Limiter

A-Designs HM2 Nail Dual Channel Compressor / Limiter Features Solid state/tube hybrid design combines high performance with rich sound Dual channel with switchable stereo link or dual mono modes Mix control lets you blend wet/dry signal for parallel compression Hard Threshold and Filter let you select amount of compression and frequency (to 250Hz) to prevent mix from being “dragged down” by LF energy Awarded “Mix Certified Hit” by Mix magazine Custom-milled aluminum knobs Custom-milled aluminum faceplate LED Indicators switchable to stereo Gain-reduction switch for meters 2U rackmount Balanced XLR outputs Carling toggle power switch Red jewel power indicator In/out switch The A-Designs NAIL is one of the most musical yet transparent compressors ever manufactured.  Housing hand selected tube circuitry and top-shelf components specifically chosen to best compliment and enrich the extended bandwidth of state of the art recording and mixing tools, the Nail is completely at home strapped across the main outs of hardware mixers or breathing analog warmth into DAW setups. While it has the ability to add character to any sound, it can also control dynamics very subtly in the background; and, unlike most compressors, the NAIL can be hit really hard without having the top end dragging down. Being able to switch from linked stereo to dual mono makes it a perfect tracking compressor as well; or, on a stereo mix, using dual mono with different settings on each side can have the effect of making the mix sound wider. The NAIL’s unique combination of Threshold, Hard Threshold, and Filter allow precise control over the amount of compression, the level at which it will engage, and the frequencies above which it will act.  There is no need for a Ratio control – it is continuously self-adjusting in response to program material.  With Hard Threshold disengaged, Threshold increases gain reduction (like an LA2A), the attack and release controls don’t do much, and the NAIL becomes a model of simplicity - set its threshold and gain, and let the NAIL work its magic.  For finer control, Hard Threshold opens up a world of compression-/envelope-shaping possibilities. Like the hard knee of a traditional compressor, Hard Threshold works in conjunction with the Filter - a variable HPF continuously tunable from 8Hz to 250Hz. Once the Hard Threshold is crossed, the NAIL will apply desired compression above the selected frequency and less to the frequencies below, preventing higher energy bass frequencies from triggering unwanted compression and ducking the entire mix. The Filter can also be used to enhance bottom end for bass-heavy music without throwing the mix’s entire frequency spectrum out of whack, as a multi- band compressor often does.   The HM2’s remaining continuously variable controls - Attack, Release, and Gain - function as expected; however, Attack and Release are dependent on the settings of the Hard Threshold and also respond dynamically to program material, making for a more flexible and musical performance than traditional “once size fits all” attack/release circuits.  Other toggleable functions include In/Out for quick A/B comparison; Stereo Link On/Off; and the ability to switch the NAIL’s LED dual metering ladder (chosen for it’s ultra fast response and the ability to see it clearly from across a dark-lit control room) from Gain Reduction to Level. Another one of the NAIL’s incredibly cool features is its Mix knob, which provides continuously variable control between direct (dry) and compressed signal, enabling you to apply parallel compression to a sub-mix without losing two aux send/return or mixer channels.  Having the capacity to easily reduce the amount of compression being applied without changing the settings or sound of the compressor is unbelievably useful – it’s a mystery why more compressors don’t have it.   As its name suggests - whether it’s transparently controlling dynamics while getting tracks into your DAW or hardware recorder, squashing sounds to give them more character, or putting the finishing touches on a final mix….the A-Designs HM2 Compressor Nails it!

