Willkommen bei Digital Audio Service

EURE DIGITAL AUDIO SERVICE ANSPRECHPARTNER




Arnd Niemeyer

BERATUNG

RECORDING & VINTAGE

040/4711348-23

an@digitalaudioservice.de



Thomas Römann

SYSTEMTECHNIK

PROJEKTPLANUNG

040/4711348-20 / 0172/272 65 33

tr@digitalaudioservice.de



Arne Kohlscheen

REPARATURSERVICE

RMA - MAC - SUPPORT


ak@digitalaudioservice.de



Heiner Niemann

PROJEKTLEITUNG

BROADCAST

040/4711348-25 / 0173/59 55 015

hn@digitalaudioservice.de

  UNSERE ANGEBOTE


5 %
FLEA 12 (B-Ware)
This mic is an exact replica of C12 and involves a modern style power supply with integrated pattern switch. As standard, it is equipped with Tim Campbell's CT12 capsule - great choice if you are considering the clones of original CK12. The mic is equipped with 6072 tube. The transformer is our own replica of original . Considering the sound, it is simply "Rolls-Royce". In some applications this mic will seem somewhat neutral, but it benefits will stand out during mixdown. It's fantastic for vocals, acoustic instruments as well as ambient miking. Those, who have not experienced, will not believe. Includes: microphone in wooden box, power supply, cable with swivel mount connector

3.385,80 €* 3.564,00 €*
37 %
FLEA 50
FLEA 50 is our replica of famous M50 microphone. All mechanical parts are identical to original. FLEA 50 is fitted with our own capsule and transformer. As you know, this mic is great to use on AB stereo recording technique. Best for symphonic orchestra miking or as a spot microphone for acoustic instruments. This is not end of use of this microphone. Try and you will love it !!! Clear and pleasant sound. The full set includes microphone in wooden box, 115/230V PSU, cable, and of course safe flight case. Includes: microphone in wooden box, power supply, cable, yokemount.

3.808,00 €* 6.069,00 €*
42 %
FLEA 12
This mic is an exact replica of C12 and involves a modern style power supply with integrated pattern switch. As standard, it is equipped with Tim Campbell's CT12 capsule - great choice if you are considering the clones of original CK12. The mic is equipped with 6072 tube. The transformer is our own replica of original . Considering the sound, it is simply "Rolls-Royce". In some applications this mic will seem somewhat neutral, but it benefits will stand out during mixdown. It's fantastic for vocals, acoustic instruments as well as ambient miking. Those, who have not experienced, will not believe. Includes: microphone in wooden box, power supply, cable with swivel mount connector

3.645,00 €* 6.269,00 €*
33 %
FLEA M 251
The Flea M 251 is a meticulous recreation of the legendary Telefunken ELA M 251 tube large diaphragm condenser microphone.  The Flea M 251 features Tim Campbell’s CT12 capsule, a replica of the edge-terminated, gold-plated CK12, and carefully selected 6072A tubes. The M251 also includes Flea’s identical T 14/I transformer clone delivering the unmistakable sonic character of the microphone. All wiring is based on the last upgrade made by Andreas Grosse, and all connecting parts, pins and terminals are gold-plated, ensuring the best performance and lower noise. AT A GLANCE Exact clone of the legendary ELA M 251 microphone Tim Campbell's CT I2 capsule - exact replica of the CK12 Selected 6072A tube Our identical clone of T14/ I transformer All important connecting parts, pins, and terminals are gold-plated. Wiring is based on the last upgrade from Andreas Grosser, which makes this microphone less noisy.

4.399,00 €* 6.545,00 €*
36 %
FLEA 49
FLEA 49 is an exact replica of M49 microphone. All mechanical parts are absolutely exact replicas. FLEA 49 is fitted with capsule F7 - our exact replica of legendary M7 capsule. Another important part is transformer which is also our exact replica of transformers used in M49 mics. The last important part of the electronical system of the microphone is its tube, triode, carefully selected for noise reduction. This mic is fantastic not only for female vocals. You can - taste it !!! The sound is soft and pleasant. The full set includes microphone in wooden box, PSU, cable.

