Telefunken C-12 Condenser Microphone   If there were ever a microphone that was the epitome of classic, hi-fidelity sound, it would be the AKG C-12. The first of the AKG line of selectable pattern condenser mics, the C-12 is revered for its smooth, airy response. Considered by many to be the finest sounding microphone ever produced, original C-12 microphones are still in use in recording studios throughout the world.TELEFUNKEN Elektroakustik is proud to manufacture the C-12 once again. Our new CK12 capsule is built from the original manufacturers technical specifications, and utilizes a Haufe (manufacturer of the original) output transformer built to match the original, and a microphone grade 6072a tube just like the original system.Our new C-12 is incredibly detailed, capturing all the subtle nuances of a performance and transferring them back to the listener in a manner that is so realistic; you'll think you're listening to the source directly. Its silky smooth top end provides plenty of air without sounding harsh or artificial. Its midrange speaks clearly and articulately, capturing the source with a natural presence. Its low end is tight and focused, perfectly balanced with the rest of the frequency range. These qualities make the C-12 a fantastic choice for all types of instruments, lending itself especially well to drum overheads, acoustic guitar, and vocals.Coveted by an extensive list of professional recording engineers, theTELEFUNKEN Elektroakustik C-12 historic reissue is an exceptional microphone that will be a treasured addition to your microphone collection for many decades to come.  For more information, please visit this products webpage

Telefunken DC6 Drum Pack6-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne. Das TELEFUNKEN DC6 ist ein 6-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne. Die Mikrofone umfassen das M82 für die Kick Drum, das M80-SH für die Snare, zwei M81-SH für die Toms und ein Paar M60 FET für die Overheads.1 x M82 mit Stativadapter1 x M80-SH mit Metall- und Kunststoffhalterung2 x M81-SH mit Metall- und Kunststoffhalterung2 x M60 FET mit Shockmount6 x XLR Kabel mit WinkelsteckerFlightcase

Telefunken DC7 Drum Pack6-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne.Das TELEFUNKEN DC7 ist ein 7-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne. Die Mikrofone umfassen das M82 für die Kick Drum, das M80-SH für die Snare, drei M81-SH für die Toms und ein Paar M60 FET für die Overheads.1 x M82 mit Stativadapter1 x M80-SH mit Metall- und Kunststoffhalterung3 x M81-SH mit Metall- und Kunststoffhalterung2 x M60 FET mit Shockmount7 x XLR Kabel mit WinkelsteckerFlightcase

Telefunken DD4 Drum PackMikrofone aus der TELEFUNKEN-Dynamics-Serie, kombiniert zu Sets, die hervorragend für Drum und Percussion geeignet sind.Zum TELEFUNKEN DD4 Drum Pack gehört ein TELEFUNKEN M82 für die Kick-Drum, ein TELEFUNKEN M80-SH für die Snare sowie zwei TELEFUNKEN M81-SH-Mikrofone für die Toms. Die Sets werden in einem robusten Hartschalenkoffer mit verschiedenen Mikrofonhalterungen (Kunststoff und Metall) sowie mit vier 5m-XLR-Kabeln mit rechtwinkligem Stecker ausgeliefert. Das Drum Pack TELEFUNKEN DD5 enthält ein TELEFUNKEN M82, ein TELEFUNKEN M80-SH und drei TELEFUNKEN M81-SH-Mikrofone.Das DD4 Drum-Set besteht aus:1 TELEFUNKEN M82 mit Halterung1 TELEFUNKEN M80-SHB mit Halterung (Metall) und Halterung (Kunststoff)2 TELEFUNKEN M81-SH mit Halterung (Metall) und Halterung (Kunststoff)4 x SGMC-5R XLR-Kabel (5 m) mit rechtwinkligem Stecker1 Hartschalenkoffer

