Analog Recording Mixers

ST-8 Console, 8 Channel, FX Returns, 8 x WOLFF Preamps and 8 x FREQ EQ'sHochwertigst Audio Qualität , flexibles Routing und Integration von 500 er Modulen https://www.wolffaudio.com/console/st

Features: Two Inputs Per Channel – Seamlessly switch from Mix to Record Inputs at the push of a button Third channel strip Input for dual-layer use Mix up to 48 Mono Signals at once Marinair® Transformers on Mix, AFL, CUE bus for true Neve voltage mixing  80 - series Neve® sound in a compact frame  Large format console Centre Section. Multiple speaker sets, dual Cue system and three-way talkback system Internal Snapshot system to Save/Load multiple all console settings across multiple sessions 500 series slots for internal expansion options   1073® preamps and DI inputs with Smart Routing for recording in the live or Control room  In-Line Console capability  25-way D-Type and Balanced Jack Inputs on rear and on front for a combination of simple and professional I/O Connection  The 8424 is designed to connect to and utilise all of your instruments and outboard equipment, becoming the centrepiece of your studio

Features: Neve classic sound using Class A topology Console sizes: 10,16,24, 32 or 48 channels 1073N microphone preamp and EQ module in each channel Classic voltage mixing using 1272 balanced mixing topology 2x 500-series slots fitted with Neve 2264ALB compressors, patchable or selectable across the Mix Bus Direct outputs on every channel selectable pre or post channel insert Simple Input to each channel doubles the mix inputs when mixing and also allows monitor and cue mixes 4x Auxes, 1x Stereo Cue, 1x Stereo Main Mix Bus Stereo and 5.1 monitor with passive 24 position gold plated monitor level control 3x Stereo & 1x 5.1 selectable loudspeaker output sets Comprehensive Solo system with destructive and safe/isolate modes 2x Stereo reverb returns with width, mono and balance controls & 2x mono DI to bus inputs Main Mix output insertion selectable pre or post fade with IMR (Insert Mix Return) parallel processing controls 25-way D-sub connectivity for easy installation into home or studio environments Optional side car stand on castors

Features: 12 Mono- und 4 Dual-Mono/ Stereo Kanäle. Mikrofonvorstufen in Spectra-Qualität Phasentreues Schaltungsdesign unter Nutzung von Mother-Daughterboards, abgeleitet aus der Spectra Serie, 19 Zoll/10 HE Pro Kanal schaltbar: 48-V-Phantomspeisung, Mic/Line, Pad und Phasendrehung Durchstimmbares High-Pass-Filter (20…400 Hz) mit 12 dB/Okt. Flankensteilheit Alle Mono-Eingangskanäle verfügen über zwei durchstimmbare Bell (MF)- sowie zwei feststehende Shelfing (HF+LF) Filterbänder Stereo-Eingangskanäle sind mit feststehenden HF und LF sowie einem durchstimmbaren MF ausgestattet. Der EQ Einschalter ist innenbleuchtet 6 Aux Sends; paarweise schaltbar pre/post Fader, kanalweise schaltbar pre/post EQ Aux Sends 5 und 6 können zum Stereopaar verschaltet werden Schaltbares Routing der Eingangskanäle auf die Busse L, C, R und/ oder die Subgruppen 1-4 Alle entsprechenden Ausgänge (einschließlich Aux) sind als symmetrische XLR-Stecker ausgeführt und verfügen zusätzlich über TRS-Eingänge und Inserts. Die Ausgänge L, C, R und Mono Mix sind wahlweise schaltbar von Line- auf Mikrofonpegel Innenbeleuchtete PFL/AFL und Mute-Schalter, eine 6-Segment-Pegelanzeige und 100-mm-Fader sorgen für übersichtliches und flüssiges Arbeiten 4 LED Pegelmesser für die Busse L, C, R und Mono oder die Gruppen 1-4; bei Solo zeigen die Meter automatisch den Pegel des entsprechenden Kanals Für zusätzliche Überwachung der Pegel steht pro Mix-Bus eine zweifarbige LED zur Verfügung (L, C, R, Mono, Gruppe 1-4 und Aux 1-6) Netzteil 100…240 V~, 50/60 Hz, steckbar, ohne Demontage des Mischers Dimmer für die optionale Schwanenhalslampe (4-pol.-XLR) Drehbares, arretierbares Anschlussfeld

