Design m900 ist ein kompakter Kopfhörerverstärker mit digitalen S/PDIF, TOSLINK und USB-Anschluss. Der interne DAC sorgt für präzise Auflösung, so dass sich der m900 nicht nur als hochwertiger Kopfhörerverstärker für HiFi eignet, sondern auch seinen Einsatz im professionellen Studio gerechtfertigt. Über den TOSLINK und den S/PDIF Eingang verarbeitet der m900 Audiosignle mit einer Auflösung von max. 24bit und 192kHz. Über die USB-Schnittstelle können Samplingraten bis zu 384kHz sowie DSD64, DSD128 und DSD256 verarbeitet werden. Und als zusätzliches Feature verfügt der m900 zudem noch über zwei analoge Ausgänge für den Anschluss von Aktivlautsprechern. Wie alle Geräte von Grace Design überzeugt der m900 durch seinen neutralen klaren Sound, sowie durch optimal Haptik.

809,00 €* 930,00 €*
25 %
Burl Audio B2 Bomber ADC
The B2 Bomber ADC from BURL Audio is the most significant piece of audio gear in your studio, and you don’t even own it yet. You’ve spent a fortune on great mics, great mic pres, and a kick ass DAW, but unfortunately you are missing one key component; an ADC with an audio path worthy of your recordings.Open up your best mic pre and look inside. You will see high quality components like tubes, large transformers and high quality capacitors. Open up your ADC and you will find cheap 10 cent capacitors and run-of-the-mill 25 cent op-amps, even when you’ve spent a lot of money on your interface. Most DAW hardware interfaces are designed for interconnectivity with little attention to the analog audio path, or even the conversion, let alone the tone.The B2 Bomber is designed for great specifications, but more importantly, it is designed to give you the ultimate in recording tone. For years now people have been trying to figure out why their digital recordings don’t have the warmth and feel of analog tape recordings. We try using tube mic pres and great compressors, but there is still something missing. There is still that blurriness, that graininess and lack of depth that comes with digital recordings.BURL Audio has solved this problem by designing an analog audio path that is complimentary to your mic pre and to the analog to digital process. By using a revolutionary hybrid circuit with a proprietary transformer, the BURL AUDIO BX1, and a discrete class-A, zero feedback, zero capacitor signal path, we have achieved dynamic and tonal balance.Using a B2 Bomber in the studio is like taking the governor off of your recordings. And, the B2 is not just for tracking. Mix down and mastering were the main focus of the B2's layout and design. With 30 segment peak amplitude and RMS metering, the B2 lets you know exactly how hot you are running your signal which is critical for mastering. The attenuator settings on the front easily allow you to change input headroom giving you the ability to hit the front end hotter or colder depending on what the material calls for. And don’t be afraid to run the B2 Bomber hot, it only sounds better. Couple that with an extremely low jitter clock source, and you have the B2 Bomber ADC, the most significant piece of gear in your studio.     44.1k Hz to 192k Hz, 24 bit, 2 channel ADC     Proprietary, high definition, BURL Audio BX1 transformer input     All class A, discrete transistors signal path with zero feedback, zero caps     Audiophile quality 6 position attenuator with standard headroom settings     High definition metering with simultaneous RMS and peak indication     Two AES and one SPDIF output with dual AES wire support     BNC word clock input with two outputs of extremely low jitter clock     Frequencty resonse at 48kHz sample rate is 12Hz to 22kHz, +/- 0.1dB     Frequencty resonse at 96kHz sample rate is 15Hz to 46kHz, +/- 0.1dB     Frequencty resonse at 192kHz sample rate is 18Hz to 94kHz, +/- 0.1dB     120dB Dynamic Range (A- weighted), 117dB (no weighting)     -100dB THD+N (+4dBU = -15dBFs)     -94 dB THD+N (+18dBU = -1dBFs)     Rugged, Made in USA design

2.499,00 €* 3.349,00 €*
12 %
BAE Audio 1073MP dual channel w/power supply
1073MP FeaturesThis is the mic pre-amp version of the 1073 equaliser having the same well-known characteristic Class A sound with its harmonically rich low end, slight resonant highs, and maintained focused mids.A transformer coupled input, with two selectable impedances makes the 1073MP work well with a variety of microphones.There is also a line input feature for adding depth to 2-bus mixes and a DI input for all passive and active instruments.As a coloured and versatile mic-pre, the 1073MP maintains its sonic signature across a wide bandwidth. All Class A, transformer-coupled design in a 19" 1U chassis. Line level XLR inputs for extra versatility as a line preamp. High impedance DI for guitar and synth. The same Class A components as the 1073 and 1084. Illuminated phase reverse and phantom power push-buttons. Input impedance selector switch between 1200 and 300 ohms. Same modular design and hand-wiring BAE is known for. Regulated linear power supply will run up to four channels. "I just got my 1073MP and I couldn't be happier. I've been using various BAE pres in other studios for years, but never had a pair in my own home studio. I absolutely love this unit being in my rack and now my vibe here at my studio was just elevated so much. Thanks for making some of the best gear out there!!!!" - Mike Castonguay, Lukewarm Freeda Productions

2.345,00 €* 2.669,00 €*
25 %
A-Designs REDDI
A-Designs REDDI REDDI is a fire-engine red tube direct box with an unquestionable quality of sound. This is best foot forward in giving the audio world a truly remarkable product at an affordable price.The REDDI has been field tested and referred by recording engineers to be the "best tube DI ever made".With wider bandwidth and just the right amount of gain, the REDDI stands clear and clean above the competition.Great for Basses, Guitars, Synths and electronic instruments that require a direct box for recording, the REDDI is READY to give you unsurpassed sound for that perfect recording or live performance.A Designs believes REDDI will set the NEW Benchmark for tube direct boxes!