Telefunken DD5 Drum PackMikrofone aus der TELEFUNKEN-Dynamics-Serie, kombiniert zu Sets, die hervorragend für Drum und Percussion geeignet sind.Zum TELEFUNKEN DD5 Drum Pack gehört ein TELEFUNKEN M82 für die Kick-Drum, ein TELEFUNKEN M80-SH für die Snare sowie drei TELEFUNKEN M81-SH-Mikrofone für die Toms. Die Sets werden in einem robusten Hartschalenkoffer mit verschiedenen Mikrofonhalterungen (Kunststoff und Metall) sowie mit fünf 5 m langen XLR-Kabeln mit rechtwinkligem Stecker ausgeliefert. Das Drum Pack TELEFUNKEN DD4 enthält ein TELEFUNKEN M82, ein TELEFUNKEN M80-SH und zwei TELEFUNKEN M81-SH-Mikrofone.1 TELEFUNKEN M82 mit Stativadapter1 TELEFUNKEN M80-SH mit Metall- und Kunststoffhalterung3 TELEFUNKEN M81-SH mit Metall- und Kunststoffhalterung5 x XLR-Kabel mit WinkelsteckerFlightcase

Telefunken freut sich, Ihnen die Ela M 251E, Gewinner des 2003 TEC Award für Studio- Mikrofon vorzustellen. Bereits anerkannt von führenden Ingenieuren als identisch mit den ursprünglichen historischen Spezifikationen. Telefunken scheute keine Kosten in der sorgfältigen Reproduktion. Vollständig von Hand gebaut in Connecticut (USA), ist das Ela M 251E Mikrofon System eines von vier Versionen. Es kommt komplett mit einer NOS GE JAN 6072a Röhre, einer neu hergestellten CK12 Doppelmembran Kapsel, einem benutzerdefinierten Haufe Transformator, vom ursprünglichen europäischen Lieferanten, 'Vintage' Ela M 950 Netzteil, 10 Meter Gotham Audiokabel, hölzernen Mikrofonkasten, einem aus Leder gebundenem 'Flightcase', Bedienungsanleitung und einer voll übertragbaren lebenslangen Garantie.  Review auf ProAudio Review (auf Englisch) Type Condenser Pressure Gradient Capsule CK12 1' dual sided gold sputtered membrane Frequency Range 20Hz / 20kHz Polar Pattern Cardioid, Omni and Figure 8 Sensitivity approx 1.2 mvolts per dyne / cm sq Impedance 200 ohms stock / 50 ohms switchable SPL 138 dB Non Linear Distortion Less than or equal to 0.5% at 100 dyne / cm sq Equivalent Noise 16 dB (aweighted) Tube Type 6072a General Electric JAN twin triode Power Requirments Dedicated Power Supply Weight 20oz (567g), 34oz (960g) with swivel Size 8 1/2' (216mm) length x 2' (51mm) diameter  

The small diaphragm ELA M 260 has become a staple for use in a multitude of recording applications due to its natural presence and high level of detail and clarity, especially in acoustic and classical applications. Keeping this in mind, TELEFUNKEN Elektroakustik is now offering the ELA M 260 Stereo Set. The matched Stereo Set comes in a custom locking flight case that carries both M801 cables, M761 shock mounts, microphones, wooden boxes, and an American-made dual-channel M960S power supply unit. This newly designed power supply is fully regulated and will power one or both microphones simultaneously, and features a slow-ramping heater voltage to ensure vacuum tube longevity. The ELA M 260 Stereo Set also features two sets of 3 interchangeable capsules: the TK60 cardioid, TK61 omni, and TK62 hypercardioid, so the user can have the flexibility to record their source material in any way they wish. The microphones will also feature the same flint gray finish made popular by the R-F-T AR-51, so you will be able to know in an instant, which microphones are from your Stereo Set, and which are your individual ELA M 260 systems. The ELA M 260 features an amplifier circuit based around a New Old Stock (NOS) EF-732 / 5840W vacuum tube and a custom output transformer that is wound to exacting specification in the United States. Each of these components is rigorously tested in our laboratory prior to installation, and hand-selected for matched pairs. The capsules have matched frequency responses, the tubes have matched gain and noise specs, and the amplifier circuits have matched gain and frequency response. Stereo recording techniques include X/Y coincidental pairs with the microphones in cardioid, and A/B spaced pairs with either cardioid or omni-directional patterns. Using these techniques, or others, in conjunction with a pair of ELA M 260's will result in an ideal recording set up for string sections, acoustic guitar, drum overheads, or as room microphones. The ELA M 260 Stereo Set offers the user the knowledge and comfort that the tools they are using will give identical responses for their most important stereo recording.