API successfully debuted THE BOX Console over five years ago, and its highly desirable large console sound in a compact footprint has become a favorite choice of audio pros worldwide — from commercial production facilities to home studio operations.   The newest version of the award-winning BOX Console provides even more options and flexibility for modern studio workflow. Offering a total of eight input channels and eight 500 Series slots, the updated BOX Console also features LED metering for each of its 24 summing channels. The new BOX Console provides the same comprehensive rear panel  connections, full center section and monitoring as its predecessor, as well as the 0dB bypass switch on each summing channel — a feature so popular it was included in the design of API's new 1608-II and 2448 consoles.   THE BOX is API's small-format solution for any studio where space or budget is limited. Using the same circuitry and components as all other API consoles (including the Vision and Legacy AXS), THE BOX provides the signature analog sound and performance users have come to expect from API. Designed and optimized for the digital era, THE BOX handles all the functions needed for production not provided by most DAWs, including mic preamps, input signal processing, high-quality mix bus, cue sends with talkback, monitor control and more. Most importantly, THE BOX offers the legendary API sound in an efficient, cost-effective package.   Features Eight (8) input channels with Mic Preamp, Line Input and Hi Pass Filter Eight (8) 500 Series slots (1 per input channel) Direct Out on Input Channels On-Board Stereo Bus Compressor w/ ability to assign to program bus or input channels 1-4 Instrument Direct Inputs on channels 1-4 Sixteen (16) summing channels (24 channels during mix) 0dB bypass switch for each summing channel 4-Segment LED Metering on each summing channel Stereo program bus with master fader, insert, and external input One (1) stereo and (2) mono auxiliary sends/buses Stereo cue send/bus & headphone system PFL, AFL, and Solo-In-Place solo modes with stereo solo bus Full-featured monitor section that supports two stereo monitor systems Talkback system Comprehensive rear panel connections with balanced inputs and outputs Integrated power supply PLEASE NOTE: THERE ARE NO EQs INSTALLED IN THE STANDARD VERSION !  

ASP4816 Powerful, flexible and intuitive, the ASP4816 delivers superb audio performance in a compact frame size. ASP4816 provides the key features of a large format recording console in a compact, cost effective form. Designed by audio guru, David Dearden and featuring Audient’s legendary analog circuitry, ASP4816 is the perfect centre piece for production studios and educational facilities. The main input channels feature Audient’s renowned Class A preamp and 4 band EQ – a combination found in hundreds of ASP8024 equipped studios where many users no longer feel the need to reach for their outboard preamps and EQ. The console features 40 faders,16 bus routing, 6 auxes, 2 dedicated cue sends, 4 stereo returns, stereo bus compressor and a comprehensive monitor section. → In-line architecture - twin inputs on each channel → 40 faders → 48 inputs at mix → 16 Audient Class-A mic pres → 16 channels of EQ → 16 record buses → 6 auxes, 2 cue sends → Stereo bus compressor → Comprehensive monitor section

Mix Back Mixer The Mix Back is a flexible and affordable 16 x 12 x 2 x 2 monitor mixer that features two stereo outputs and twelve mono outputs. There are sixteen high quality Mic/Line inputs with passive split. It also features two HearBus outputs and two ADAT optical outputs. A perfect companion to our Hear Back personal monitor system. A talkback mic preamp permits talking to any mono output, master outputs and the intercom output. Included is a UV LED gooseneck lamp that makes the knob pointers and silkscreen on the front of Mix Back glow-in-the-dark! Input Channel Features: 16 quality Mic/Line inputs with passive XLR split Pin 1 lift and Mic phantom power switches Channel inserts Signal/Clip LED indicator 100 Hz high-pass filter Gain control 4 band EQ with separate controls for sweep and cut/boost on mid bands Two stereo level and pan controls (ST1 and ST2) Twelve mono level controls (1-12) Switch selectable effects 1-2 sends Master Features: 2 stereo and 12 mono TRS outputs Switch selectable meter/headphone monitoring 2 stereo TRS balanced effect returns Switch assignable FX1/FX2 returns to the 12 mono masters Stereo Aux return with level controls to both stereo busses – great for FOH mix or the studio “two mix” Buss inputs permit stacking of multiple mixers Talk back mic preamp assignable to stereo masters 1 and 2, mono outputs 1-12, and the balanced Intercom/slate output Relay contact when the talk back intercom switch is pressed 16 button talkback remote connects using standard CAT5e cable 16 channels of ADAT and HearBus output Other Features: Universal internationally approved internal power supply 11 RU chassis All analog inputs and outputs are balanced

N-Trophy is a fully discrete, modular analog in-line console designed to become the heart of a modern analog or hybrid studio, where sound quality and fast, creative work is a key. Where you don’t want to be overwhelmed by increasingly complex technology, but focus on the art itself. That is the way it should be. And all that you will experience with N-Trophy is just that. A beautiful classic console look is combined with an innovative approach to working on an analog console.

You are completely free to order even Center Section alone, which is fully functional and can be great for stem summing up to 16 inputs, and for demanding monitoring / mastering tasks, integrating your existing equipment. All these features are in a width of less than 65 cm!Master Compressor is based on NOS Mullards, perceived as the bestsounding tubes of all time. Many functions in Master Section, Groups, Mix Bus and Channels use easily recallable rotary switches. Thanks to it they are all perfectly matched and calibrated for multichannel work. All routing in N-Trophy is based on relays and switches with gold-plated contacts. It’s the best possible way to ensure the highest sound quality and reliability.

