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The ProWave system is a modular desking system which holds various equipment for the audio, post and broadcast industries. The user has the opportunity to create their own personal configuration offering combinations of racks and worktops to suit specific needs. The flexibility of this system has enabled it to be used for grading, editing and radio facilities. This product range comes flat packed which makes it easy to ship and assemble on site. We offer a free design layout service, so if you send us a floor plan of your studio we will fit your ProWave system into the space. We also offer Hybrid with the ProWave range; this means custom sections can be built if required for a specific project. Features: Modular desking system accommodating various pieces of equipment for the audio, post and broadcast industries. Complete cable management Available in Graphite Grey & Crown Oak veneer (as shown) and Royal Blue & Crown Maple as standard, other finishes available on request. Self -assembly and flat packed for easy shipping & installation
The ProLite desk is similar to the ProEdit as it is designed for offline and online editing environments. The ProLite is not part of the ProWave range and cannot be integrated with the ProWave racks or worktops, however the ProLite does have it's own 12u rack as an optional extra. We offer a free design layout service so if you send us a floor plan of your studio, we will fit your ProWave system into the space. We also offer Hybrid with the ProWave range; this means custom sections can be built if required for a specific project. Features List A compact off-line editing desk Compact 2.4m main workspace Three 3u top racks with shallow monitor bridge Complete cable management Available in Crown Oak veneer and Crown Maple veneer Self-assembly and flat packed for easy shipping & installation
The ProLite desk is similar to the ProEdit as it is designed for offline and online editing environments. The ProLite is not part of the ProWave range and cannot be integrated with the ProWave racks or worktops, however the ProLite does have it's own 12u rack as an optional extra. We offer a free design layout service so if you send us a floor plan of your studio, we will fit your ProWave system into the space. We also offer Hybrid with the ProWave range; this means custom sections can be built if required for a specific project. Features List A compact off-line editing desk Compact 2.4m main workspace Three 3u top racks with shallow monitor bridge Complete cable management Available in Crown Oak veneer and Crown Maple veneer Self-assembly and flat packed for easy shipping & installation
The ProWave system is a modular desking system which holds various equipment for the audio, post and broadcast industries. The user has the opportunity to create their own personal configuration offering combinations of racks and worktops to suit specific needs. The flexibility of this system has enabled it to be used for grading, editing and radio facilities. This product range comes flat packed which makes it easy to ship and assemble on site. We offer a free design layout service, so if you send us a floor plan of your studio we will fit your ProWave system into the space. We also offer Hybrid with the ProWave range; this means custom sections can be built if required for a specific project. Features: Modular desking system accommodating various pieces of equipment for the audio, post and broadcast industries. Complete cable management Available in Graphite Grey & Crown Oak veneer (as shown) and Royal Blue & Crown Maple as standard, other finishes available on request. Self -assembly and flat packed for easy shipping & installation
The ProWave system is a modular desking system which holds various equipment for the audio, post and broadcast industries. The user has the opportunity to create their own personal configuration offering combinations of racks and worktops to suit specific needs. The flexibility of this system has enabled it to be used for grading, editing and radio facilities. This product range comes flat packed which makes it easy to ship and assemble on site. We offer a free design layout service, so if you send us a floor plan of your studio we will fit your ProWave system into the space. We also offer Hybrid with the ProWave range; this means custom sections can be built if required for a specific project. Features: Modular desking system accommodating various pieces of equipment for the audio, post and broadcast industries. Complete cable management Available in Graphite Grey & Crown Oak veneer (as shown) and Royal Blue & Crown Maple as standard, other finishes available on request. Self -assembly and flat packed for easy shipping & installation
The AMS Neve 1073 3U Rack fits two (2) 1073/1084 mic preamp channel strips (Horizontally disposed).Includes PSU, V48, Gain Control.
AMS Neve 1073/1084 5U Rack with PSURack for up to 8 modules in 1073 or 1084 (vertikal!!) Including power supply, gain control and phantom power.
Rack Housing for the Modules. The rack can be positioned remotely and controlled via Mac or PC, making it the perfect choice for studio or live recording applications. (Connections come courtesy of a 9-pin serial control cable via RS232 to RS485 converter.) Operational settings such as gain, phase and 20db pad can be controlled either from the rack or via the interface screen, and stored for later recall 12 Slot Rack (4u), designed for 1081R, PSU included. Modules not included Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.