The small diaphragm ELA M 260 is arguably one of the industry's finest acoustic and classical recording tube mics, offering plenty of tone with excellent detail and clarity. The small diaphragm ELA M 260 is arguably one of the industry's finest acoustic and classical recording tube microphones, offering plenty of tone with excellent detail and clarity. Prior to 1959, TELEFUNKEN GmbH distributed Neumann GmbH microphones throughout the world. When Neumann GmbH decided to take their distribution direct, TELEFUNKEN GmbH commissioned Austrian company AKG Acoustics GmbH to produce a series of 5 microphones. This series of microphones was comprised of the famous ELA M 251, the ELA M 250, the stereo ELA M 270, and two small capsule microphones, the ELA M 260 and the ELA M 261. TELEFUNKEN Elektroakustik is pleased to offer its first small diaphragm tube condenser, the ELA M 260. While not a historically accurate reproduction of the original ELA M 260 like the Diamond Series microphones, TELEFUNKEN Elektroakustik's version of the ELA M 260 is still built with the same attention to detail and level of quality that would be expected from a TELEFUNKEN Elektroakustik microphone. One of the best recording tools for acoustic and classical music, the ELA M 260 system features a new circuit design based around a New Old Stock (NOS) EF-732 / 5840W vacuum tube and a custom output transformer that is wound to exacting specification in the United States. The combination of these features yields a small diaphragm microphone that is unique while also bearing the qualities of the vintage microphones that it was based upon. In use, the ELA M 260 has plenty of tone with excellent detail and clarity. It captures sources with a natural presence, making it a fantastic tool for recording acoustic instruments of all types. Violin, cello, upright bass, drum overheads, percussion, woodwinds, saxophones, strings, and especially acoustic guitar all shine through the ELA M 260. Also, despite its size, it has also served well on vocal applications. Its unique tonal character is very well suited for a myriad of applications, both traditional and not. All ELA M 260 system packages are supplied with a set of three interchangeable capsules: the TK60 cardioid, TK61 omni, and TK62 hyper-cardioid. With all three capsules the user can have the flexibility to record their source material in any way they wish. Each system also includes an M960 power supply, M801 25' dual-shielded TX-7 tube microphone cable, M761 elastic shock mount, wooden microphone box and a dedicated power supply.

With over a year and half of development and beta testing with top recording engineers, the newly designed M60 FET (Field Effect Transistor) small diaphragm microphone is TELEFUNKEN Elektroakustik's first non-vacuum tube, FET-based solid-state condenser microphone. The M60 FET Series is designed to utilize the same interchangeable TK6x capsules as the TEC Award-winning ELA M 260 small diaphragm tube microphone. The M60 FET Cardioid package includes one M60 amplifier paired with a TK60 cardioid polar pattern capsule. The TK60 features a 6-micron gold-sputtered membrane measuring 15mm in diameter, with a surprisingly full low end, and a quick and accurate transient response. The frequency response is flat from 150 Hz to 7 kHz, with a smooth, airy presence peak at 8 kHz making it ideal for drum overheads, hi-hat and ride cymbals, piano, acoustic guitar, and other acoustic instruments. Utilizing a unique proprietary circuit topology, this re-interpretation of the classic FET mic amplifier produces an exceptional transient response and SPL handling capabilities. Carefully selected and tested components are hand-plugged into gold-plated circuit board traces to provide an ultra-clean true Class A discrete amplifier with a frequency response of +/- 2dB from 20 Hz to 50 kHz. The output is matched with a custom American-made transformer that offers an especially low self-noise and a typical THD+N of 0.015% or better, making it ideal for critical recording applications. The M60 FET's incredibly quick transient response captures nuances and subtleties with impressive precision and clarity. This results in an extremely detailed sonic image with definition and presence, perfectly suited for the complex character of stringed instruments and percussive sources. The M60 FET amplifier body is finished in a durable, lightly textured black powder coat adorned with the historic TELEFUNKEN diamond badge. The microphone's XLR connector shell complements the look with a matte black nickel-plated finish engraved with the model and serial number. The TK6x capsules feature a bright nickel-plated enclosure with a fine gold mesh pattern.