BiG SiX is designed to enhance your production capabilities at any stage of the process. From the SSL console grade faders to the advanced monitoring section and 18 channels of analogue summing at mix-down, the meticulously selected feature-set found on BiG SiX brings almost limitless creative options and engineering authority from large-format SSL consoles to your desk-top. Key features Four SuperAnalogueTM Mic / line / Hi-Z / 48V / HPF and polarity switch Four SuperAnalogueTM stereo line level inputs with dual mono switching Built in 16 channel  96 Khz / 24-bit USB interface with advanced routing Essential version of G-Comp Bus Compressor with 'Auto' release 3 Band SSL LF/MF/HF EQ on every channelClassic SSL channel dynamics processing Listen Mic Compressor Dual independent headphone outputs with source matrix 100 mm console grade faders Professional metering Comprehensive monitoring section Two stereo cue feeds Bus B / Mute switching Two fully balanced stereo external inputs Up to 18 inputs at mixdown Mix Bus inject for cascading additional SiX/BiG SiX

BiG SiX is designed to enhance your production capabilities at any stage of the process. From the SSL console grade faders to the advanced monitoring section and 18 channels of analogue summing at mix-down, the meticulously selected feature-set found on BiG SiX brings almost limitless creative options and engineering authority from large-format SSL consoles to your desk-top. Key features Four SuperAnalogueTM Mic / line / Hi-Z / 48V / HPF and polarity switch Four SuperAnalogueTM stereo line level inputs with dual mono switching Built in 16 channel  96 Khz / 24-bit USB interface with advanced routing Essential version of G-Comp Bus Compressor with 'Auto' release 3 Band SSL LF/MF/HF EQ on every channelClassic SSL channel dynamics processing Listen Mic Compressor Dual independent headphone outputs with source matrix 100 mm console grade faders Professional metering Comprehensive monitoring section Two stereo cue feeds Bus B / Mute switching Two fully balanced stereo external inputs Up to 18 inputs at mixdown Mix Bus inject for cascading additional SiX/BiG SiX

Key Features: A fully professional condensed console for use in the studio, in post-production, on stage, and for podcasting. Benchmark SuperAnalogue™ audio performance Ultra low noise : ultra-low distortion : pristine sound Stunning Record Path Two SSL console grade SuperAnalogue mic pre’s Classic SSL Channel Processing Essential versions of SSL Channel EQ and Dynamics The unique Listen Mic Compressor Nothing slams drums quite like it! Professional Routing & Monitoring  The hidden versatility of truly professional features 12 Input Summing at Mixdown 12 line level inputs with channel and Master Bus inserts Legendary Master Bus Compressor An essential version of the incredible SSL legacy Completely balanced signal path Everything except the headphone jack is fully balanced

The Series 68 analog consoles have been developed to deliver the core feature set most often needed for analog recording. The 68’s are Split/lnline consoles with individual channels in 8-way panels. Using an 8 subgroup configuration and incorporating 6 Aux sends, its routing options are vast and simple to use. Connections are fast and easy with DB-25’s throughout the board and XLR’s for Master and Main outputs. With a flexible yet powerful 3 band EQ at its core, including selectable channel inserts and monolithic preamps driving the inputs, the Series 68 consoles offer a wide array of summing and mixing options. The sonic quality and compact footprint of the 68’s are able to meet any demand. Modularity Throughout The 68’s by design are manufactured to be a more cost effective variant of the fully modular 78’s. Incorporating a similar chassis design and the LED meter bridge, the 68’s have a rugged and proven core. Using a simi-modular design the 68’s are able to effectively reduce their overall costs without a significant sacrifice to serviceability. All input channels are individual boards, faders included, each in a 8 channel pack. Subgroups are individual boards, faders included, each in a 8 channel pack. Master Channel is an individual channel separated from all others. Split/Inline Console: Since the inception of this configuration by Trident Audio on the A-Range console in the late 1960’s it has been adopted throughout the industry and remains a standard configuration for our consoles today. Dual Inputs to the channels with line and monitor inputs 3 Band EQ with sweeping mid bands and selectable low and high bands 27dB of headroom Channel Inserts Selectable EQ Path Microphone Preamp: The 68’s incorporate a new high-quality wide bandwidth preamp design. These preamps have lots of headroom with very low noise, low distortion, a high slew rate, and high gain fully capable of driving ribbon microphones. 65dB gain preamp Balanced inputs Balanced inserts with full bypass Input Reverse Switch Mic/Line Switch Phantom Power Switch Flexible EQ: The 68’s incorporate an all-new 3 Band EQ derived from the Series 80 Console EQ. As the main channel EQ throughout the console. A three band Trident EQ with overlapping frequency ranges is provided along with a switchable high pass filer. The HIGH and LOW sections of the equalizer have a shelving response and the MID has a peaking (bell) response with two selectable bandwidth settings. Sweepable high band between 1k and 15k Sweepable mid band between 200Hz and 3k Sweepable low band between 40Hz and 650Hz Selectable mid bandwidth between 1 and 1/3rd octave50Hz High Pass Filter Master Section: The master section of the 68’s are laid out for ease of use and have all the necessary features to manage your monitors, talkback, and stereo returns.The 68’s master channel is an independent from the rest of console to ensure that your console’s master output functions can be easily and quickly serviced with little or no downtime. Main & Alt Monitor Control Mute, Dim & Mono Controls Onboard Headphone with Gain 8 Subgroups Two 2 Track Returns Subgroup Monitor Returns 1 Stereo AUX 8 Stereo FX Returns 1/8″ TRS Selectable Input Onboard Talkback Selectable Insert Return