10DCF Features The 10DCF, which builds on the capabilities of the 10DC compressor/limiter, features Carnhill and Jensen transformers, all discrete circuitry while adding a brand new, inductor-based bypass filter. The 10DCF bypass filter delivers increased flexibility while recording low frequency ranged instruments, and engages at 50, 80, 160 and 300 Hz — perfect for users who want to compress a broad frequency range while leaving lower frequencies uncompressed. The 10DCF units are also stereo linkable, making them the perfect complement for the output stage of a mixer. The 10DCF is an incredibly versatile tool for both tracking and mixing. It retains the same top grade, Class A circuitry that is present in BAE gear, while providing bypass filter options that make it more customizable, especially useful for drum and bass applications. Aside from its unmistakably authentic sound quality, the 10DCF also features a useful range of features on its front panel, including Elma stepped switches for each control, BAE Audio's trademark Marconi knobs, and a gastank style analogue meter. The combination of these elements provides users with accurate visual and tactile reference points as they adjust and shape their sounds. The metering on the 10DCF incorporates a sleek and simple design, with easy to read white lettering set against a black background in a rugged gastank style encasement. The 10DCF is hand assembled in California using only premium grade analogue components. Discrete Class A transformer-coupled circuit throughout. Fully independent Compressor and Limiter for separate audio dynamics control. Intuitive layout with illuminated meter showing gain reduction. High quality stepped Elma® switches for dialing accuracy and repeatability. True bypass even when the unit is off. Same remote power supply as used on other 24VDC BAE units. One power supply can run two units. Now with internal PSU. No External PSU needed.

10DCF Features The 10DCF, which builds on the capabilities of the 10DC compressor/limiter, features Carnhill and Jensen transformers, all discrete circuitry while adding a brand new, inductor-based bypass filter. The 10DCF bypass filter delivers increased flexibility while recording low frequency ranged instruments, and engages at 50, 80, 160 and 300 Hz — perfect for users who want to compress a broad frequency range while leaving lower frequencies uncompressed. The 10DCF units are also stereo linkable, making them the perfect complement for the output stage of a mixer. The 10DCF is an incredibly versatile tool for both tracking and mixing. It retains the same top grade, Class A circuitry that is present in BAE gear, while providing bypass filter options that make it more customizable, especially useful for drum and bass applications. Aside from its unmistakably authentic sound quality, the 10DCF also features a useful range of features on its front panel, including Elma stepped switches for each control, BAE Audio's trademark Marconi knobs, and a gastank style analogue meter. The combination of these elements provides users with accurate visual and tactile reference points as they adjust and shape their sounds. The metering on the 10DCF incorporates a sleek and simple design, with easy to read white lettering set against a black background in a rugged gastank style encasement. The 10DCF is hand assembled in California using only premium grade analogue components. Discrete Class A transformer-coupled circuit throughout. Fully independent Compressor and Limiter for separate audio dynamics control. Intuitive layout with illuminated meter showing gain reduction. High quality stepped Elma® switches for dialing accuracy and repeatability. True bypass even when the unit is off. Same remote power supply as used on other 24VDC BAE units. One power supply can run two units.

10DCF Features The 10DCF, which builds on the capabilities of the 10DC compressor/limiter, features Carnhill and Jensen transformers, all discrete circuitry while adding a brand new, inductor-based bypass filter. The 10DCF bypass filter delivers increased flexibility while recording low frequency ranged instruments, and engages at 50, 80, 160 and 300 Hz — perfect for users who want to compress a broad frequency range while leaving lower frequencies uncompressed. The 10DCF units are also stereo linkable, making them the perfect complement for the output stage of a mixer. The 10DCF is an incredibly versatile tool for both tracking and mixing. It retains the same top grade, Class A circuitry that is present in BAE gear, while providing bypass filter options that make it more customizable, especially useful for drum and bass applications. Aside from its unmistakably authentic sound quality, the 10DCF also features a useful range of features on its front panel, including Elma stepped switches for each control, BAE Audio's trademark Marconi knobs, and a gastank style analogue meter. The combination of these elements provides users with accurate visual and tactile reference points as they adjust and shape their sounds. The metering on the 10DCF incorporates a sleek and simple design, with easy to read white lettering set against a black background in a rugged gastank style encasement. The 10DCF is hand assembled in California using only premium grade analogue components. Discrete Class A transformer-coupled circuit throughout. Fully independent Compressor and Limiter for separate audio dynamics control. Intuitive layout with illuminated meter showing gain reduction. High quality stepped Elma® switches for dialing accuracy and repeatability. True bypass even when the unit is off. Same remote power supply as used on other 24VDC BAE units. One power supply can run two units. Now with internal PSU. No External PSU needed.