2CR Features The 2CR will house two 10 series modules like the 1073, 1084, 1066 etc... (Vintage modules or new). The build quality of this rack makes it superior to any system on the market today. We use a solid steel internal chassis that are custom molded so that the module slides in easily without the need for guide rails. It has a separate output knob and comes complete with 48v for phantom power. What also makes this rack unique is the Carnhill OEP direct inputs. We mount two Carnhill OEP line transformers so you can plug your bass or guitar directly into the unit.
500 Series Racks Features500 Series Racks are available as 11 space Rackmounts, 6 space Rackmounts and 6 space Lunchboxes. Strong steel chassis - not aluminium Shielded wires on individual connectors for serviceability- no PCBs XLR inputs and outputs Remote power supply keeps power transformer interference away from modules *If you purchased a BAE Lunchbox after June 1st, 2012 you can convert it into a rack-mount version by buying the rack ears separately.
8CR FeaturesThis is an 8-module self-powered rack for vintage Neve™* 10-series 8 3/4" high modules including the 1066, 1073, 1084 and our reproduction 1073 and 1084 modules.Each module has its own separate output level control and lighted 48v phantom power switch. The back panel has XLR connectors for mic input, line input and output. The oversize external power supply puts out two times the current necessary to power the rack. It has an extra DC outlet which will operate any of our 1272 preamps or Class A Mixers.The power supply may be set for 220/240 volt operation for Europe or Australia at no extra charge. As well we can set it for 100 volt operation for Japan at no extra charge.
Features 3 channel horizontal 500 series rack with linking option. Strong Steel Chassis - not Aluminium Shielded wires on individual connectors for serviceability- no PCBs Neutrik XLR Inputs and Outputs Direct output or link to create a channel strip
PBR-8 from Black Lion Audio - a high-quality 500 series rack with a symmetrical TT/Bantam patchbay. Up to eight 500 series modules can be accommodated in the robust 3U housing and are supplied with a stable power supply for fail-safe operation. In addition to a wide range of creative routing options, the PBR8 offers a multiple out that distributes the signal to two additional patchbay outputs. Stereo operation of two modules can easily be done at the touch of a button on the back of the device. The usual Black Lion Audio signal quality is achieved through per-channel power control and the gold-contacted XLR, TT and DB25 inputs and outputs.
16-CHANNEL CONFIGURABLE AD/DABurl Audio is proud to announce the release of the B16 Mothership, a 2U, 2-slot version of the revolutionary B80 Mothership, Burl Audio’s signature product. Simply put, the B80 Mothership has redefined digital recording, and now the legendary sound can be found in a smaller, more portable B16 Mothership. Utilizing technology developed for the B80, the new B16 Mothership uses the exact same I/O cards as the B80 Mothership, continuing Burl Audio’s deep dedication to analog, class-A circuitry. The result is not only heard, but it is also felt. The Mothership stands out from every other interface on the market not because it is colored, but because it does not sterilize the source. Using a card-based system, and a heavy-duty 2U chassis, the B16 Mothership employs 2 daughter card slots with an internal power supply and your choice of Motherboard for Digilink, MADI, Dante, or SoundGrid connectivity. Every ADC channel uses a proprietary BX1 transformer and every DAC channel has the latest Burl Audio discrete op-amp, BOPA4.The BMB1 comes standard with two DigiLink connectors for direct hookup to Pro Tools. The BMB2 features two optical MADI ports for use with ASIO or CORE AUDIO PCIe MADI cards. The BMB3 features two Ethernet ports for use with Dante enabled DAWs and any Dante enabled device, such as a digital mixing console. The BMB4 card allows for connectivity to any SoundGrid device, as well as low latency for a complete digital audio-networking solution. The BMB6 offers 8-channels of AES/EBU IO connectivity ad provides an easy interface to any AES/EBU device.