3.679,00 €* 5.739,00 €*
61 %
Newfangled Audio Saturate
Saturation plug-in ideal for single tracks or the entire mix Smoothly adjust from the softest to the hardest possible clipping shape Spectral Clipper maintains tonal balance for an always pleasant saturation sound Independent INPUT and OUTPUT levels, with AUTO output level scaling for easy and precise gain scaling Saturation Curve Display and Meter shows you how your signal is hitting the selected clipping shape Mastering Quality Input and Output metering show you both peak and rms levels

19,00 €* 49,00 €*
61 %
Newfangled Audio Punctuate
Based on the Transient Emphasis section of the award-winning Elevate Mastering Limiter, Punctuate is a multi-band transient modulator based on the critical bands in the human ear. Punctuate’s intelligent algorithms allow you to control the transient emphasis or suppression of all 26 critical bands with just 4 controls. This makes for an incredibly powerful, but very easy to use, transient modulator.Transient shapers are used by top mix engineers to either crank up or soften the transients of instruments, emphasizing either the attack or sustain. However, traditional transient shapers work on the whole signal at once, modulating the whole frequency range when the transient snap is only happening in one band. Punctuate uses a model of the human ear to run a set of transient shapers across the whole spectrum of human hearing. This allows you to tailor the attack of a whole range of instruments, busses, and whole mixes without messing with the entire frequency range. The result is unparalleled transient shaping power-focused where you need it, and not where you don’t.You can: Turn the drums up or down in an entire mix Turn up just the kick drum, without effecting the bass Pull hi-hats out of the snare mic Turn up the snare crack, while turning down the thump Bring instruments like acoustic guitars and pianos forward in the mix, or push them back Breathe life back into dull or overcompressed mixes Features 26 Transient Modulators aligned to the critical bands of the human ear Adaptive Transient slider allows bands to work independently or smoothes them for more natural processing Emphasize or Suppress transients in each band, using the global Transient Emphasis slider to scale the overall processing Transient Length and Adaptive Transient Length controls allow you to fine tune the transient length Scrolling meter display shows the transient modulation in each band Mix control for parallel processing Same mastering quality input and output section available in all Elevate plug-ins Solo and reconfigure the bands for in depth sound design Science Behind PunctuateHumans can only detect the presence of a tone if it is a certain distance from another tone playing at the same time. The Mel Scale defines the arrangement of auditory frequency bands such that each band sounds equally spaced from all others. This division of sound describes how humans hear. Most graphic EQs are IIR (infinite impulse response) or analog-style filters. These have a lot of great properties, but unfortunately, the shape of an IIR filter isn’t very flexible. For instance, even with every band set flat, the total filter shape isn’t actually flat. Furthermore, when you boost or cut each band you’re affecting the ones next to it as well. Punctuate uses a linear phase FIR (finite impulse response) filter that doesn’t have these problems so what you hear is true to what you see on the screen.Instead of using what DSP engineers call “ideal” rectangular FIR filters, these are triangularly shaped filters. These are often used in hearing models as a first approximation to the critical bands in your inner ear. When you shape filters like the ones in your ear, the filtered signal sounds natural. In a complex signal, at any given time, you can really only hear one sound source in each filter.Punctuate uses these filters to break the incoming audio signal into the 26 critical bands, and runs a transient shaper on each band for unprecedented control over the transients of the audio signal. By doing this, Punctuate allows you to add punch in only the places where the signal needs, instead of just slamming the level of the entire signal up and down at the transient point. Because you have independent control over the bands, you can even emphasize transients in some bands while suppressing them in others. And because it’s based on Critical Bands, it does this in such a way that sounds natural to the human ear, so you don’t hear any artifacts. Finally, Punctuate allows you to smooth the transient modulation across bands using the ADAPTIVE TRANSIENT control. This allows you to run the bands independently for ultimate control, or couple them for a smoother sound.

39,00 €* 99,00 €*
61 %
Newfangled Audio Invigorate
Add Life to your Tracks  Here’s a little secret: compression, limiting, and overdrive are all the same thing—and all of them can be used to add energy and excitement to your music. Invigorate is a deconstructed compressor, limiter, and overdrive distortion fine-tuned to add life to your mix, drum bus, or any other element. The intuitive design allows you to effortlessly morph from pumping compression, through hard-hitting limiting, to rich distortion while dialing in the perfect sound with the prominent MIX control. The result is guaranteed to bring your mix forward and give it the energy you’re expecting from a finished record. Features Unique Radar control allows you to dial in the perfect amount of gain while morphing from compression, through limiting, to distortion. Prominent MIX knob allows you to dial in just the right amount of character. Single gain curve for all three effects makes it easy to dial in just the right sound. SHAPE, SQUASH, and GATE controls for the gain curve give the perfect amount of control over your tone. An aggressive level detector makes the compression pump and breathe when desired. Oversampling and Anti-aliasing assure clean sonics with no digital aliasing