Seit über 7 Jahren ist der Bettermaker Mastering Limiter das bevorzugte Werkzeug für Grammy-prämierte Mix- und Mastering-Ingenieure in der Pro-Audio-Branche. Er war verantwortlich für die Erzeugung von charakteristischen Klängen auf Billboard-Hits und Festivalhymnen und ist somit das letzte Glied in der Kette der größten Künstler der Welt. Nun wurde der Bettermaker Mastering Limiter noch besser, leistungsstärker und intuitiver mit der Einführung des Bettermaker Mastering Limiter V2.0. Das Team von Bettermaker hat unzählige Stunden Forschung und Entwicklung investiert, um Ihnen das ultimative Mastering-Tool für die Musikproduktion zu bieten. Der neue Bettermaker Mastering Limiter V2.0 ist mit zusätzlichen neuen Mastering-Funktionen, einem völlig neu gestalteten Steuerbildschirm und -plugin sowie Presets von Pro-Audio-Legenden ausgestattet. Mit dieser neuen Version können Sie Ihre Musik auf die nächste Stufe bringen und ihr den letzten Schliff verleihen, den sie verdient. Eine der größten Änderungen im Bettermaker Mastering Limiter V2.0 ist der neu gestaltete Steuerbildschirm und das Plugin. Die neue Benutzeroberfläche ist intuitiver und benutzerfreundlicher, so dass es einfacher ist, den Limiter zu navigieren und zu steuern. Sie können Ihre Musik nun präziser kontrollieren und anpassen, um den perfekten Sound zu erreichen, den Sie suchen. Darüber hinaus verfügt die neue Version über zusätzliche Mastering-Funktionen, die Ihnen mehr Kontrolle über Ihre Musik geben. Diese Funktionen umfassen eine Side-Chain, M/S-Verarbeitung und ein neues Messsystem, mit dem Sie Ihre Musik genauer überwachen können. Mit dem Bettermaker Mastering Limiter V2.0 haben Sie auch Zugriff auf Presets von Pro-Audio-Legenden, was es einfacher macht, den gewünschten Sound zu erreichen. Die Presets wurden von Experten der Branche sorgfältig zusammengestellt, so dass Sie sicher sein können, dass sie Ihnen die gewünschten Ergebnisse liefern werden. Zusammenfassend ist der Bettermaker Mastering Limiter V2.0 das ultimative Werkzeug für Mastering-Ingenieure. Mit seinen zusätzlichen neuen Funktionen, dem neu gestalteten Steuerbildschirm und -plugin sowie den Presets von Pro-Audio-Legenden können Sie Ihre Musik auf die nächste Stufe bringen und ihr den letzten Schliff verleihen, den sie verdient. Zögern Sie nicht, dieses leistungsstarke Werkzeug für Ihr nächstes Musikprojekt auszuprobieren. Das ist neu: Neuer aktualisierter Limiter-Engine Neue intuitive GUI und DAW-Plugin Breitwinkel-, Hochkontrastbildschirm Limiter Sidechain mit Hochpassfilter und Hochfrequenzbetonung Limiter Reduktionsbereich Neuer, neu gestalteter Clipper-Bereich Schnellere Release-Zeit Neugestalteter Farbbereich mit Farb-MS-Matrix Eingangs-/Ausgangsverknüpfung