The Series 68 analog consoles have been developed to deliver the core feature set most often needed for analog recording. The 68’s are Split/lnline consoles with individual channels in 8-way panels. Using an 8 subgroup configuration and incorporating 6 Aux sends, its routing options are vast and simple to use. Connections are fast and easy with DB-25’s throughout the board and XLR’s for Master and Main outputs. With a flexible yet powerful 3 band EQ at its core, including selectable channel inserts and monolithic preamps driving the inputs, the Series 68 consoles offer a wide array of summing and mixing options. The sonic quality and compact footprint of the 68’s are able to meet any demand. Modularity Throughout The 68’s by design are manufactured to be a more cost effective variant of the fully modular 78’s. Incorporating a similar chassis design and the LED meter bridge, the 68’s have a rugged and proven core. Using a simi-modular design the 68’s are able to effectively reduce their overall costs without a significant sacrifice to serviceability. All input channels are individual boards, faders included, each in a 8 channel pack. Subgroups are individual boards, faders included, each in a 8 channel pack. Master Channel is an individual channel separated from all others. Split/Inline Console: Since the inception of this configuration by Trident Audio on the A-Range console in the late 1960’s it has been adopted throughout the industry and remains a standard configuration for our consoles today. Dual Inputs to the channels with line and monitor inputs 3 Band EQ with sweeping mid bands and selectable low and high bands 27dB of headroom Channel Inserts Selectable EQ Path Microphone Preamp: The 68’s incorporate a new high-quality wide bandwidth preamp design. These preamps have lots of headroom with very low noise, low distortion, a high slew rate, and high gain fully capable of driving ribbon microphones. 65dB gain preamp Balanced inputs Balanced inserts with full bypass Input Reverse Switch Mic/Line Switch Phantom Power Switch Flexible EQ: The 68’s incorporate an all-new 3 Band EQ derived from the Series 80 Console EQ. As the main channel EQ throughout the console. A three band Trident EQ with overlapping frequency ranges is provided along with a switchable high pass filer. The HIGH and LOW sections of the equalizer have a shelving response and the MID has a peaking (bell) response with two selectable bandwidth settings. Sweepable high band between 1k and 15k Sweepable mid band between 200Hz and 3k Sweepable low band between 40Hz and 650Hz Selectable mid bandwidth between 1 and 1/3rd octave50Hz High Pass Filter Master Section: The master section of the 68’s are laid out for ease of use and have all the necessary features to manage your monitors, talkback, and stereo returns.The 68’s master channel is an independent from the rest of console to ensure that your console’s master output functions can be easily and quickly serviced with little or no downtime. Main & Alt Monitor Control Mute, Dim & Mono Controls Onboard Headphone with Gain 8 Subgroups Two 2 Track Returns Subgroup Monitor Returns 1 Stereo AUX 8 Stereo FX Returns 1/8″ TRS Selectable Input Onboard Talkback Selectable Insert Return

The Trident 78 all analog consoles are all Trident through and through. The Trident 78 is a cost effective mixing console tailored for engineers, studio owners, educational facilities, houses of worship, and live sound applications. The 78’s are Split/lnline consoles with individual channels in 4-way panels. Using an 8 subgroup configuration and incorporating 6 Aux sends, its routing options are vast and simple to use. Connections are fast and easy with DB-25’s throughout the board and XLR’s for speaker and main outputs. With the 80B EQ at its core, including selectable channel inserts and discrete preamps driving the inputs, the Trident 78 consoles offer a wide array of summing and mixing options. The uncompromised sonic quality and compact footprint of the 78’s are able to meet any demand. Features found throughout the 78 make for a straightforward and powerful package, but paramount to all else is The Sound. Among the many styles, preferences and methods of recording exists the expectation that a board must have the ability to be pushed hard and sound big. This is a hallmark of the series 80 consoles and the 78 carries that tradition forward. Bottom line: The Trident 78 was created with all of this in mind so that you can use it to make great sounding tracks. Modularity Throughout The 78’s by design are manufactured to be a more cost effective variant of the fully modular 88’s. Incorporating a similar chassis design and the same meter bridge, the 78’s have a rugged and proven core. Using a simi-modular design the 78’s are able to effectively reduce their overall costs without a significant sacrifice to serviceability. All input channels are individual boards, faders included, each in a 4 channel panel. Subgroups are individual boards, faders included, each in a 4 channel pack. Master Channel is an individual channel separated from all others. Split/Inline Console: Since the inception of this configuration by Trident Audio on the A-Range console in the late 1960’s it has been adopted throughout the industry and remains a standard configuration for our consoles today. Dual Inputs to the channels with line and monitor inputs 4 Band EQ with sweeping mid bands and selectable low and high bands 27dB of headroom Channel Inserts Selectable EQ Path Microphone Preamp: The 78’s incorporate the same high quality Class A Discrete preamp as the 88’s. These preamps have lots of headroom and high gain fully capable of driving ribbon microphones. 60dB gain discrete preamp Balanced inputs Balanced inserts with full bypass Input Reverse Switch Mic/Line Switch Phantom Power Switch Powerful EQ: The 78’s incorporate the iconic Series 80B console EQ as the main channel EQ throughout the console. This EQ is known throughout the industry for its musicality and ease of use. Selectable high bands at 8k and 12k Sweepable High and Low Mids Selectable low bands at 60Hz and 120Hz 50Hz High Pass Filter Selectable Channel Insert Master Section: The master section of the 78’s are laid out for ease of use and have all the necessary features to manage your monitors, talkback, and stereo returns.The 78’s master section is an independent channel from the rest of console to ensure that your console’s master output functions can be easily and quickly serviced with little or no downtime. Main & Alt Monitor Control Mute, Dim & Mono Controls 2 On board Headphone connections with Gain 8 Subgroups 8 Stereo FX Returns Two 2 Track Returns Subgroup Monitor Returns 2 Mono and 1 Stereo AUX Subgroup Stereo FX Returns 1/8″ TRS Selectable Input Onboard or External Talkback Mic Selectable Output Transformer Option

