Microphone Bundles

Mit Bonzo präsentiert Avantone Pro ein Bundle aus zwei Mikrofonen, mit denen sich alle denkbaren Szenarien der Bassdrum-Abnahme live und im Studio perfekt abdecken lassen. Das erste Mikrofon ist Kick, die Reinkarnation des klassischen „White-Cone“-Basslautsprechers, der in ein Zehn-Zoll-Trommelchassis eingebaut ist. Kick steht für eine beeindruckende Tieftonperformance, wie sie sich mit anderen Konstruktionen nicht erreichen lässt. Das zweite Mikrofon ist Mondo, ein traditionelles dynamisches Großmembranmikrofon mit einem speziell gestalteten Frequenzgang, der auch ohne den Einsatz zusätzlicher Equalizer einen durchsetzungsfähigen Kickdrum-Sound liefert. Seine kompakte Bauform und die mitgelieferte schwingungsgedämpfte Halterung SSM ermöglichen eine unkomplizierte Positionierung des Mikrofons zusammen mit Kick, sodass sich unterschiedliche Klangvorstellungen problemlos realisieren lassen. Avantone Pro Bonzo Bundle ist das überzeugende Rundum-sorglos-Paket für anspruchsvolle Tontechniker und erzeugt druckvolle Sounds in allen Lebenslagen. Kick Wandlerprinzip Dynamische Schwingspule Frequenzgang 50Hz-2,000Hz Ausgangswiderstand 6.3 Ω Richtcharakteristik Acht Treiber AV10-MLF 18cm Konus Anschluss Male XLR Kessel Buche Fell Gittergewebe 10” Maße Breite 28,9 cm; Höhe 28,9 cm; Tiefe 14 cm (ohne Stativ) Gewicht 3,1 kg (ohne Stativ), 4,6 kg (mit Stativ) Mondo Funktionsprinzip  Dynamisches Mikrofon Richtcharakteristik  Niere Frequenzgang  20Hz - 15kHz Impedanz 210 Ohm Max. SPL 145dB Anschluss  3-poliger XLR-Stecker Gewicht 0,5kg

The STO-2 is a pressure transducer. So are your ears. No Coincidence. We started out looking for a natural sounding mic and this is what we came up with. Sold in matched pairs, (two ears right?) the STO-2's are perfect for capturing instruments that need no flattery. With a matched pair, stereo is no problem - Jecklin disk or spaced pair - it will sound like you are standing there.                                                 Specifications Transducer Type 0.25" Electret condenser pressure Polar Pattern Omni-Directional Output Level 5.25 (mV/Pa) Frequency Response 20 Hz - 20 kHz (+0/-2 db) Equivalent Noise (A-weighted) 28 dB Maximum SPL 145 dB (with 48V powering) Output Impedance 20Ω (load ≥ 1kΩ ) Power Requirements P48 phantom power (~6 mA) Weight 3.6 oz (100 g)For more information, please visit this products webpage.

The 4038 Studio Ribbon Microphone is of British Broadcasting design (BBC) and used for broadcasting and recording such sounds where a clear smooth wide range frequency response, absent of transient distortion and relatively high sensitivity is essential. The 4038 has a proven reliable performance capability, being since its introduction, used by broadcasting networks throughout the world such as the BBC. The frequency response of the 4038 is exceptionally flat from 30 to 15,000 c/s and throughout this range the shape of the bi-directional (figure of eight) polar response is maintained substantially constant both in the horizontal and vertical planes, giving a natural smooth sonic quality textured response to sound signal being picked up. Studio microphones have now achieved a remarkable fidelity of reproduction. If the microphone is not close to perfection, there is no point in having expensive systems to take the sound the rest of the way to the audience's ears. In the world of sound, the BBC has always been the leader, and is still regarded as the 'setter of standards'. Features: Frequency Response: 30 Hz - 15 kHz Polar Pattern: Bi-directional Impedance: 300 ohm Sensitivity: -65 dB (W.R.T. IV / Pa)