The “Bluey” is a modified “Blue Stripe” compressor based off of the “golden” unit owned by Chris Lord-Alge. When certain components became unavailable, techs were forced to change the circuit, creating a one of a kind compressor that has been heard on countless hits.Any audio engineer worth their weight in gear will tell you about the special moments that occur on records by chance. We’re talking about the magic you can’t plan. It must occur organically, being comprised of sheer randomness or even flat out mistakes. For instance, the spontaneous banter from a vocalist in between takes that adds character to a track, or a radical new audio effect discovered through a simple routing mistake.The same good fortune sometimes shines upon a piece in the vintage gear world. Through decades of maintenance and repair, some units, like wine, get better with time. The scarcity of original parts leads technicians to diverge from the original design, creating an improved, one-of-a-kind, modified unit.Armed with an impeccable ear, decades of experience, and an abundance of coveted gear, legendary mix engineer, Chris Lord-Alge, was able to recognize one of his four 1176 Blue Stripe units as firmly sitting in this distinctive category. The particular unit, dubbed “Bluey,” has a special “mojo” to it that shines on vocal tracks like no other.Chris desired more channels of this golden unit, and reached out to the guys who know modifications best – the team at Black Lion Audio! Intrigued by Chris’ praise of the unit, head design engineer, Jesus Ortiz, boarded a plane from Chicago to LA to discover what gave this Blue Stripe its edge. He found a series of mods done to the unit over the years to keep it working that miraculously cumulated in a uniquely beast-like 1176! BLA analyzed the unit with pain-staking detail, and has, in conjunction with Chris Lorde-Alge, recreated the monster, now known as the new Black Lion Audio “Bluey!” Features: Fully discrete design Through hole components Polyester capacitors Vintage inspired one-sided PCB layout Cinemag remake of original UTC transformer Wet/Dry mix feature Linear power supply Precise meter calibration

Chandler Limited TG-1The Chandler Limited TG1 is a recreation of the classic EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late 60's. The TG Limiter was originally designed to be like the Fairchild 660/670 which was loved by many EMI engineers, including Geoff Emerick, but ended up with a very special sound all its own. These rare pieces were never commercially available and only EMI owned studios had access to them. Our version has been remade from the original design information and circuit board drawings as provided by Abbey Road and EMI to ensure extreme authenticity! The Limiter/Compressor features an all discrete circuit with transformer balanced input and output. The limiting element is a rarely seen diode network that produces smooth, pleasing distortion. The warm open sound, often compared to a Fairchild 670 set to stun, is very audible and squishy sounding while maintaining its clarity and high frequency response. Features:    Selectable Compression/Limiting    THD control lets you bypass Comp/Limiting but still pass audio through the circuitry    Transformer balanced inputs and outputs    New input control provides better control at lower amounts of compression

Chandler Ltd. und Abbey Road bringen zum 75. Geburtstag der Abbey Road Studios mit dem TG12413 Zener Limiter und dem TG12345 Curve Bender zwei neue Geräte der erfolgreichen TG-Serie heraus. Der EMI TG12413 Zener Limiter ist der ultimative TG Limiter auf Basis des legendären RS168 Zener Limiters aus dem Jahre 1966. Chandler Ltd. Designer Wade Goeke fügte dem Grunddesign einige sehr sinnvolle Zusatzfunktionen hinzu, wie umschaltbare Eingangsimpedanz, schaltbare Eingangs- und Ausgangsverstärkung in 21 Stufen mit 1dB Schritten, Attackzeiten in 11 Stufen, Releasezeiten in 21 Stufen, schaltbarer HP-Filter im Sidechain sowie ein zusätzliches Comp2 Setting. Diese genannten Features machen den neuen Zener Limiter zu einem ausserordentlich flexiblen 'Arbeitstier', der den erfolgreichen TG Kompressor/Limiter Klang auf eine neue Stufe hebt.Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.

DAV Electronics BG No.6Stereo high quality limiter / compressor.Features:    Low noise and distortion [Decca 1977 circuit brought up to date]    Recovery time switched, 3secs and 0.3secs    Threshold calibrated in dBu ref. output level    LED metering Stereo couple    Limiter/compress On/off switch    Overall low noise and distortion.    Input gain control to +20dB.