Trident 88 Console Overview The Trident 88 is a classically styled, in-line, eight-buss analog console and an advancement in lineage of the revered Series 80 mixing desks. Designed with manufacturability in mind, the 88 is artfully constructed for ease of use and workhorse reliability. Available in stock configurations of 16, 24, 32, and 40 channels. The model 88 is sized to fit the modern, high end facility – whether private, institutional, or professional. Along with the pleasingly familiar routing and feel of a classic Trident desk, are modern refinements that serve to improve functionality, workflow and performance specifications. For example, integration with outboard processors and mic pre’s, such as the 500 format, is provided simply and elegantly by means of an exclusive, switchable input. This bypasses the channel preamp circuitry and allows for insertion of external signal sources directly to the channel equalizer. Being a Trident, the equalization is of course, wonderful, and on the 88 – it is also plentiful. Always available on the channel, monitor, effects returns and group sections. In the area of customization, the 88 has options for vu metering, transformer I/O, automation, short loading and channel configurations exceeding 40 inputs. Features found throughout the 88 make for a straightforward and powerful package, but paramount to all else is The Sound. Among the many styles, preferences and methods of recording exists the expectation that a board must have the ability to be pushed hard and sound big. With 27dB of headroom, the 88 is designed to be pushed hard and sound big. This is a hallmark of the series 80 consoles and the 88 carries that tradition forward. Bottom line: The Trident 88 was created with all of this in mind so that you can use it to make great sounding tracks. Fully Modular Design: Designed with manufacturability in mind. The Trident 88 was made from the ground up to be a rugged and reliable console. We went to great lengths to make sure that the 88’s are easy to build and equally easy to maintain. The 88 is designed so that the entire console can be serviced with a single screw driver. Motherboards are shock-mounted with rubber standoffs to isolate them from the chassis and provide additional protection from structure born stresses. A channel can be swapped in matter of minutes and the console will continue to function if one or more channels are removed. Faders, channels, groups, and master section are individually removable. All rear connections are also removable. Split/Inline Console: Having a Split/Inline console effectively will double your inputs to your stereo buss. This has become more and more a common configuration for recording consoles in today’s market. We took it a step further and added an EQ to the monitor path that can also be swapped with the main channel EQ. Dual Input to the Channels – line and monitor Four band, sweepable channel EQ, is switchable with monitor Tilt EQ. Dual Inserts to each Channel at the preamp, or the main channel EQ. 8 Auxes: 6 mono and 2 Stereo 27dB of headroom Microphone Preamp: Incorporating a Discrete Class A preamp to the 88’s is a departure from previous Trident console preamps in the 80 Series. This give’s the 88’s a higher quality stock preamp from the start and also incorporates the option to add a Lundahl input transformer to any channel desired. Discrete Class A 65dB gain Balanced inputs, with optional Lundahl transformers Full bypass insert Input Reverse Switch Mic/Line Switch Phantom Power Switch Console EQ: Expanding the great success of 80 Series recording consoles is only logical. Taking the highly regarded 80B EQ and improving on it with the 80C EQ was a great step forward for its time. The 80C EQ took all of the great sound of the 80B and gave it even more control. Keeping the 80C EQ as the brawn of the 88’s was a decision that required no second thought.Adding more EQ to the 88 was the next step forward for a more versatile analog recording console’s progression. Having EQ to the vast majority of the inputs to the 88 console means more analog controls at your fingers. High and low shelving Low/high mid peaking 4 Sweepable bands boost/cut to +/-15dB. 50Hz high pass filter Insert pre/post eq Monitor in: Tilt EQ Group FX Returns: 12kHz and 80hz shelving Group Monitor Returns: 12kHz and 80hz shelving Master Section: Keeping control of your workflow with ease and speed is the core function of an analog recording console. Your time spent setting up a mix and the ability to have tactile control with immediate effect over your work is essential and time saving. The 88’s are designed to give you maximum control and routing options all onboard at your fingertips. Making your creative process more effective and saving you time in the process. 8 Subgroups 3 Monitor Controls 8 Monitor returns with high and low EQ 8 Auxes; 6 Mono 2 Stereo 8 Stereo FX Returns with high and low EQ 8 Stereo Aux Returns assignable to the Stereo FX Returns 1/8″ TRS Input Onboard Talkback to Auxes in pairs, Groups, or Studio Built in Oscillator selectable at 1k or 10k