16-CHANNEL CONFIGURABLE AD/DABurl Audio is proud to announce the release of the B16 Mothership, a 2U, 2-slot version of the revolutionary B80 Mothership, Burl Audio’s signature product. Simply put, the B80 Mothership has redefined digital recording, and now the legendary sound can be found in a smaller, more portable B16 Mothership. Utilizing technology developed for the B80, the new B16 Mothership uses the exact same I/O cards as the B80 Mothership, continuing Burl Audio’s deep dedication to analog, class-A circuitry. The result is not only heard, but it is also felt. The Mothership stands out from every other interface on the market not because it is colored, but because it does not sterilize the source. Using a card-based system, and a heavy-duty 2U chassis, the B16 Mothership employs 2 daughter card slots with an internal power supply and your choice of Motherboard for Digilink, MADI, Dante, or SoundGrid connectivity. Every ADC channel uses a proprietary BX1 transformer and every DAC channel has the latest Burl Audio discrete op-amp, BOPA4.The BMB1 comes standard with two DigiLink connectors for direct hookup to Pro Tools. The BMB2 features two optical MADI ports for use with ASIO or CORE AUDIO PCIe MADI cards. The BMB3 features two Ethernet ports for use with Dante enabled DAWs and any Dante enabled device, such as a digital mixing console. The BMB4 card allows for connectivity to any SoundGrid device, as well as low latency for a complete digital audio-networking solution. The BMB6 offers 8-channels of AES/EBU IO connectivity ad provides an easy interface to any AES/EBU device.
16-CHANNEL CONFIGURABLE AD/DABurl Audio is proud to announce the release of the B16 Mothership, a 2U, 2-slot version of the revolutionary B80 Mothership, Burl Audio’s signature product. Simply put, the B80 Mothership has redefined digital recording, and now the legendary sound can be found in a smaller, more portable B16 Mothership. Utilizing technology developed for the B80, the new B16 Mothership uses the exact same I/O cards as the B80 Mothership, continuing Burl Audio’s deep dedication to analog, class-A circuitry. The result is not only heard, but it is also felt. The Mothership stands out from every other interface on the market not because it is colored, but because it does not sterilize the source. Using a card-based system, and a heavy-duty 2U chassis, the B16 Mothership employs 2 daughter card slots with an internal power supply and your choice of Motherboard for Digilink, MADI, Dante, or SoundGrid connectivity. Every ADC channel uses a proprietary BX1 transformer and every DAC channel has the latest Burl Audio discrete op-amp, BOPA4.The BMB1 comes standard with two DigiLink connectors for direct hookup to Pro Tools. The BMB2 features two optical MADI ports for use with ASIO or CORE AUDIO PCIe MADI cards. The BMB3 features two Ethernet ports for use with Dante enabled DAWs and any Dante enabled device, such as a digital mixing console. The BMB4 card allows for connectivity to any SoundGrid device, as well as low latency for a complete digital audio-networking solution. The BMB6 offers 8-channels of AES/EBU IO connectivity ad provides an easy interface to any AES/EBU device.
16-CHANNEL CONFIGURABLE AD/DABurl Audio is proud to announce the release of the B16 Mothership, a 2U, 2-slot version of the revolutionary B80 Mothership, Burl Audio’s signature product. Simply put, the B80 Mothership has redefined digital recording, and now the legendary sound can be found in a smaller, more portable B16 Mothership. Utilizing technology developed for the B80, the new B16 Mothership uses the exact same I/O cards as the B80 Mothership, continuing Burl Audio’s deep dedication to analog, class-A circuitry. The result is not only heard, but it is also felt. The Mothership stands out from every other interface on the market not because it is colored, but because it does not sterilize the source. Using a card-based system, and a heavy-duty 2U chassis, the B16 Mothership employs 2 daughter card slots with an internal power supply and your choice of Motherboard for Digilink, MADI, Dante, or SoundGrid connectivity. Every ADC channel uses a proprietary BX1 transformer and every DAC channel has the latest Burl Audio discrete op-amp, BOPA4.The BMB1 comes standard with two DigiLink connectors for direct hookup to Pro Tools. The BMB2 features two optical MADI ports for use with ASIO or CORE AUDIO PCIe MADI cards. The BMB3 features two Ethernet ports for use with Dante enabled DAWs and any Dante enabled device, such as a digital mixing console. The BMB4 card allows for connectivity to any SoundGrid device, as well as low latency for a complete digital audio-networking solution. The BMB6 offers 8-channels of AES/EBU IO connectivity ad provides an easy interface to any AES/EBU device.