SL22 - Loudspeaker and Headphone Sound Level Limiter   The Drawmer SL22 Sound Level Limiter is the perfect tool to protect speakers, the hearing whilst listening to headphones or to conform to Noise At Work Legislation. By eliminating the possibility of unauthorised excessive sound pressure levels it offers strict level control and tremendous peace of mind to users in three distinct areas:   1. Hearing Protection   Conform to Noise at Work Regulations by controlling the level of the dedicated headphone output to prevent hearing damage to anyone wearing headphones on a regular basis - DJs, sound engineers in recording studios, students listening to audio via various media. Additional connectors on the rear can be used for remote data logging or to trigger external warning devices.   2. Conform to Regulations   The precise calibration and volume controlling of the SL22 allows venues, such as clubs, theatres, pubs, schools, universities etc. to conform to Local Authority Noise Regulations. The need to conform to Local Authority Regulations is absolutely imperative, none more so than in the area of noise control. Many products are on the market that claim to do the job but these often take the form of a crude switch, either turning off the power or disconnecting the speakers, both of which are very disruptive in any event. The SL22 is different, it controls the volume, but in a transparent, unobtrusive way, that you will struggle to notice. Not only is it responsive and versatile but does so in a secure manner meaning that tampering is extremely difficult. Other features include remote dimming of the volume, as well as the connection to a fire alarm system, reducing the volume automatically during a fire and allowing the alarm to be heard more clearly.   3. Speaker Protection   Prevents the damage to speaker chassis drivers and amplifier electronics by catching unwanted signals such as bangs and pops. Whether in a large arena with a PA system and multiple speakers, or a bar or theatre, there are few things more troublesome than blowing a speaker cone or amplifier electronics. The SL22 has been specifically designed to transparently catch those unwanted SPLs and protecting the gear. Not only will it save money by reducing the cost of speaker repairs, but also reduce call-out costs of sound system service/repair engineers, lower sound system down time and the consequential loss of income, as well as the reputation of the venue.   Features   Limited speaker and headphone outputs Once installed and calibrated completely eliminates the possibility of unauthorised volume levels No sound quality loss even during protection processing Large LED level indication for at a glance monitoring of signals and warnings Time delay relays on outputs for clean power up/down Fast, simple installation Tamper-proof plate limits access to settings A security label is supplied to further secure the calibration settings and show evidence of tampering Tamper-Proof bracket (available separately) to lock-in the XLRs and conform to Local Authority regulations. Reduces call-out costs of sound system service/repair engineers, sound system down time and the consequential loss of venue income, as well as the reputation of the venue. External control of Dim and Mute for connection to Fire Alarms or remote operation Trigger output when in Protect mode Logging inputs for both Alert and Protect statuses

SPL-kontrolliertes Sicherungssystemfür BeschallungsanlagenStereo19”1HE

0011 Series requires a 0011 Rack for power. 0011 Series units will not fit in a 500 Series Chassis.Classic FET Compression is the secret behind Led Zeppelin’s “When the Levee Breaks” drum roar. This faithful reissue of the original ADR / Helios FET compressor/limiter packs five ratios, selectable attack/release, fixed threshold and limiter section—all routed through British mojo circuitry. Tightens drums, vocals, or guitars with bold analog punch and vintage rock dynamics.

LAALLOOK AHEAD ANALOG LIMITERThe LAAL mastering limiter is absolutely exceptional in many ways. An innovative idea of detection and limiting process allowed it to achieve a new standard in analog mastering. One of the strongest advantage of its design is fully analog (0.2 ms) delay line to obtain “Look Ahead” ability. Thanks to it the detection circuit can react to even the fastest peaks. LAAL is extremely effective in this task, allowing you to reach great RMS levels when required, but with minimal side effects and without compromising sound quality. Your track will also preserve low-end energy and punch in wide gain attenuation range.FeaturesAll discrete audio signal pathVery high headroom (+/-24V INT. Powering)Highest quality audio transformersUltra stable linear power supplyThermal compensation for ultra precise detection circuitAnalog look ahead circuit (0,2 ms analog delay line)Variable stereo width functionDynamic transient functionVariable release time (stepped, 2 ms to 100 ms)Precise LED metering (0,2 dB steps)Precise Input/Output setting (0,2 dB steps)Peak hold function for gain reduction metersRotary step switches for all knobsStereo link for detectionCustom made shielded ac cordLimiter bypassHard bypassHandcrafted in Poland