Trident 88 Console Overview The Trident 88 is a classically styled, in-line, eight-buss analog console and an advancement in lineage of the revered Series 80 mixing desks. Designed with manufacturability in mind, the 88 is artfully constructed for ease of use and workhorse reliability. Available in stock configurations of 16, 24, 32, and 40 channels. The model 88 is sized to fit the modern, high end facility – whether private, institutional, or professional. Along with the pleasingly familiar routing and feel of a classic Trident desk, are modern refinements that serve to improve functionality, workflow and performance specifications. For example, integration with outboard processors and mic pre’s, such as the 500 format, is provided simply and elegantly by means of an exclusive, switchable input. This bypasses the channel preamp circuitry and allows for insertion of external signal sources directly to the channel equalizer. Being a Trident, the equalization is of course, wonderful, and on the 88 – it is also plentiful. Always available on the channel, monitor, effects returns and group sections. In the area of customization, the 88 has options for vu metering, transformer I/O, automation, short loading and channel configurations exceeding 40 inputs. Features found throughout the 88 make for a straightforward and powerful package, but paramount to all else is The Sound. Among the many styles, preferences and methods of recording exists the expectation that a board must have the ability to be pushed hard and sound big. With 27dB of headroom, the 88 is designed to be pushed hard and sound big. This is a hallmark of the series 80 consoles and the 88 carries that tradition forward. Bottom line: The Trident 88 was created with all of this in mind so that you can use it to make great sounding tracks. Fully Modular Design: Designed with manufacturability in mind. The Trident 88 was made from the ground up to be a rugged and reliable console. We went to great lengths to make sure that the 88’s are easy to build and equally easy to maintain. The 88 is designed so that the entire console can be serviced with a single screw driver. Motherboards are shock-mounted with rubber standoffs to isolate them from the chassis and provide additional protection from structure born stresses. A channel can be swapped in matter of minutes and the console will continue to function if one or more channels are removed. Faders, channels, groups, and master section are individually removable. All rear connections are also removable. Split/Inline Console: Having a Split/Inline console effectively will double your inputs to your stereo buss. This has become more and more a common configuration for recording consoles in today’s market. We took it a step further and added an EQ to the monitor path that can also be swapped with the main channel EQ. Dual Input to the Channels – line and monitor Four band, sweepable channel EQ, is switchable with monitor Tilt EQ. Dual Inserts to each Channel at the preamp, or the main channel EQ. 8 Auxes: 6 mono and 2 Stereo 27dB of headroom Microphone Preamp: Incorporating a Discrete Class A preamp to the 88’s is a departure from previous Trident console preamps in the 80 Series. This give’s the 88’s a higher quality stock preamp from the start and also incorporates the option to add a Lundahl input transformer to any channel desired. Discrete Class A 65dB gain Balanced inputs, with optional Lundahl transformers Full bypass insert Input Reverse Switch Mic/Line Switch Phantom Power Switch Console EQ: Expanding the great success of 80 Series recording consoles is only logical. Taking the highly regarded 80B EQ and improving on it with the 80C EQ was a great step forward for its time. The 80C EQ took all of the great sound of the 80B and gave it even more control. Keeping the 80C EQ as the brawn of the 88’s was a decision that required no second thought.Adding more EQ to the 88 was the next step forward for a more versatile analog recording console’s progression. Having EQ to the vast majority of the inputs to the 88 console means more analog controls at your fingers. High and low shelving Low/high mid peaking 4 Sweepable bands boost/cut to +/-15dB. 50Hz high pass filter Insert pre/post eq Monitor in: Tilt EQ Group FX Returns: 12kHz and 80hz shelving Group Monitor Returns: 12kHz and 80hz shelving Master Section: Keeping control of your workflow with ease and speed is the core function of an analog recording console. Your time spent setting up a mix and the ability to have tactile control with immediate effect over your work is essential and time saving. The 88’s are designed to give you maximum control and routing options all onboard at your fingertips. Making your creative process more effective and saving you time in the process. 8 Subgroups 3 Monitor Controls 8 Monitor returns with high and low EQ 8 Auxes; 6 Mono 2 Stereo 8 Stereo FX Returns with high and low EQ 8 Stereo Aux Returns assignable to the Stereo FX Returns 1/8″ TRS Input Onboard Talkback to Auxes in pairs, Groups, or Studio Built in Oscillator selectable at 1k or 10k