899,00 €* 1.199,00 €*
10 %
Telefunken DC7 Drum Pack
Telefunken DC7 Drum Pack6-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne.Das TELEFUNKEN DC7 ist ein 7-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne. Die Mikrofone umfassen das M82 für die Kick Drum, das M80-SH für die Snare, drei M81-SH für die Toms und ein Paar M60 FET für die Overheads.1 x M82 mit Stativadapter1 x M80-SH mit Metall- und Kunststoffhalterung3 x M81-SH mit Metall- und Kunststoffhalterung2 x M60 FET mit Shockmount7 x XLR Kabel mit WinkelsteckerFlightcase

2.744,00 €* 3.049,00 €*
10 %
Telefunken DC6 Drum Pack
Telefunken DC6 Drum Pack6-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne. Das TELEFUNKEN DC6 ist ein 6-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne. Die Mikrofone umfassen das M82 für die Kick Drum, das M80-SH für die Snare, zwei M81-SH für die Toms und ein Paar M60 FET für die Overheads.1 x M82 mit Stativadapter1 x M80-SH mit Metall- und Kunststoffhalterung2 x M81-SH mit Metall- und Kunststoffhalterung2 x M60 FET mit Shockmount6 x XLR Kabel mit WinkelsteckerFlightcase

2.519,00 €* 2.799,00 €*
10 %
Telefunken DD5 Drum Pack
Telefunken DD5 Drum PackMikrofone aus der TELEFUNKEN-Dynamics-Serie, kombiniert zu Sets, die hervorragend für Drum und Percussion geeignet sind.Zum TELEFUNKEN DD5 Drum Pack gehört ein TELEFUNKEN M82 für die Kick-Drum, ein TELEFUNKEN M80-SH für die Snare sowie drei TELEFUNKEN M81-SH-Mikrofone für die Toms. Die Sets werden in einem robusten Hartschalenkoffer mit verschiedenen Mikrofonhalterungen (Kunststoff und Metall) sowie mit fünf 5 m langen XLR-Kabeln mit rechtwinkligem Stecker ausgeliefert. Das Drum Pack TELEFUNKEN DD4 enthält ein TELEFUNKEN M82, ein TELEFUNKEN M80-SH und zwei TELEFUNKEN M81-SH-Mikrofone.1 TELEFUNKEN M82 mit Stativadapter1 TELEFUNKEN M80-SH mit Metall- und Kunststoffhalterung3 TELEFUNKEN M81-SH mit Metall- und Kunststoffhalterung5 x XLR-Kabel mit WinkelsteckerFlightcase

1.709,00 €* 1.899,00 €*
5 %
FLEA 12 (B-Ware)
This mic is an exact replica of C12 and involves a modern style power supply with integrated pattern switch. As standard, it is equipped with Tim Campbell's CT12 capsule - great choice if you are considering the clones of original CK12. The mic is equipped with 6072 tube. The transformer is our own replica of original . Considering the sound, it is simply "Rolls-Royce". In some applications this mic will seem somewhat neutral, but it benefits will stand out during mixdown. It's fantastic for vocals, acoustic instruments as well as ambient miking. Those, who have not experienced, will not believe. Includes: microphone in wooden box, power supply, cable with swivel mount connector

3.385,80 €* 3.564,00 €*
20 %
Trident Audio 80B 500 Series Preamp
A Trident Console for Your 500 Series Rack. The Trident Audio Developments 80B packs the sound of the company's storied '80s-era consoles into a full-featured 500 Series module. This pristine-sounding, transformer-coupled mic pre captures sources with an ultra-fast transient response, near-imperceptible self-noise, and minimal distortion. For added studio flexibility, the 80B includes a balanced line input and a front-panel hi-Z input, along with separate microphone and line-level controls.