39,00 €* 99,00 €*
61 %
Newfangled Audio EQuivocate
Perfect for mixing and mastering, EQuivocate's auditory filters and match EQ functionality make it incredibly powerful, simple to use, and natural sounding.EQuivocate uses filters which are modeled on the human ear. Each of the 26 critical bands tickles a different part of your inner ear, making any combination of settings sound as natural as possible. Combining this with a linear-phase filter shape that reduces pre-echo makes EQuivocate an EQ with a difference you can hear.Features  Simple yet musical, the 26 linear phase auditory filters are shaped to approximate the critical band filters in your ear. Match EQ feature matches the tone of one track to another. Blend two tracks to sound like they came from the same source, complement each other for better separation, or make a final master have a similar tone to a reference track! Click and swipe your mouse across the gain slider field to draw an EQ curve. Then toggle Draw Curve off to fine tune. Use the output level Auto button to automatically compensate for level changes introduced by the EQ. Solo the output of one or more bands to easily find problem frequencies. Add or remove filters to customize your sound. Includes artist presets from Richard Devine, Jeremy Lubsey, Alex Saltz, Sebastian Arocha Morton, Richard X, and John McCaig. Start with the presets or create your own. Use the Compare button to toggle between two unique settings.

39,00 €* 99,00 €*
66 %
Newfangled Audio Elevate Bundle
Mastering with a Brain. Elevate is the most advanced mastering plug-in ever created. This unique multi-band limiter, human-ear EQ and powerful audio maximizer will increase the loudness of your mix while maintaining or improving its dynamic perception. It uses intelligent, adaptive technology that responds in real time to your music; creating not only the loudest, but the best sounding master. Developed by Newfangled Audio, Elevate maintains subtle dynamics and improves the tonal balance of your mix. The adaptive limiter analyzes 26 frequency bands and alters the gain, speed and transients for each band in real time. The result is a transparent, natural sound, no matter how hard you push it.Features  Analyzes and alters the gain, speed and transients of each filter band in real time. Includes presets by: APS Mastering, Matt Lange, Jeremy Lubsey, Eric Beam, ROCAsound, Chris Tabron and John McCaig. Automatically adapts the attack, release and look-ahead parameters for each filter band to greatly reduce "pumping" and breathing artifacts and perceived distortion. Preserves or emphasizes fast transients to avoid squashing your mix. Manipulates transients across the critical bands to preserve the attacks from kick drums, snares and cymbals, without affecting the entire mix. Uses linear phase auditory filters — based on the Mel Scale — to manipulate the audio in a way that is natural to your inner ear. Solo the output of one band (or a number of bands) to hone in on problem frequencies, tweak transients or alter gain. Use the Auto Output Level feature to compare the limited signal to non-limited signals with the same amount of gain allowing you to easily hear what impact the processing is having on your sound. Use the Spectral Clipper to overdrive the final output without affecting the tonal balance or allowing the signal to get “tubby.” Perfect for a more aggressive sound. Six different types of metering allow you to keep an eye on every aspect of your output audio.

79,00 €* 229,00 €*
75 %
Eventide UltraReverb
9 High End Hardware-Based Reverb Algorithms Bundled in a Single Native Plug-in. UltraReverb comes packed with over 300 killer presets and features reverbs from the H8000, compression, EQ and delay integrated for the most flexible reverb plug-in available.Features  Halls, Chambers, Rooms, Plates, and Ambience derived from Eventide's flagship hardware processor, the H8000 UltraHarmonizer® Create acoustically natural or other-worldly environments Packed with over 300 killer presets for mixing, mastering, post production, and sound design Includes Artist Presets designed by top engineers and recording professionals Session compatible with Eventide Reverb HD/TDM from the Anthology II bundle Stereo Delays (pre or post reverb) with Tempo sync to lock delays in time with your session Compressor (pre or post reverb) with key input Pre-EQ, Post-EQ, Reverb EQ and Delay EQ – Four independent, three band parametric equalizers Reverb Tail Randomization based on the legendary H949 Harmonizer® Random setting Modulation Rate and Depth controls LoFi control for subtle grit or all out mangling

49,00 €* 195,00 €*
68 %
Eventide UltraChannel
UltraChannel features micro pitch functionality from our flagship H8000, stereo delays with variable feedback paths, plus two stages of compression, gating, and five bands of parametric EQ.O-PressorUltraChannel features a pair of dynamics processors: the O-Pressor, capable of extreme compression (this is the compressor section of the Omnipressor®) and a conventional compressor with de-essing and side-chain capability.Soft-Saturation and Transformer emulation which recreates transformer core saturation.This feature adds harmonics to low frequency material while remaining relatively transparent to the rest of signal. While relatively subtle, in aggregate, Transformer can bring life to otherwise dull mixes and help glue disparate sound sources together.FlexiPathAllows drag and drop for reordering the signal path of the top level components (O-Pressor, compressor/de-esser, EQ, Gate).PresetsUltraChannel includes a variety of factory presets tailored to signal sources such as guitar, bass, kick drum, snare, piano, strings, synths and vocals. A number of the presets were created by Eventide artists.