Trident 88 Console Overview The Trident 88 is a classically styled, in-line, eight-buss analog console and an advancement in lineage of the revered Series 80 mixing desks. Designed with manufacturability in mind, the 88 is artfully constructed for ease of use and workhorse reliability. Available in stock configurations of 16, 24, 32, and 40 channels. The model 88 is sized to fit the modern, high end facility – whether private, institutional, or professional. Along with the pleasingly familiar routing and feel of a classic Trident desk, are modern refinements that serve to improve functionality, workflow and performance specifications. For example, integration with outboard processors and mic pre’s, such as the 500 format, is provided simply and elegantly by means of an exclusive, switchable input. This bypasses the channel preamp circuitry and allows for insertion of external signal sources directly to the channel equalizer. Being a Trident, the equalization is of course, wonderful, and on the 88 – it is also plentiful. Always available on the channel, monitor, effects returns and group sections. In the area of customization, the 88 has options for vu metering, transformer I/O, automation, short loading and channel configurations exceeding 40 inputs. Features found throughout the 88 make for a straightforward and powerful package, but paramount to all else is The Sound. Among the many styles, preferences and methods of recording exists the expectation that a board must have the ability to be pushed hard and sound big. With 27dB of headroom, the 88 is designed to be pushed hard and sound big. This is a hallmark of the series 80 consoles and the 88 carries that tradition forward. Bottom line: The Trident 88 was created with all of this in mind so that you can use it to make great sounding tracks. Fully Modular Design: Designed with manufacturability in mind. The Trident 88 was made from the ground up to be a rugged and reliable console. We went to great lengths to make sure that the 88’s are easy to build and equally easy to maintain. The 88 is designed so that the entire console can be serviced with a single screw driver. Motherboards are shock-mounted with rubber standoffs to isolate them from the chassis and provide additional protection from structure born stresses. A channel can be swapped in matter of minutes and the console will continue to function if one or more channels are removed. Faders, channels, groups, and master section are individually removable. All rear connections are also removable. Split/Inline Console: Having a Split/Inline console effectively will double your inputs to your stereo buss. This has become more and more a common configuration for recording consoles in today’s market. We took it a step further and added an EQ to the monitor path that can also be swapped with the main channel EQ. Dual Input to the Channels – line and monitor Four band, sweepable channel EQ, is switchable with monitor Tilt EQ. Dual Inserts to each Channel at the preamp, or the main channel EQ. 8 Auxes: 6 mono and 2 Stereo 27dB of headroom Microphone Preamp: Incorporating a Discrete Class A preamp to the 88’s is a departure from previous Trident console preamps in the 80 Series. This give’s the 88’s a higher quality stock preamp from the start and also incorporates the option to add a Lundahl input transformer to any channel desired. Discrete Class A 65dB gain Balanced inputs, with optional Lundahl transformers Full bypass insert Input Reverse Switch Mic/Line Switch Phantom Power Switch Console EQ: Expanding the great success of 80 Series recording consoles is only logical. Taking the highly regarded 80B EQ and improving on it with the 80C EQ was a great step forward for its time. The 80C EQ took all of the great sound of the 80B and gave it even more control. Keeping the 80C EQ as the brawn of the 88’s was a decision that required no second thought.Adding more EQ to the 88 was the next step forward for a more versatile analog recording console’s progression. Having EQ to the vast majority of the inputs to the 88 console means more analog controls at your fingers. High and low shelving Low/high mid peaking 4 Sweepable bands boost/cut to +/-15dB. 50Hz high pass filter Insert pre/post eq Monitor in: Tilt EQ Group FX Returns: 12kHz and 80hz shelving Group Monitor Returns: 12kHz and 80hz shelving Master Section: Keeping control of your workflow with ease and speed is the core function of an analog recording console. Your time spent setting up a mix and the ability to have tactile control with immediate effect over your work is essential and time saving. The 88’s are designed to give you maximum control and routing options all onboard at your fingertips. Making your creative process more effective and saving you time in the process. 8 Subgroups 3 Monitor Controls 8 Monitor returns with high and low EQ 8 Auxes; 6 Mono 2 Stereo 8 Stereo FX Returns with high and low EQ 8 Stereo Aux Returns assignable to the Stereo FX Returns 1/8″ TRS Input Onboard Talkback to Auxes in pairs, Groups, or Studio Built in Oscillator selectable at 1k or 10k

ST-16 Console, 16 Channel, FX Returns, 16 x WOLFF Preamps and 16 x FREQ EQ'sHochwertigst Audio Qualität , flexibles Routing und Integration von 500 er Modulen https://www.wolffaudio.com/console/st

ST-8 Console, 8 Channel, FX Returns, 8 x WOLFF Preamps and 8 x FREQ EQ'sHochwertigst Audio Qualität , flexibles Routing und Integration von 500 er Modulen mit Automationhttps://www.wolffaudio.com/console/st