The 4038 Studio Ribbon Microphone is of British Broadcasting design (BBC) and used for broadcasting and recording such sounds where a clear smooth wide range frequency response, absent of transient distortion and relatively high sensitivity is essential. The 4038 has a proven reliable performance capability, being since its introduction, used by broadcasting networks throughout the world such as the BBC. The frequency response of the 4038 is exceptionally flat from 30 to 15,000 c/s and throughout this range the shape of the bi-directional (figure of eight) polar response is maintained substantially constant both in the horizontal and vertical planes, giving a natural smooth sonic quality textured response to sound signal being picked up. Studio microphones have now achieved a remarkable fidelity of reproduction. If the microphone is not close to perfection, there is no point in having expensive systems to take the sound the rest of the way to the audience's ears. In the world of sound, the BBC has always been the leader, and is still regarded as the 'setter of standards'. Features: Frequency Response: 30 Hz - 15 kHz Polar Pattern: Bi-directional Impedance: 300 ohm Sensitivity: -65 dB (W.R.T. IV / Pa)

The 4038 Studio Ribbon Microphone is of British Broadcasting design (BBC) and used for broadcasting and recording such sounds where a clear smooth wide range frequency response, absent of transient distortion and relatively high sensitivity is essential. The 4038 has a proven reliable performance capability, being since its introduction, used by broadcasting networks throughout the world such as the BBC. The frequency response of the 4038 is exceptionally flat from 30 to 15,000 c/s and throughout this range the shape of the bi-directional (figure of eight) polar response is maintained substantially constant both in the horizontal and vertical planes, giving a natural smooth sonic quality textured response to sound signal being picked up. Studio microphones have now achieved a remarkable fidelity of reproduction. If the microphone is not close to perfection, there is no point in having expensive systems to take the sound the rest of the way to the audience's ears. In the world of sound, the BBC has always been the leader, and is still regarded as the 'setter of standards'. Features: Frequency Response: 30 Hz - 15 kHz Polar Pattern: Bi-directional Impedance: 300 ohm Sensitivity: -65 dB (W.R.T. IV / Pa)

The 4038 Studio Ribbon Microphone is of British Broadcasting design (BBC) and used for broadcasting and recording such sounds where a clear smooth wide range frequency response, absent of transient distortion and relatively high sensitivity is essential. The 4038 has a proven reliable performance capability, being since its introduction, used by broadcasting networks throughout the world such as the BBC. The frequency response of the 4038 is exceptionally flat from 30 to 15,000 c/s and throughout this range the shape of the bi-directional (figure of eight) polar response is maintained substantially constant both in the horizontal and vertical planes, giving a natural smooth sonic quality textured response to sound signal being picked up. Studio microphones have now achieved a remarkable fidelity of reproduction. If the microphone is not close to perfection, there is no point in having expensive systems to take the sound the rest of the way to the audience's ears. In the world of sound, the BBC has always been the leader, and is still regarded as the 'setter of standards'. Features: Frequency Response: 30 Hz - 15 kHz Polar Pattern: Bi-directional Impedance: 300 ohm Sensitivity: -65 dB (W.R.T. IV / Pa)

microphone set for drum recording consisting of:2 x SR25 Gen2 condenser microphone for overhead recording 1 x DM6 for bass drum pickup 4 x DM20 Gen 2 gooseneck condenser microphone for tom and snare recording 4 x RM1 rim mount 3 x MC1 Microphone terminals 4 x PW1 windshield