16-CHANNEL CONFIGURABLE AD/DABurl Audio is proud to announce the release of the B16 Mothership, a 2U, 2-slot version of the revolutionary B80 Mothership, Burl Audio’s signature product. Simply put, the B80 Mothership has redefined digital recording, and now the legendary sound can be found in a smaller, more portable B16 Mothership. Utilizing technology developed for the B80, the new B16 Mothership uses the exact same I/O cards as the B80 Mothership, continuing Burl Audio’s deep dedication to analog, class-A circuitry. The result is not only heard, but it is also felt. The Mothership stands out from every other interface on the market not because it is colored, but because it does not sterilize the source. Using a card-based system, and a heavy-duty 2U chassis, the B16 Mothership employs 2 daughter card slots with an internal power supply and your choice of Motherboard for Digilink, MADI, Dante, or SoundGrid connectivity. Every ADC channel uses a proprietary BX1 transformer and every DAC channel has the latest Burl Audio discrete op-amp, BOPA4.The BMB1 comes standard with two DigiLink connectors for direct hookup to Pro Tools. The BMB2 features two optical MADI ports for use with ASIO or CORE AUDIO PCIe MADI cards. The BMB3 features two Ethernet ports for use with Dante enabled DAWs and any Dante enabled device, such as a digital mixing console. The BMB4 card allows for connectivity to any SoundGrid device, as well as low latency for a complete digital audio-networking solution. The BMB6 offers 8-channels of AES/EBU IO connectivity ad provides an easy interface to any AES/EBU device.
80-CHANNEL CONFIGURABLE AD/DA INTERFACESimply put, the B80 MOTHERSHIP has redefined digital recording. For anyone who has felt that digital recording has been lacking soul, warmth, and musicality, the B80 MOTHERSHIP is the answer. Building on the technology of the two-channel B2 BOMBERS, the B80 MOTHERSHIP was forged from BURL AUDIO’S deep dedication to analog class-A circuitry. The result is not only heard, but it is also felt. The MOTHERSHIP stands out from every other interface on the market not because it is colored, but because it does not sterilize the source. Pushing the boundaries once again, the B80 MOTHERSHIP AD/DA converter has up to 80 analog channel capability. Using a card-based system, and a heavy-duty 4U chassis, the B80 MOTHERSHIP employs 10 card slots with 4 and 8 channel AD/DA cards, all with class-A, discrete electronics without any integrated circuits or capacitors in the signal path. The B80 MOTHERSHIP is the result of over 30 years of tireless research and development. The no-compromise, no BS design strategy is immediately apparent in the build quality.The BMB1 comes standard with two DigiLink connectors for direct hookup to Pro Tools. BURL AUDIO does away with the expansion port, making both ports primary. That means you can play 64 DAC channels straight out of Pro Tools with one unit!
80-CHANNEL CONFIGURABLE AD/DA INTERFACESimply put, the B80 MOTHERSHIP has redefined digital recording. For anyone who has felt that digital recording has been lacking soul, warmth, and musicality, the B80 MOTHERSHIP is the answer. Building on the technology of the two-channel B2 BOMBERS, the B80 MOTHERSHIP was forged from BURL AUDIO’S deep dedication to analog class-A circuitry. The result is not only heard, but it is also felt. The MOTHERSHIP stands out from every other interface on the market not because it is colored, but because it does not sterilize the source. Pushing the boundaries once again, the B80 MOTHERSHIP AD/DA converter has up to 80 analog channel capability. Using a card-based system, and a heavy-duty 4U chassis, the B80 MOTHERSHIP employs 10 card slots with 4 and 8 channel AD/DA cards, all with class-A, discrete electronics without any integrated circuits or capacitors in the signal path. The B80 MOTHERSHIP is the result of over 30 years of tireless research and development. The no-compromise, no BS design strategy is immediately apparent in the build quality.The BMB2 features two optical MADI ports for use with ASIO or CORE AUDIO PCIe MADI cards. With two optical ports, 64in/64out at 44.1k, 48k, 88.2k, 96k, and 32in/32out at 176.4k, and 192k are supported.
80-CHANNEL CONFIGURABLE AD/DA INTERFACESimply put, the B80 MOTHERSHIP has redefined digital recording. For anyone who has felt that digital recording has been lacking soul, warmth, and musicality, the B80 MOTHERSHIP is the answer. Building on the technology of the two-channel B2 BOMBERS, the B80 MOTHERSHIP was forged from BURL AUDIO’S deep dedication to analog class-A circuitry. The result is not only heard, but it is also felt. The MOTHERSHIP stands out from every other interface on the market not because it is colored, but because it does not sterilize the source. Pushing the boundaries once again, the B80 MOTHERSHIP AD/DA converter has up to 80 analog channel capability. Using a card-based system, and a heavy-duty 4U chassis, the B80 MOTHERSHIP employs 10 card slots with 4 and 8 channel AD/DA cards, all with class-A, discrete electronics without any integrated circuits or capacitors in the signal path. The B80 MOTHERSHIP is the result of over 30 years of tireless research and development. The no-compromise, no BS design strategy is immediately apparent in the build quality.The BMB3 features two Ethernet ports for use with DANTE enabled DAWs and any DANTE enabled device, such as a digital mixing console. With two DANTE ports, 64in/64out at 44.1k, 48k, 88.2k, 96k, and 32in/32out at 176.4k, and 192k are supported.