With over a year and half of development and beta testing with top recording engineers, the newly designed M60 FET (Field Effect Transistor) small diaphragm microphone is TELEFUNKEN Elektroakustik's first non-vacuum tube, FET-based solid-state condenser microphone. The M60 FET Series is designed to utilize the same interchangeable TK6x capsules as the TEC Award-winning ELA M 260 small diaphragm tube microphone. The M60 FET Cardioid package includes one M60 amplifier paired with a TK60 cardioid polar pattern capsule. The TK60 features a 6-micron gold-sputtered membrane measuring 15mm in diameter, with a surprisingly full low end, and a quick and accurate transient response. The frequency response is flat from 150 Hz to 7 kHz, with a smooth, airy presence peak at 8 kHz making it ideal for drum overheads, hi-hat and ride cymbals, piano, acoustic guitar, and other acoustic instruments. Utilizing a unique proprietary circuit topology, this re-interpretation of the classic FET mic amplifier produces an exceptional transient response and SPL handling capabilities. Carefully selected and tested components are hand-plugged into gold-plated circuit board traces to provide an ultra-clean true Class A discrete amplifier with a frequency response of +/- 2dB from 20 Hz to 50 kHz. The output is matched with a custom American-made transformer that offers an especially low self-noise and a typical THD+N of 0.015% or better, making it ideal for critical recording applications. The M60 FET's incredibly quick transient response captures nuances and subtleties with impressive precision and clarity. This results in an extremely detailed sonic image with definition and presence, perfectly suited for the complex character of stringed instruments and percussive sources. The M60 FET amplifier body is finished in a durable, lightly textured black powder coat adorned with the historic TELEFUNKEN diamond badge. The microphone's XLR connector shell complements the look with a matte black nickel-plated finish engraved with the model and serial number. The TK6x capsules feature a bright nickel-plated enclosure with a fine gold mesh pattern.

With over a year and half of development and beta testing with top recording engineers, the newly designed M60 FET (Field Effect Transistor) small diaphragm microphone is TELEFUNKEN Elektroakustik's first non-vacuum tube, FET-based solid-state condenser microphone. The M60 FET Series is designed to utilize the same interchangeable TK6x capsules as the TEC Award-winning ELA M 260 small diaphragm tube microphone. The M61 FET Omni-Directional package includes one M60 amplifier paired with a TK61 omni-directional polar pattern capsule. The TK61 features a 6-micron gold-sputtered membrane measuring 15mm in diameter, and offers a large, open sound perfect for capturing the ambience and vibe of your instrument or recording environment to breathe life into any recording. The frequency response is flat from 20 Hz to 5 kHz, with a smooth, airy presence peak at 8 kHz. Utilizing a unique proprietary circuit topology, this re-interpretation of the classic FET mic amplifier produces an exceptional transient response and SPL handling capabilities. Carefully selected and tested components are hand-plugged into gold-plated circuit board traces to provide an ultra-clean true Class A discrete amplifier with a frequency response of +/- 2dB from 20 Hz to 50 kHz. The output is matched with a custom American-made transformer that offers an especially low self-noise and a typical THD+N of 0.015% or better, making it ideal for critical recording applications. The M60 FET's incredibly quick transient response captures nuances and subtleties with impressive precision and clarity. This results in an extremely detailed sonic image with definition and presence, perfectly suited for the complex character of stringed instruments and percussive sources. The M60 FET amplifier body is finished in a durable, lightly textured black powder coat adorned with the historic TELEFUNKEN diamond badge. The microphone's XLR connector shell complements the look with a matte black nickel plated finish engraved with the model and serial number. The TK6x capsules feature a bright nickel plated enclosure with a fine gold mesh pattern. The M61 FET Omni-Directional system ships complete with an SGMC-5R 5-meter XLR cable with right angle female connector, M761 elastic shock mount, and a foam windscreen, all packed in an FC61 zipper carrying case.