The Volfram Limiter is a dual mono version of the legendary 1176 archetype. The 1176 is a very well known and appreciated compressor in professional recording studios all over the world. Whoever heard how this compressor works with vocals will never be able to manage without one. Additionally the Volfram works great with drums and synthesizers. It is a 45dB transistor amplifier equipped with a remarkable limiter. Compression is achieved with the FET controlled transistor. The unique feature of the unit is the implementation of traditional BC107B transistors known well from the original 1176 circuit. That’s right! They may cause noise – but this is what gives the sound its power. At extreme settings the Volfram adds some pleasant distortion to the output. The core of versatility in sound of the 2176 lies in the balance between the Input, Output, and Release knobs. All knobs are in fact 12-pole position switches. It is a pure A class circuit. Specifications: Dual mono versitile compressor/limiter XLR input/output 12-step controlled gain/output/attack/release Many different audio colors achieved with attack/release manipulation Compression Ratio from 1:4 to 1:20 "Slam" switches allow a less conventional use of the compressor "Link channels" switch Equipped with 3-step switch: Bypass/Gain Reduction/VU for both channels seperately Bypass switches off only the compression - the amp is still active (+45dB as in the original UREI) Ultra fast VU meters Internal power supply 230V/110V Power option Great for group compression  

The Volfram Limiter is a dual mono version of the legendary 1176 archetype. The 1176 is a very well known and appreciated compressor in professional recording studios all over the world. Whoever heard how this compressor works with vocals will never be able to manage without one. Additionally the Volfram works great with drums and synthesizers. It is a 45dB transistor amplifier equipped with a remarkable limiter. Compression is achieved with the FET controlled transistor. The unique feature of the unit is the implementation of traditional BC107B transistors known well from the original 1176 circuit. That’s right! They may cause noise – but this is what gives the sound its power. At extreme settings the Volfram adds some pleasant distortion to the output. The core of versatility in sound of the 2176 lies in the balance between the Input, Output, and Release knobs. All knobs are in fact 12-pole position switches. It is a pure A class circuit. Specifications: Dual mono versitile compressor/limiter XLR input/output 12-step controlled gain/output/attack/release Many different audio colors achieved with attack/release manipulation Compression Ratio from 1:4 to 1:20 "Slam" switches allow a less conventional use of the compressor "Link channels" switch Equipped with 3-step switch: Bypass/Gain Reduction/VU for both channels seperately Bypass switches off only the compression - the amp is still active (+45dB as in the original UREI) Ultra fast VU meters Internal power supply 230V/110V Power option Great for group compression  

Maselec MPL-2Peak- und High-/HF-limiterThe MPL-2 is a brick-wall and high frequency limiter. It can be used to achieve high subjective levels and reduce unwanted high frequency levels (de-essing). The MPL-2 is also used to smooth and give digital recordings a more analogue character.Technical SpecificationInput dynamic Range: Better than 115dBOutput dynamic range: 96dB to 115dB (depending on gain and threshold settings)Maximum input level: 129dBu (balanced)Maximum output level: 129dBu (balanced)Distortion: Typically less than 0.003%Limiter attack time: InstantHF limiter attack time: Programme dependent  1msec to 20 msecRelease time: Programme dependentInput impedance: 100k? ground floating electronically balancedOutput impedance: 34+34? electronically balancedThreshold: +12dBu to +20dBuH.F. Threshold: -14dBu to +20dBuGain: 0dB to 10dBH.F. Limiter: >2kHzPower: 90-130, 180-260 Volts @ 50-60 HzFuse: 315mA, anti surge (slow)

The MC77 supercedes the MC76 re-engineered 1176 type FET Limiter. The MC77 recreates the audio circuitry of the revision E 1176, using modern components matched to the original. One significant component is the input attenuator. The input attenuator that was custom made for the original revisions A-F 1176 and for the Purple MC76 by Clarostat was discontinued in 2002. It was a J series T-pad attenuator with two 600Ω 'build out' resistors to keep a constant 600Ω load on the source and primary of the input transformer. Clarostat changed carbon manufacturers and the new carbon manufacturer was unwilling or unable to make the part. Purple temporarily stopped making the MC76 to find a solution. We tried several three deck Clarostat 70 series pots in different configurations to achieve the same loading and to match the taper. We found a solution that matched the original; both the originals and replacement parts are drawn in the schematic that you can download below. At the same time, we looked at feedback gathered from the hundreds of satisfied MC76 users. Based on that feedback, we incorporated useful new features into the revised unit, which was designated the MC77. NEW features in the MC77: True Bypass via sealed relay with front panel switch Improved stereo linking with front panel switch Sidechain insert loop or key input with front panel switch Buffered VU meter can monitor input or output level at +4dBu LED meter lights that don't burn out as incandescents do Heavy gauge black stainless steel enclosure 115v/230v operation switchable from rear panel (serial 600) Features inherited from the MC76: Discrete Transistor Audio Path Electronics Single Element Class A Output Amplifier Transformer Balanced XLR Inputs and Outputs Zener Shunt Regulated Audio Power Supply Compression Ratios 4:1, 8:1, 12:1 and 20:1 Fast Attack Time 20 microseconds to 800 microseconds Release Time 50 milliseconds to 1.1 second Gain of 45dB (full gain with no limiting) Ruggedized Design PCB stiffener, chassis mount transformers Purple Anodized Aluminum Front Panel  Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.