80-CHANNEL CONFIGURABLE AD/DA INTERFACESimply put, the B80 MOTHERSHIP has redefined digital recording. For anyone who has felt that digital recording has been lacking soul, warmth, and musicality, the B80 MOTHERSHIP is the answer. Building on the technology of the two-channel B2 BOMBERS, the B80 MOTHERSHIP was forged from BURL AUDIO’S deep dedication to analog class-A circuitry. The result is not only heard, but it is also felt. The MOTHERSHIP stands out from every other interface on the market not because it is colored, but because it does not sterilize the source. Pushing the boundaries once again, the B80 MOTHERSHIP AD/DA converter has up to 80 analog channel capability. Using a card-based system, and a heavy-duty 4U chassis, the B80 MOTHERSHIP employs 10 card slots with 4 and 8 channel AD/DA cards, all with class-A, discrete electronics without any integrated circuits or capacitors in the signal path. The B80 MOTHERSHIP is the result of over 30 years of tireless research and development. The no-compromise, no BS design strategy is immediately apparent in the build quality.The BMB4 features an Ethernet port for 64 IO channels of Waves SoundGrid connectivity. SoundGrid is an Audio-over-Ethernet networking and processing technology developed by Waves. With 6 BAD8s and 4 BDA8s, a 48×32 IO can be achieved. With 2 BAD8s and 8 BDA8s, a 16×64 IO can be achieved.
The MX60 Front End One is a unique mic/line/instrument input channel in a single rack space providing high quality Drawmer processing prior to tape/hard disc recording. The MX60 is also ideally suited to project studio and live sound applications. Functioning as a studio grade mic pre-amp, Program AdaptiveTM gate, de-esser, compressor, limiter, three band EQ and multi band tube saturation stage, the MX60 offers the user more options than competitive units currently available.Grass Roots - The MX60 draws its technology from the most successful of Drawmer products. The mic pre-amp features the same discrete component design found in the legendary Drawmer 1960, the de-esser is derived from the MX50, the VCA based compressor is similar to the MX30, while the peak limiter and gate can be tracked back to the DL241 compressor/limiter.Controls: Input Stage: The input stage may be switched to accept mic, line, or instrument level signals - the XLR mic input has switchable 48V phantom power and phase reverse, while the line input is on both a balanced +4dB TRS jack and an unbalanced -10dB jack. A high impedance Instrument jack is located on the front panel for use with electric guitars, basses, synths and drum machines. Program AdaptiveTM Gate: Drawmer's proprietary Program AdaptiveTM circuitry means that all the time constants are automatically optimised for the material being processed. This enables stable gating and eliminates 'chatter' around threshold. Controls via a single variable threshold and switchable fast/slow auto release. De-Esser: Floating threshold de-ess operation where the de-esser automatically and continually readjusts its own threshold level. The MX60 de-esser is almost completely automatic requiring the user only to select a switchable male or female setting and to adjust the amount of de-essing required. Only the sibilant sounds are subjected to gain reduction so that the lisping effect of simpler de-essers is avoided. EQ: High and low shelving sections as well as fully parametric mid range EQ with variable frequency, 'Q', and ±18dB cut/boost. Compressor: High quality VCA compressor based on that of the MX30 and DL241. Both the attack and release times are Program AdaptiveTM leaving the user with only ratio, threshold and make-up gain to adjust. Tubesound: Multi band 'tube saturation' allows users to create subtle warming, high frequency effects or out-and-out obvious effects via three separate, independently adjustable audio bands. Low settings on all bands enable replication of classic tube mic sounds. Output: The output stage includes a limiter with a preset threshold (+16dB) and a variable master fader with output bargraph metering which sets the overall output level from OFF to +15dB. A two stage soft/hard limiting approach has been adopted with yellow and red LEDs signifying soft (approaching limit point) and hard limiting (hitting limit point).
Rack kit for Golden Age Project red and black 1/2 rack units