79,00 €* 245,00 €*
58 %
Eventide Sheen Machine
Sheen Machine: A One Knob WonderBased on Eventide's patented Structural Split™ technology, Sheen Machine makes it easy to accentuate the "airy" quality of any signal without adding nasty sibilance or harshness.The secret behind Sheen Machine's magic is its ability to separate the transient and tonal parts of any audio signal. It offers a new path forward for adding tonal high-end without boostingtransients. Add vocal sheen, not sibilance. Add air, not harshness. Make dull signals shine.Eventide's Structural Split™ technology lets you surgically sculpt high-frequency content in ways never before possible.The NEW Approach to Adding Tonal SheenSheen Machine is a purpose-driven tool for adding smooth and airy high-end to sound sources without introducing the high-frequency harshness often generated by a traditional high-shelfboost. Using Eventide's patented Structural Split technology, Sheen Machine provides a simple solution for resolving complex problems often introduced when adding "sheen" to a signal,allowing for independent control over the transient and tonal layers of a signal without implicitly impacting the entire audio signal like a traditional EQ would. Power users have beendoing exactly this using the full-featured SplitEQ plug-in. We’ve put the power of SplitEQ in Sheen Machine and reduced it to a single, powerful, one knob gesture.Sheen Machine – Applications  Repair: Sheen Machine makes it easy to add tonal high-end to an otherwise dull recording or add "airiness" to vocals helping them shine brightly in a mix. Rebalance: From subtle to dramatic, musically rebalance vocals, synths, and other instruments by surgically adding tonal-high end without causing harshness. Enhance: Enhance the high-frequency information of incoming signals, adding vibrance to sound sources with ease. Sheen Machine – FeaturesStructural SplitThe beating heart of Sheen Machine, built on the same ground-breaking technology found in SplitEQ and Physion. Whatever instrument you process, Sheen Machine analyzes the incomingaudio and separates these components into their respective Transient (noise, pops, mic plosives, vocal sibilance, attacks) and Tonal (sustained notes, harmonics, tone, ambiance)elements. Sheen Machine uses this information to apply specially crafted EQ curves to the transient and tonal layers of the incoming audio, adding “airiness” and “sheen” without addingharshness.Just One KnobA straightforward user interface focused specifically on what matters: Adding tonal sheen to incoming audio. Turn the dial, hear the added sheen. The Sheen Machine user interface alsoincludes undo/redo, input gain and built-in bypass.

25,00 €* 59,00 €*
66 %
Eventide Omnipressor
Introduced in 1971, the Omnipressor rack unit was widely used on hit records throughout the last four decades. One of our first customers was a young Brian May, lead guitarist of Queen. With the Omnipressor in his rig, his sound was never the same again.Features  Dynamics processing for creating otherwordly sounds Gating, expansion, compression, limiting, and Dynamic Reversal Intuitive interface makes it simple to operate with the use of a Function dial

49,00 €* 145,00 €*
61 %
Eventide Instant Flanger Mk II
    Depth controls the intensity of the effect. 100% adds the delayed signal to the dry signal. -100 % subtracts the dry signal from the delayed signal     Three distinct flavors of flanging. Set the Mode switch for Shallow, Deep or Wide     Manual control allows you to control the ‘comb’ effect by turning the Big Knob     Oscillator drives the flanging at a user defined rate     Envelope Follower drives the flanging based on the signal’s amplitude     Remote maps the flanging control to a mod wheel for tactile manipulation     Bounce mimics the distinctive effect of the tape machine’s capstan motor “hunting” for its proper speed when the engineer's thumb was lifted from the tape reel flange     “Side Chain” allows for triggering the Envelope Follower from any source in the mix for inter-track mingling     Exercise total control of the Oscillator with Sync and Retrig     Tame the intensity by removing low frequencies from the flanged signal with the Low Cut control