With over a year and half of development and beta testing with top recording engineers, the newly designed M60 FET (Field Effect Transistor) small diaphragm microphone is TELEFUNKEN Elektroakustik's first non-vacuum tube, FET-based solid-state condenser microphone. The M60 FET Series is designed to utilize the same interchangeable TK6x capsules as the TEC Award-winning ELA M 260 small diaphragm tube microphone. The M61 FET Omni-Directional Stereo Set comes with two identical M60 FET amplifiers paired with a matched set of TK61 omni-directional polar pattern capsules. The TK61 features a 6-micron gold-sputtered membrane measuring 15mm in diameter, and offers a large, open sound perfect for capturing the ambience and vibe of your instrument or recording environment to breathe life into any recording. The frequency response is flat from 20 Hz to 5 kHz, with a smooth, airy presence peak at 8 kHz. Utilizing a unique proprietary circuit topology, this re-interpretation of the classic FET mic amplifier produces an exceptional transient response and SPL handling capabilities. Carefully selected and tested components are hand-plugged into gold-plated circuit board traces to provide an ultra-clean true Class A discrete amplifier with a frequency response of +/- 2dB from 20 Hz to 50 kHz. The output is matched with a custom American-made transformer that offers an especially low self-noise and a typical THD+N of 0.015% or better, making it ideal for critical recording applications. The M60 FET's incredibly quick transient response captures nuances and subtleties with impressive precision and clarity. This results in an extremely detailed sonic image with definition and presence, perfectly suited for the complex character of stringed instruments and percussive sources. The M60 FET amplifier body is finished in a durable, lightly textured black powder coat adorned with the historic TELEFUNKEN diamond badge. The microphone's XLR connector shell complements the look with a matte black nickel plated finish engraved with the model and serial number. The TK6x capsules feature a bright nickel plated enclosure with a fine gold mesh pattern. The M61 FET Omni-Directional STEREO SET ships complete with (2) SGMC-5R 5-meter XLR cables with right angle female connector, (2) M761 elastic shock mounts, and (2) foam windscreens, all packed in a FC62 dual microphone zipper carrying case.

With over a year and half of development and beta testing with top recording engineers, the newly designed M60 FET (Field Effect Transistor) small diaphragm microphone is TELEFUNKEN Elektroakustik's first non-vacuum tube, FET-based solid-state condenser microphone. The M60 FET Series is designed to utilize the same interchangeable TK6x capsules as the TEC Award-winning ELA M 260 small diaphragm tube microphone. The M62 FET Hyper-Cardioid package includes one M60 amplifier paired with a TK62 hyper-cardioid polar pattern capsule. The TK62 features a 6-micron gold-sputtered membrane measuring 15mm in diameter, with a surprisingly full low end, and a quick and accurate transient response. The TK62 provides a hyper-cardioid pattern flat in response from 150 Hz to 3 kHz, with a dip at 6 kHz and a smooth, airy presence peak at 8 kHz. This tightened polar pattern is great for use on cymbals, percussion, and as a stereo pair for live performance recording. Utilizing a unique proprietary circuit topology, this re-interpretation of the classic FET mic amplifier produces an exceptional transient response and SPL handling capabilities. Carefully selected and tested components are hand-plugged into gold-plated circuit board traces to provide an ultra-clean true Class A discrete amplifier with a frequency response of +/- 2dB from 20 Hz to 50 kHz. The output is matched with a custom American-made transformer that offers an especially low self-noise and a typical THD+N of 0.015% or better, making it ideal for critical recording applications. The M60 FET's incredibly quick transient response captures nuances and subtleties with impressive precision and clarity. This results in an extremely detailed sonic image with definition and presence, perfectly suited for the complex character of stringed instruments and percussive sources. The M60 FET amplifier body is finished in a durable, lightly textured black powder coat adorned with the historic TELEFUNKEN diamond badge. The microphone's XLR connector shell complements the look with a matte black nickel plated finish engraved with the model and serial number. The TK6x capsules feature a bright nickel plated enclosure with a fine gold mesh pattern. The M62 FET Hyper-Cardioid system ships complete with an SGMC-5R 5-meter XLR cable with right angle female connector, M761 elastic shock mount, and a foam windscreen, all packed in an FC61 zipper carrying case.