HORCH Audiogeräte Vintage Set, bestehend aus dem Mikrofon-Speisegerät 1206 Vintage und dem handgefertigten Massivholz-Etui aus hochwertigem Kirschbaum oder Nussbaum.Das Speisegerät 1206 Vintage liefert die notwendigen Spannungen für HORCH Röhrenkondensatormikrofone mit 6V Heizspannung, 120V Anodenspannung und der variablen Spannung PATTERN REMOTE, regelbar von 0V bis120V über das Potenziometer PATTERN REMOTE zur Auswahl der Richtcharakteristik des angeschlossenen Mikrofons. Der Anschluss des Mikrofons erfolgt über die 7 polige Buchse.Der Anschluss an einen Mikrofonvorverstärker erfolgt über den 3poligen XLR Ausgang.Der Aufbau der neuesten Generation unserer Vintage Netzteile ist bis auf geringfügige Änderungen mit denen der seit den 1990er Jahren bekannten Versionen identisch. Die Langlebigkeit der Röhre und die besonders hohe Geräuschspannungsarmut der 120V Anodenspannung, die sich direkt positiv auf Performance des Mikrofons auswirkt, stehen dabei im Vordergrund. Die 6V Heizspannung, ist intern abgleichbar (bei Verwendung langer Kabel) und verfügt über einen zusätzlichen Stromregler der den Einschaltstrom der Röhren Heizung begrenzt. Die Gehäuse Erdung (SL-IEC- Gerätestecker) und der Audio Ausgang PIN 1 (Bei Auslieferung nicht verbunden) können im Bedarfsfall intern durch Jumper verbunden werden.

The SC1 is our first small condenser microphone. It features an interchangeable capsule system and comes with matching omni and cardioid capsules. The SC1 is a transformerless design that offers low self noise, low distortion, ultra fast transient response, and a natural sonic character. The SC1 is precision machined from stainless steel and manufactured in our Detroit based facility. Each pair of capsules is matched for both sensitivity and frequency response in an ISO certified anechoic chamber. The SC1 works great for stereo recordings of drums, rooms, strings, orchestras, piano, and acoustic guitar. Its high SPL capability also makes the SC1 a great choice for snare drums, toms, and electric guitar cabs.

The DC-196 is an unusually small microphone considering that it is equipped with a large membrane capsule. It is an extremely powerful tool that can handle almost any recording situation thanks to its compact size, superior sound quality and versatility. The DC-196 is a formidable studio workhorse but also perfect for many live applications. Features: Transformerless Variable pattern Rectangular large dual membrane capsule Built-in pop protection 12 dB attenuation pad Shock absorbing rubber fitted capsule Gold-plated XLR connector

The Milab VIP-50 is nothing less than a true classic. A favourite among world class artists and producers - simply one of the most sophisticated vocal recording microphones ever made. Features: Transformerless  Variable pattern  200/500 Hz high pass filters  10/20 dB attenuation pad  Rectangular large dual membrane capsule  Shock absorbing rubber fitted capsule  Gold-plated XLR connector  48 V phantom  Nextel® coating (from 2012)

The VM-44 is a very versatile microphone with a superior price/performance ratio – it is our best-selling model ever. The hand-made small diaphragm condenser capsule is wonderfully transparent and handles fast transients and high frequency content like few, if any, competitors. It has a beautifully straight frequency curve with a presence peak around 10 KHz which makes it ideal for almost any sound source, but especially for acoustical instruments where it absolutely shines. The VM-44 is just as home in a studio as on stage, and thanks to its small size it’s easy to place exactly where you want it without being in the way. The natural sound and discreet appearance have made the VM-44 range very popular among TV studios around the world. The -12 dB pad ensures high SPL handling, and if cardioid is not the pickup pattern you need, the front is easily unscrewed in a few seconds and can be replaced by an omni or a supercardioidcapsule. The VM-44 is available in three different models – the Classic, the Link, and the Gooseneck. The VM-44 capsule is also found in the LSR-3000 and the BDM-01. Features: Interchangeable capsules  Transformerless  12 dB attenuation pad  Gold-plated XLR connector  12 - 52 V phantom