49,00 €* 125,00 €*
68 %
Eventide H910
The H910 Harmonizer was the world’s first digital effects processor. With its unique combinations of pitch shifting, modulation and delay, the H910 can be heard on countless ground-breaking works by artists from AC/DC to David Bowie to Frank Zappa. Simply put, nothing sounds quite like it. A powerful creative tool, the H910 plug-in is a faithful recreation of the original hardware. Use the H910's pitch changing ability to create specific musical intervals and perfect harmonies, spread guitars, fatten snares, apply subtle organic de-tuning to synths or add slap-back delays to vocals. At extreme settings, you can create unheard-of mechanical sounds, drone effects or robot language using self-oscillation, delay, and anti-feedback. Two is Better than One. When you purchase the H910 Harmonizer plug-in, you also receive Eventide’s exclusive H910 Dual Harmonizer. This version recreates the popular technique of running two H910 units in parallel to create lush doubling and other interesting effects.Features  NEW Keyboard and MIDI mapping - The original H910 featured a keyboard remote control which was used live by several artists including Elton John. With the H910 plug-in you can easily use MIDI to control pitch and harmonization in real-time. NEW Envelope Follower -Engineers and producers discovered that sending a control voltage to the hardware H910 could be used to slightly (or massively) vary the pitch, creating entirely new sounds. The built-in envelope follower makes exploring these possibilities easy. NEW OUT2 Delay Group - adds inspiring attributes to your sound. True analog modeling of highly nonlinear electronics for faithful reproduction of the original H910's juicyness and grit. Perform perfect pitch changes controlled manually, via MIDI or with Anti-Feedback. Anti-Feedback modulates the pitch around unity for a subtle or wild effect. Optional "glitching" of original H910 hardware to create unpredictable sounds as it alters pitch. Modify pitch by musical intervals (diatonic) to harmonize vocals or solo instruments. Delay rhythms and melodies to create everything from slap-back echoes to feedback chaos. Create colorful, unique sound effects and drones through self-oscillation. Individually control delay outputs and dry/wet mix. Mix Lock allows for scrolling through presets or settings while keeping the dry/wet mix constant. BONUS: H910 Dual  H910 Dual recreates two H910 units running in parallel to create doubling effects and other unique sounds. H910 Dual easily fattens and thickens instruments when assigning opposite pitch ratios. H910 Dual Stereo (cross-unit) Feedback can cause the incoming signal to shift up and then down continuously.

79,00 €* 245,00 €*
58 %
Eventide DeBoom
DeBoom: More Thud, Less MudBased on Eventide's patented Structural Split™ technology, DeBoom is a one knob wonder. The secret to this new, powerful approach to corrective low-frequency EQ is its unique signalseparation process.DeBoom represents a new path forward in resolving common low-frequency problems. Eventide's Structural Split technology makes it possible to surgically sculpt low-frequencycontent in ways never before possible.Tame low-frequency muddiness without losing the thump, remove resonance but keep the punch, and enhance your low-end utilizing this new dimension of sonic sculpting. The NEW Approach to Resolving Common Low Frequency Problems DeBoom is a purpose-driven tool for surgically addressing common low frequency equalization problems. Kick drums, bass, and similar sound sources can contribute to low frequency "muddiness."Traditional EQs 'solve' the problem but cause collateral damage - the drum's thump goes out with the boom. The bass attack gets tossed with its resonance. DeBoom solves this problem by using Eventide's patented Structural Split technology to EQ the tonal portion of the sound separately from the transient. Power users have been doing exactly this using the full-featured SplitEQ plug-in. Eventide put the power of SplitEQ in DeBoom and reduced it to a single, powerful, one knob gesture.DeBoom – Applications  Repair: DeBoom quickly and easily removes low-frequency muddiness without sacrificing impact. It's a powerful, yet simple, tool for repairing audio that otherwise require extensive, clumsy traditional tools. Reshape: DeBoom surgically "shapes" low frequencies without causing collateral damage. Enhance: DeBoom can be used to tighten up the low frequencies to better refine their balance. DeBoom – FeaturesStructural SplitThe beating heart of DeBoom is the same groundbreaking technology found in SplitEQ and Physion. Whatever instrument you process, DeBoom analyzes the incoming audio and separates these components into their respective Transient (noise, pops, mic plosives, vocal sibilance, attacks) and Tonal (sustained notes, harmonics, tone, ambiance) elements. DeBoom uses this information to apply specially crafted EQ curves to the tonal layer of the incoming audio, removing boom and reshaping sounds instantly.Just One KnobA straightforward user interface focused specifically on what matters: De-booming without dethuding.Turn the dial, lose the mud and keep the thud. DeBoom's user interface also includesundo/redo, input gain and built-in bypass.

25,00 €* 59,00 €*
3 %