With over a year and half of development and beta testing with top recording engineers, the newly designed M60 FET (Field Effect Transistor) small diaphragm microphone is TELEFUNKEN Elektroakustik's first non-vacuum tube, FET-based solid-state condenser microphone. The M60 FET Series is designed to utilize the same interchangeable TK6x capsules as the TEC Award-winning ELA M 260 small diaphragm tube microphone. The M62 FET Hyper-Cardioid STEREO SET includes two identical M60 FET amplifiers paired with a matched set of TK62 hyper-cardioid polar pattern capsules. The TK62 features a 6-micron gold-sputtered membrane measuring 15mm in diameter, with a surprisingly full low end, and a quick and accurate transient response. The TK62 provides a hyper-cardioid pattern flat in response from 150 Hz to 3 kHz, with a dip at 6 kHz and a smooth, airy presence peak at 8 kHz. This tightened polar pattern is great for use on cymbals, percussion, and as a stereo pair for live performance recording. Utilizing a unique proprietary circuit topology, this re-interpretation of the classic FET mic amplifier produces an exceptional transient response and SPL handling capabilities. Carefully selected and tested components are hand-plugged into gold-plated circuit board traces to provide an ultra-clean true Class A discrete amplifier with a frequency response of +/- 2dB from 20 Hz to 50 kHz. The output is matched with a custom American-made transformer that offers an especially low self-noise and a typical THD+N of 0.015% or better, making it ideal for critical recording applications. The M60 FET's incredibly quick transient response captures nuances and subtleties with impressive precision and clarity. This results in an extremely detailed sonic image with definition and presence, perfectly suited for the complex character of stringed instruments and percussive sources. The M60 FET amplifier body is finished in a durable, lightly textured black powder coat adorned with the historic TELEFUNKEN diamond badge. The microphone's XLR connector shell complements the look with a matte black nickel plated finish engraved with the model and serial number. The TK6x capsules feature a bright nickel plated enclosure with a fine gold mesh pattern. The M62 FET Hyper-Cardioid STEREO SET ships complete with (2) SGMC-5R 5-meter XLR cables with right angle female connector, (2) M761 elastic shock mounts, (2) foam windscreens all packed in a FC62 dual microphone zipper carrying case.

TELEFUNKEN Elektroakustik has created the M80 to give the user a superior alternative to the midrange-laden character of the "industry standard dynamic microphone." Featuring a wider frequency response and higher SPL capabilities, the M80 delivers condenser-like performance in a rugged dynamic design, producing a microphone equally suitable for voice, instruments or drums on both stage and in the studio. Due to its low mass capsule and super thin (yet surprisingly rugged) capsule membrane the M80 presents a wider range of emotion from a live vocal with an intimacy that has been traditionally reserved for studio quality condenser microphones.

The TELEFUNKEN Elektroakustik M80 Dynamic microphone has rapidly become a new standard for live performance and stage use. The microphone features a low-mass capsule built with a super thin Mylar membrane that is coupled with our propriety step-up transformer to give superior clarity and extended high frequency response (which in many ways is similar to what one might expect from a condenser microphone), in a rugged design meant for daily abuse in touring applications. In 2008 a band called Green Day tried the M80 and found they liked the tone of the microphone in various applications, but especially on vocals. The only fly in the ointment was that Green Day isn't a club band, they're an internationally prominent act that regularly sells out arena and stadium venues, which in this day and age means that a wired vocal microphone is out of the question. After a bunch of experimentation and some custom machining the design team at TELEFUNKEN Elektroakustik was able to successfully modify Green Day's current Shure® wireless mics to feature an M-80 wireless head, complete with TELEFUNKEN Elektroakustik head grill, capsule, and output transformer. After giving the modified Shure® mics a try, more than 40 wireless modifications were ordered by Green Day as they embarked on a world tour. From this success "team TELEFUNKEN" developed a standard modification process for Shure® microphones (which made the guys at Shure® a little angry with us!!). This is an entire M-80 (capsule, head grill, output transformer), neatly packed in a much shorter body with the screw on terminal connections. The result is a whole lot of microphone crammed in a little tiny space that provides 10 pounds of sound in a 6 oz package.