Description The Retro Instruments 176 is based on a Bill Putnam classic, the UA 176. The 176 faithfully reproduces the sound of the 1960s original with new features for the modern recording studio. The Retro Instruments 176 provides one of the most desirable compression signatures in recording history. Learn more about the Bill Putnam original. Features Authentic variable-mu tube design Precision Knob scales for easy recallability Continuously variable attack and release time Four settings of compression ratio from soft compression to limiting (2:1, 4:1, 8:1, 12:1) Wide-Range Sidechain Highpass Filter Vocal Asymmetry Tool Hard-wire Bypass Switch Interstage Transformer Bypass Switch High Quality VU Meter switchable between Input, Output and Gain Reduction XLR input and output connections IEC power connector 115/230V AC Mains Integral tube balance test Easy stereo strapping of two or more units Selected NOS tubes and components Specifications 20 dB of available gain reduction Signal to noise ratio of greater than 76dB Flat frequency response within 0.5dB from 20-20,000Hz Harmonic Distortion of less than 1% from 0-15dB gain reduction

Description The Retro Instruments 176 is based on a Bill Putnam classic, the UA 176. The 176 faithfully reproduces the sound of the 1960s original with new features for the modern recording studio. The Retro Instruments 176 provides one of the most desirable compression signatures in recording history. Learn more about the Bill Putnam original. Features Authentic variable-mu tube design Precision Knob scales for easy recallability Continuously variable attack and release time Four settings of compression ratio from soft compression to limiting (2:1, 4:1, 8:1, 12:1) Wide-Range Sidechain Highpass Filter Vocal Asymmetry Tool Hard-wire Bypass Switch Interstage Transformer Bypass Switch High Quality VU Meter switchable between Input, Output and Gain Reduction XLR input and output connections IEC power connector 115/230V AC Mains Integral tube balance test Easy stereo strapping of two or more units Selected NOS tubes and components Specifications 20 dB of available gain reduction Signal to noise ratio of greater than 76dB Flat frequency response within 0.5dB from 20-20,000Hz Harmonic Distortion of less than 1% from 0-15dB gain reduction

176 Tube Limiting Amplifier The Retro Instruments Retro 176 Limiting Amplifier has the largest feature set in any variable-mu design. * Precision Knob scales for easy recallability * Continuously variable attack and release time * Four settings of compression ratio from soft compression to limiting (2:1, 4:1, 8:1, 12:1) * Wide-Range Sidechain Highpass Filter * Vocal Assymetry Tool * Hard-wire Bypass Switch * Interstage Transformer Bypass Switch * High Quality VU Meter switchable between Input, Output and Gain Reduction * XLR input and output connections * IEC power connector * 115/230V AC Mains * Integral tube balance test * Easy stereo strapping of two or more units * Selected NOS tubes and components Specifications for the Retro 176 include: * 20 dB of available gain reduction * Signal to noise ratio of greater than 76dB * Flat frequency response within 0.5dB from 20-20,000Hz and Harmonic Distortion of less than 1% from 0-15dB gain reductionFür weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.