615,00 €* 769,00 €*
42 %
FLEA 12
This mic is an exact replica of C12 and involves a modern style power supply with integrated pattern switch. As standard, it is equipped with Tim Campbell's CT12 capsule - great choice if you are considering the clones of original CK12. The mic is equipped with 6072 tube. The transformer is our own replica of original . Considering the sound, it is simply "Rolls-Royce". In some applications this mic will seem somewhat neutral, but it benefits will stand out during mixdown. It's fantastic for vocals, acoustic instruments as well as ambient miking. Those, who have not experienced, will not believe. Includes: microphone in wooden box, power supply, cable with swivel mount connector

3.645,00 €* 6.269,00 €*
51 %
Newfangled Audio Generate
Novel chaotic oscillator has 8 types: Double Pendulum, Vortex, Pulsar, Discharge, Turbine, Helix, Crescent, and Magma Wavefolders based on the Buchla 259 Complex Waveform Generator, Fractals, and a special Animated Equation Low Pass Gate based on the Buchla 292 adds controls for POLES and RESONANCE Modulate all controls with MIDI/MPE, two Looping Envelopes, two LFOs, Sample and Hold/Random, and a Step Sequencer Innovative modulation UI allows modulation over almost every control from the main page, allowing up to 957 modulation routings in a single pane Innovative EQ, Chorus, Delay, Reverb, and Limiter effects to turn the sounds into magic MPE support allows amazing control from expressive controllers All mod sources have multiple outputs generated at once, and they can modulate each other, just like a modular synth Animations! The Double Pendulum, Wavefolder, and Low Pass Gate modules each have animations to show how each module responds to your input, and to modulation Color Schemes! Don’t like the look of it, change it Resizable UI Over 600 Presets, including many renowned artists

49,00 €* 99,00 €*
58 %
Eventide Sheen Machine
Sheen Machine: A One Knob WonderBased on Eventide's patented Structural Split™ technology, Sheen Machine makes it easy to accentuate the "airy" quality of any signal without adding nasty sibilance or harshness.The secret behind Sheen Machine's magic is its ability to separate the transient and tonal parts of any audio signal. It offers a new path forward for adding tonal high-end without boostingtransients. Add vocal sheen, not sibilance. Add air, not harshness. Make dull signals shine.Eventide's Structural Split™ technology lets you surgically sculpt high-frequency content in ways never before possible.The NEW Approach to Adding Tonal SheenSheen Machine is a purpose-driven tool for adding smooth and airy high-end to sound sources without introducing the high-frequency harshness often generated by a traditional high-shelfboost. Using Eventide's patented Structural Split technology, Sheen Machine provides a simple solution for resolving complex problems often introduced when adding "sheen" to a signal,allowing for independent control over the transient and tonal layers of a signal without implicitly impacting the entire audio signal like a traditional EQ would. Power users have beendoing exactly this using the full-featured SplitEQ plug-in. We’ve put the power of SplitEQ in Sheen Machine and reduced it to a single, powerful, one knob gesture.Sheen Machine – Applications  Repair: Sheen Machine makes it easy to add tonal high-end to an otherwise dull recording or add "airiness" to vocals helping them shine brightly in a mix. Rebalance: From subtle to dramatic, musically rebalance vocals, synths, and other instruments by surgically adding tonal-high end without causing harshness. Enhance: Enhance the high-frequency information of incoming signals, adding vibrance to sound sources with ease. Sheen Machine – FeaturesStructural SplitThe beating heart of Sheen Machine, built on the same ground-breaking technology found in SplitEQ and Physion. Whatever instrument you process, Sheen Machine analyzes the incomingaudio and separates these components into their respective Transient (noise, pops, mic plosives, vocal sibilance, attacks) and Tonal (sustained notes, harmonics, tone, ambiance)elements. Sheen Machine uses this information to apply specially crafted EQ curves to the transient and tonal layers of the incoming audio, adding “airiness” and “sheen” without addingharshness.Just One KnobA straightforward user interface focused specifically on what matters: Adding tonal sheen to incoming audio. Turn the dial, hear the added sheen. The Sheen Machine user interface alsoincludes undo/redo, input gain and built-in bypass.

25,00 €* 59,00 €*
66 %
Eventide Omnipressor
Introduced in 1971, the Omnipressor rack unit was widely used on hit records throughout the last four decades. One of our first customers was a young Brian May, lead guitarist of Queen. With the Omnipressor in his rig, his sound was never the same again.Features  Dynamics processing for creating otherwordly sounds Gating, expansion, compression, limiting, and Dynamic Reversal Intuitive interface makes it simple to operate with the use of a Function dial

49,00 €* 145,00 €*
61 %
Eventide Instant Flanger Mk II
    Depth controls the intensity of the effect. 100% adds the delayed signal to the dry signal. -100 % subtracts the dry signal from the delayed signal     Three distinct flavors of flanging. Set the Mode switch for Shallow, Deep or Wide     Manual control allows you to control the ‘comb’ effect by turning the Big Knob     Oscillator drives the flanging at a user defined rate     Envelope Follower drives the flanging based on the signal’s amplitude     Remote maps the flanging control to a mod wheel for tactile manipulation     Bounce mimics the distinctive effect of the tape machine’s capstan motor “hunting” for its proper speed when the engineer's thumb was lifted from the tape reel flange     “Side Chain” allows for triggering the Envelope Follower from any source in the mix for inter-track mingling     Exercise total control of the Oscillator with Sync and Retrig     Tame the intensity by removing low frequencies from the flanged signal with the Low Cut control

49,00 €* 125,00 €*