The KM 184 is a state-of-the-art small diaphragm condenser microphone with a uniform, frequency-independent cardioid polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums. FAITHFUL While many microphones, these days, are designed to add some sonic imprint of their own, there are many applications that require a faithful reproduction of the original acoustic event, without adding or removing anything. That’s where the Neumann Series 180 comes in. The Neumann Series 180 consists of three members with different pickup patterns: KM 183 (omni), KM 184 (cardioid), and KM 185 (hypercardioid), thus covering the majority of stage and studio applications. Because the Series 180 microphones are non-modular, they are more cost-effective than the modular Series KM A and KM D (which offer a wide range of interchangeable capsule heads for analog and digital output stages).  CARDIOID Despite its attractive pricing, the KM 184 offers state-of-the-art Neumann engineering. Its cardioid pattern is frequency-independent; rejection of rearward sound (180°) is excellent, even at low frequencies. In practical usage, there is no sound coloration over a wide pickup angle, which is crucial in multi-microphone setups and for precise stereo/surround imaging. The KM 184’s frequency response is very smooth and linear with a slight treble lift around 9 kHz for added brilliance. Its innovative transformerless head amplifier offers a wide dynamic range of 125 dB and is carefully designed to maintain the capsule’s sonic integrity. The KM 184 has a very low self-noise of only 13 dB-A and can handle high sound pressure levels of up to 138 dB free from distortion. Due to its low impedance output stage, the KM 184 can drive long cable runs of up to 300 meters (1000 feet) without transmission losses. APPLICATIONS The KM 184 is a universal microphone for studio and stage applications. Its transparent sound makes the KM 184 a superb microphone for acoustic instruments, such as piano, percussion, drums, acoustic guitar, upright bass, violin, cello, woodwinds, and brass. The KM 184 can be used for soloists as well as ensembles. Thanks to its superior off-axis behavior, the KM 184 is an excellent microphone for stereo and surround recording with perfect imaging. Although the KM 184 is not specially optimized for the human voice, it is often used for classical vocals and whenever sonic authenticity is paramount. Due to its small size, the KM 184 is visually unobtrusive and well suited to TV and radio applications. Uniform cardioid pattern without off-axis coloration Linear frequency response with a slight treble lift Very low self-noise (13 dB-A)  Low impedance output for long cable runs without transmission losses Transformerless circuitry Compact size, visually unobtrusive

Das Kondensatormikrophon KM 184 ist ein schlankes Mikrophon mit ausgeprägt gleichmäßiger Nierencharakteristik. Die Kapsel besitzt für frontalen und seitlichen Schalleinfall sehr ebene Frequenzgänge, so daß ein Aufnahmewinkel von 270° ohne Klangverfärbung übertragen werden kann. Eine leichte Uberhöhung im Bereich von 9 kHz bewirkt einen frischen und lebendigen Klangcharakter. Das Mikrophon zeichnet sich durch geringes Eigenrauschen und hohe Aussteuerbarkeit aus. Durch einen vereinfachten mechanischen Aufbau konnte das Mikrophon besonders preisgünstig gestaltet werden. Das KM 184 bietet hochwertige Profitechnik für mittlere Budgets. mit fortlaufender Seriennummer Richtcharakteristik: Niere Druckgradientenempfänger Nachfolger des KM 84 sehr gleichmäßige, parallele Frequenzgänge für alle Schalleinfallsrichtungen Übertragungsbereich: 2020000Hz Nennlastimpedanz: 1000 Ohm Nennimpedanz: 50 Ohm Gewicht: ca. 80g Durchmesser: 22mm Länge: 107mm inkl. 2 x WNS 100 Windschutz incl. 2 x SG 21/17 Stativgelenk Farbe: schwarz  Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.

The Neumann KM 184 Stereo Set is a premium matched pair of cardioid small-diaphragm condenser microphones designed for professional stereo recording in studios, broadcast, live sound, and film production. As part of Neumann's renowned Series 180, the KM 184 delivers exceptional transparency, precise transient response, and ultra-low self-noise. The frequency-independent cardioid polar pattern ensures consistent off-axis performance, making the stereo pair ideal for orchestras, choirs, piano, acoustic instruments, drum overheads, ensembles, and ambient recordings. Each pair is factory-matched for identical sensitivity and frequency response, ensuring accurate stereo imaging and natural sound reproduction.