176 Tube Limiting Amplifier The Retro Instruments Retro 176 Limiting Amplifier has the largest feature set in any variable-mu design. * Precision Knob scales for easy recallability * Continuously variable attack and release time * Four settings of compression ratio from soft compression to limiting (2:1, 4:1, 8:1, 12:1) * Wide-Range Sidechain Highpass Filter * Vocal Assymetry Tool * Hard-wire Bypass Switch * Interstage Transformer Bypass Switch * High Quality VU Meter switchable between Input, Output and Gain Reduction * XLR input and output connections * IEC power connector * 115/230V AC Mains * Integral tube balance test * Easy stereo strapping of two or more units * Selected NOS tubes and components Specifications for the Retro 176 include: * 20 dB of available gain reduction * Signal to noise ratio of greater than 76dB * Flat frequency response within 0.5dB from 20-20,000Hz and Harmonic Distortion of less than 1% from 0-15dB gain reductionFür weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.

 The WA76 Limiting Amplifier is a modern reproduction of the Classic 1176 Revision D.  Every effort was made to remain faithful to the original designs including the use of Reichenbach Engineering’s (now CineMag) transformer design that was originally used.  The classic 1176 was a major breakthrough in limiter technology — the first true peak limiter with all transistor circuitry offering superior performance with a signature sound — and set the standard for all limiters to follow. The ultra-fast attack time and trademark sound have lured legendary artists and studio moguls alike to the 1176 — Peter Frampton, Joe Satriani, Joe Chiccarelli, Vance Powell, and Mike Elizondo are just a few names on a list that’s continued to grow, for nearly 50 years.  I am asked often how Warm Audio is able to produce such high quality gear at affordable prices.  Many assume we must be cutting corners on the designs themselves but my answer to this question continues to be “NO”.  Warm Audio stays true to original discrete schematics and does this without cheapening components such as our continued use of world class Reichenbach/CineMag transformers.   A few reasons we’re able to do this: - There is only one total employee/owner, so overhead costs are very low. - We manufacture in very high quantities, usually at least 500 pieces at a time.  We receive extreme quantity breaks from both our assembly house and CineMag transformers for this. - We do not make much profit off of each unit, but sell quite a few units.  I started the company more out of passion than for the desire to turn huge profits.  I enjoy shaking the price floor of this industry a bit where prices in many cases are just too high in my opinion. - Because our products are so impressive at their respective price points, word of mouth spreads the word.  This leaves little work for us to do to promote and sell the products.

WesAudio Beta76 is a continuation of  WesAudio 1176 compressor. The introduction of several significant structural  improved the original version.One of the most important changes is two mode switch - Modern / Vintage -  deciding  on the circuit of the desymmetrization of the input signal.Modern Mode - is an  electronic circuit, exactly the same as the previous version of the compressor and the Vintage mode - it's a Carnhill input transformer. The result is a universal device with two different sound possibilities. A True Bypass switch was introduced,  as well as  a high-pass filter in the Compressor's  Side Chain  path.There are three cutoff frequencies - 60, 90, 150 Hz - thanks to which Beta76 is less sensitive to low frequencies. The filter is particularly beneficial to the operation of two compressors in a stereo pair, which are easily connected with a  prepared Jack-Jack cable.The entire system operates in class A. The element responsible for the gain reduction is a  FET transistor,  giving the effect of rapid and pure compression. There is a  high quality Carnhill audio transformer  on the output favourably affecting the final sound of the compressor.The housing is made from high quality brushed stainless steel, whereas  the panel  is 4mm brushed aluminium.

The Beta76 introduces several important structural improvements over the original version, setting a new standard in its class. One of the key enhancements is the two-mode switch – Modern/Vintage – which determines the input signal desymmetrization circuit and allows for different tonal characteristics. Additional features include a True Bypass switch and a high-pass filter in the compressor’s sidechain path. The filter offers three selectable cutoff frequencies – 60Hz, 90Hz, and 150Hz – making the Beta76 less sensitive to low frequencies. This filter is particularly useful when using two compressors in stereo, which can be easily connected via a prepared jack-to-jack cable. The entire system operates in Class A, with a FET transistor handling gain reduction to deliver fast and clean compression. A high-quality Carnhill audio transformer on the output further enhances the final sound. The housing is made of brushed stainless steel, while the front panel is crafted from 4mm brushed aluminum, ensuring durability and premium build quality.