Presenting a brand new benchmark The WUNDERBAR An analog console forged from inspiration, innovation and the bold desire to build the most impressive recording desk in the world. The result is a console so accomplished, it features The Wunderbahn, the worlds first desk to come standard with three vintage stereo bus flavors, and employs a fully symmetrically balanced discrete summing bus system. This unprecedented blend of performance, technology and perfectly crafted build quality is simply the next standard in the pursuit of the perfect recording. Infuse sophistication with extreme audio performance. Hand built by Wunder Audio's master technicians. The three stereo bus flavors are rich with thick discrete audio and transformer thickness, yielding three totally awesome soundstages that can be combined or heard separately. The Wunderbar: Every detail refined viscerally. Design your unique Wunderbar console. Customize your configuration to reflect your engineering style. Choose from a variety of console sizes and master section positions, moving fader automation, internal Patchbay and Apple 23' Cinema HD Display. Here, Wunder Audio continues to cherish the proud tradition of handcrafted excellence, passed down over generations. Over a dozen specialists ply their trade in creating the Wunderbar; cable builders alongside machinist, electronic engineers alongside cabinetmakers. All are world-class craftspeople whose purpose is the realization of the personal vision of the individual Wunder Audio customer. The Console utilizes the PEQ2 Channel Amplifier delivering from 12 to 60 channels. A 'Fully Balanced Bussing Scheme' is the heart of the Wunderbar, buffering the ground out of the equation. This results in significant increase in dynamic range while lowering noise substantially. There are transformer balanced direct outputs and inserts on all channels. The Stereo Buss champions The Wunderbahn and has three Stereo Amplifier choices: Wunder, 1272, and the 312. The Routing Modules The 1046 Routing modules are fully transformer balanced Class-A Discrete. Each channel has a monitor fader that is flip-able with the main channel fader. Also featured are six busses with illuminated switches, four auxes that are switchable pre or post, Pan Defeat, 48V phantom, and 'Opto Silent' mute. If the console is short loaded, the Routing modules will act as a transformer-balanced inputs. The Master Section The Master Section includes a Control Room Monitor for monitoring six stereo sources, including busses. Mono, Dim, Mute, and Solo Clear are on large illuminated switches. Select from 3 sets of speakers or a headphone amp with separate volume control. The internal routing of sub groups to the stereo buss eliminates external patching, sparing monitor faders. The Eight-fader monitor section includes solo, pan, and placement into any of the busses. Talkback into any buss/aux is either latching, momentary, or remote. The master section has a large Illuminated master PFL, AFL Solo switch with Solo level. Other features include: P&G 100mm Conductive Plastic Faders, thick hardwood end-cheeks in an unlimited choice of hardwoods, and full leather armrest.Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.

Presenting a brand new benchmark The WUNDERBAR An analog console forged from inspiration, innovation and the bold desire to build the most impressive recording desk in the world. The result is a console so accomplished, it features The Wunderbahn, the worlds first desk to come standard with three vintage stereo bus flavors, and employs a fully symmetrically balanced discrete summing bus system. This unprecedented blend of performance, technology and perfectly crafted build quality is simply the next standard in the pursuit of the perfect recording. Infuse sophistication with extreme audio performance. Hand built by Wunder Audio's master technicians. The three stereo bus flavors are rich with thick discrete audio and transformer thickness, yielding three totally awesome soundstages that can be combined or heard separately. The Wunderbar: Every detail refined viscerally. Design your unique Wunderbar console. Customize your configuration to reflect your engineering style. Choose from a variety of console sizes and master section positions, moving fader automation, internal Patchbay and Apple 23' Cinema HD Display. Here, Wunder Audio continues to cherish the proud tradition of handcrafted excellence, passed down over generations. Over a dozen specialists ply their trade in creating the Wunderbar; cable builders alongside machinist, electronic engineers alongside cabinetmakers. All are world-class craftspeople whose purpose is the realization of the personal vision of the individual Wunder Audio customer. The Console utilizes the PEQ2 Channel Amplifier delivering from 12 to 60 channels. A 'Fully Balanced Bussing Scheme' is the heart of the Wunderbar, buffering the ground out of the equation. This results in significant increase in dynamic range while lowering noise substantially. There are transformer balanced direct outputs and inserts on all channels. The Stereo Buss champions The Wunderbahn and has three Stereo Amplifier choices: Wunder, 1272, and the 312. The Routing Modules The 1046 Routing modules are fully transformer balanced Class-A Discrete. Each channel has a monitor fader that is flip-able with the main channel fader. Also featured are six busses with illuminated switches, four auxes that are switchable pre or post, Pan Defeat, 48V phantom, and 'Opto Silent' mute. If the console is short loaded, the Routing modules will act as a transformer-balanced inputs. The Master Section The Master Section includes a Control Room Monitor for monitoring six stereo sources, including busses. Mono, Dim, Mute, and Solo Clear are on large illuminated switches. Select from 3 sets of speakers or a headphone amp with separate volume control. The internal routing of sub groups to the stereo buss eliminates external patching, sparing monitor faders. The Eight-fader monitor section includes solo, pan, and placement into any of the busses. Talkback into any buss/aux is either latching, momentary, or remote. The master section has a large Illuminated master PFL, AFL Solo switch with Solo level. Other features include: P&G 100mm Conductive Plastic Faders, thick hardwood end-cheeks in an unlimited choice of hardwoods, and full leather armrest.Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.