The Neumann KM 183 Stereo Set includes two precision-matched KM 183 omnidirectional small-diaphragm condenser microphones, making it the ideal solution for professional stereo recording. As part of Neumann's renowned Series 180, the matched pair delivers exceptionally transparent sound, outstanding off-axis response, and extremely low self-noise for accurate stereo imaging. The pressure transducer design provides an extended low-frequency response without proximity effect, making the set perfect for orchestras, choirs, piano, acoustic instruments, ambience recording, broadcast, film production, and surround applications. Each stereo pair is carefully selected to ensure consistent sensitivity and frequency response for reliable professional recordings.

The Neumann KM 185 Stereo Set is a premium matched pair of hypercardioid small-diaphragm condenser microphones designed for demanding stereo recording applications in professional studios, broadcast, film production, and live sound. As part of Neumann's renowned Series 180, each microphone features a frequency-independent hypercardioid polar pattern, transformerless electronics, ultra-low self-noise, and exceptional transient response. The factory-matched pair delivers precise stereo imaging, excellent off-axis rejection, and natural sound reproduction, making it ideal for orchestras, choirs, acoustic instruments, drum overheads, piano, ambience recording, and location recording. The set includes two KM 185 microphones, two WNS 100 windscreens, two SG 21 stand mounts, and a premium wooden carrying case.

 Das Neumann KM 185 Stereo Set mt besteht aus zwei werkseitig aufeinander abgestimmten Kleinmembran-Kondensatormikrofonen mit Hypernierencharakteristik in elegantem Mattschwarz (mt). Als Teil der renommierten Neumann Serie 180 bietet das Stereo-Set eine außergewöhnlich präzise Stereoabbildung, hervorragende Nebenschallunterdrückung und ein äußerst geringes Eigenrauschen. Dank der frequenzunabhängigen Hypernierencharakteristik und der übertragerlosen Elektronik eignet sich das Set ideal für Orchester, Chöre, Klavier, akustische Instrumente, Drum-Overheads, Broadcast, Filmproduktionen sowie professionelle Studioaufnahmen. Beide Mikrofone sind werkseitig auf identische Empfindlichkeit und Frequenzgänge abgestimmt und gewährleisten so eine exakte Stereoaufnahme.

The Neumann TLM 102 Studio Set Nickel is a professional large-diaphragm condenser microphone set designed for studio recording, vocal production, voice-over, and instrument recording. Its compact design and nickel finish make it suitable for home studios, project studios, and professional recording environments.The microphone features a cardioid pickup pattern, transformerless circuitry, and an integrated pop screen. It delivers detailed sound reproduction, with a gentle high-frequency boost that adds clarity to vocals and instruments. The Studio Set includes the TLM 102 microphone in nickel and the EA 4 elastic shock mount, which helps reduce structure-borne noise and vibrations transmitted through the microphone stand.

The Neumann TLM 102 Studio Set Black is a large-diaphragm condenser microphone designed for professional studio recording. Its cardioid polar pattern helps capture sound from the front while reducing sensitivity to sound from other directions. With a maximum sound pressure level of 144 dB, it can handle loud sources as well as detailed vocal and instrument recordings.The set includes the black TLM 102 microphone and the EA 4 bk elastic shock mount. The shock mount helps isolate the microphone from structure-borne vibrations, making the setup suitable for vocals, voice-over, acoustic instruments and other studio applications.

The Neumann TLM 103 Mono Set is a professional large-diaphragm condenser microphone set designed for studio recording, broadcasting and voice-over applications. Its cardioid polar pattern focuses on sound from the front, while the capsule design derived from the classic Neumann U 87 delivers detailed sound reproduction with enhanced presence. Transformerless circuitry and a very low self-noise level of 7 dB-A help preserve clarity in demanding recording environments.With a sensitivity of 23 mV/Pa and a maximum sound pressure level of 138 dB, the TLM 103 can capture everything from quiet speech to louder instruments. The Mono Set includes the nickel-finish TLM 103 microphone, an EA 1 elastic shock mount and an aluminium transport case. It is suitable for vocals, podcasts, voice-over, piano, acoustic instruments and other professional recording applications.

Das TLM 103 ist das ideale Großmembran-Mikrophon für alle, die trotz eng gesteckter Budgetgrenzen nicht auf kompromißlos professionelle Technik verzichten wollen. Es arbeitet mit der bereits in zahlreichen Neumann Mikrophonen bewährten transformatorlosen Schaltungstechnik, bietet einen unerreicht geringen Eigengeräuschpegel und höchste Aussteuerbarkeit. Die verwendete Kapsel mit der Charakteristik Niere ist akustisch besonders ausgewogen abgestimmt und besitzt eine hervorragende Auslöschung für rückwärtigen Schalleinfall. Das Stereoset enthält zwei aufeinander abgestimmte TLM 103 mt Grossmembran Mikrofone (Farbe: schwarz) sowie zwei Neumann Spinnen EA 1 und einen Aluminiumkoffere für das Set. 2 x TLM 103 mt Großmembranmikrofon 2x EA1 mt Mikrofonspinne 1 Alukoffer (passend für 2 Mikrofone und 2 Spinnen) Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.

Neumann TLM 103 Stereo Set2 * TLM103 2 * EA1 TLM103The TLM 103* is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear.The TLM 103 is available in satin nickel and matte black. Delivery includes an SG 1 metal swivel mount and a wooden jeweler's box. Features:Large diaphragm cardioid microphonePressure gradient transducer with with one-diaphragm capsuleTransformerless circuitryExtremely low noise: 7 dB-AIncludes swivel mountStraightforward handling for homerecording and professional studiosHigh-quality professional equipment for limited budgetsTechnical Specifications:Acoustical operating principle     Pressure gradient transducerDirectional pattern     CardioidFrequency range     20 Hz ... 20 kHzSensitivity at 1 kHz into 1 kohm     23 mV/PaRated impedance     50 ohmsRated load impedance     1 kohmsEquivalent noise level, CCIR1)     17.5 dBEquivalent noise level, A-weighted1)     7 dB-ASignal-to-noise ratio, CCIR1) (rel. 94 dB SPL)     76.5 dBSignal-to-noise ratio, A-weighted1) (rel. 94 dB SPL)     87 dBMaximum SPL for THD 0.5%2)     138 dBMaximum output voltage     13 dBuDynamic range of the microphone amplifier (A-weighted)     131 dBSupply voltage (P48, IEC 61938)     48 V ± 4 VCurrent consumption (P48, IEC 61938)     3 mAMatching connector     XLR3FWeight     approx. 450 gDiameter     60 mmLength     132 mmEA 1It has a swivel mount with a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.

The Neumann TLM 103 Studio Set is a professional large-diaphragm condenser microphone set designed for studio recording, broadcasting and voice-over applications. Its cardioid polar pattern and capsule design derived from the classic Neumann U 87 deliver detailed, direct sound reproduction with enhanced presence. The transformerless circuitry provides a clear, balanced sound with a strong bass response and excellent dynamic performance.With an exceptionally low self-noise level of 7 dB-A, a sensitivity of 23 mV/Pa and a maximum sound pressure level of 138 dB, the TLM 103 captures quiet speech and vocals as well as louder instruments. The nickel-finish Studio Set includes the TLM 103 microphone and the EA 1 elastic shock mount, which helps reduce structure-borne vibration during recording. It is suitable for vocals, podcasts, voice-over, piano, acoustic instruments and professional studio work.