Installation Microphones
omni pattern - features 6 dB peak at 8-9 kHz for more distant pickup - recommended for outdoor recordings if less directivity is desired - frequency response 10 - 20.000 HKA 100 DK recommended preamp MBP 603 (A) MBP 680 MBP 648 (A) frequency response Hz 10 - 20.000 10 - 20.000 10 - 20.000 sensivity 12 mV/Pa 6 mV/Pa 6 mV/Pa signal to noise ratio CCIR 68 dB 62 dB 67 dB equivalent SPL rated at CCIR 26 dB 32 dB 27 dB signal to noise ratio DIN/ IEC 80 dB 75 dB 80 dB equivalent SPL rated at DIN / IEC 14 dB 19 dB 14 dB max. spl 132 dB 132 dB 132 dB size ø 21 x 20 m
A constant frequency response if the sound impinges frontally upon the capsule. This leads to a natural tonal response. With a non-axis impingement of sound upon the microphone, a decay of treble results. This effect is relevant when sound quotas come from other angles than 0°, for instance by reflectionsKA 100 LK recommended preamp MBP 603 (A) MBP 680 MBP 648 (A) frequency response Hz 10 - 20.000 10 - 20.000 10 - 20.000 sensivity 12 mV/Pa 6 mV/Pa 6 mV/Pa signal to noise ratio CCIR 68 dB 62 dB 67 dB equivalent SPL rated at CCIR 26 dB 32 dB 27 dB signal to noise ratio DIN/ IEC 80 dB 75 dB 80 dB equivalent SPL rated at DIN / IEC 14 dB 19 dB 14 dB max. spl 132 dB 132 dB 132 dB size ø 21 x 20 mm
Our large diaphragm capsule with cardioid characteristic is an ideal solution for recording of singers, choirs,piano, saxophone and guitar. The pleasing warm sound has a fine-drawing, nice and airy effect. The vintage capsule design features gold sputtered membran and brass back platspecificationsKA 1000 N recommended preamp MBP 603 (A) MBP 648 (A) frequency response 10 - 20.000 Hz 10 - 20.000 Hz sensitivity 11 mV/Pa 11 mV/Pa signal to noise ratio CCIR 67 dB 67 dB equivalent SPL rated at CCIR 27 dB 27 dB signal to noise ratio DIN/IEC 79 dB 79 dB equivalent SPL rated at DIN/IEC 15 dB 15 dB max. spl 132 dB 132 dB size ø 50 x 20 m
The 35 mm double-diaphragm system with gold sputtered polyester foil 6 µm is manufactured with precision and tolerances in the µ-range. Recordings sound particularly preciseKA 1100 K recommended preamp MBP 603 (A) MBP 648 (A) frequency response 5 - 20.000 Hz 5 - 20.000 Hz sensitivity 11 mV/Pa 11 mV/Pa signal to noise ratio CCIR 67 dB 67 dB equivalent SPL rated at CCIR 27 dB 27 dB signal to noise ratio DIN/IEC 79 dB 79 dB equivalent SPL rated at DIN/IEC 15 dB 15 dB max. s
cardioid pattern - highly versatile capsule - maximum rejection on rear-incident sound - X/Y recordings or Mid-Side configuration - frequency response 40 - 20.000 Hz - neutral record space + 135KA 200 N cardioid recommended preamp MBP 603 (A) MBP 680 MBP 648 (A) frequency response Hz 40 - 20.000 40 - 20.000 40 - 20.000 sensitivity 14 mV/Pa 7 mV/Pa 7 mV/Pa signal to noise ratio CCIR 69 dB 63 dB 68 dB equivalent SPL rated at CCIR 25 dB 31 dB 26 dB signal to noise ratio DIN / IEC 82 dB 76 dB 81 dB equivalent SPL rated at DIN / IEC 12 dB 18 dB 13 dB max. spl 130 dB 130 dB 130 dB size ø 21 x 20 m
wide cardioid pattern - slight increase in low-frequency reproduction (compared to KA 200) - frequency response 20 - 20.000 HzKA 300 NB recommended preamp MBP 603 (A) MBP 680 MBP 648 (A) frequency response Hz 20 - 20.000 20 - 20.000 20 - 20.000 sensitivity 12 mV/Pa 6 mV/Pa 6 mV/Pa signal to noise ratio CCIR 68 dB 62 dB 67 dB equivalent SPL rated at CCIR 26 dB 32 dB 27 dB signal to noise ratio at DIN / IEC 80 dB 75 dB 80 dB equivalent SPL rated at DIN / IEC 14 dB 19 dB 14 dB max. SPL 130 dB 130 dB 130 dB size ø 21 x 20 m
cardioid speech optimized - 12 dB low cut at 50 Hz - frequency response 50 - 20.000 HzKA 400 N cardioid recommended preamp MBP 603 (A) MBP 680 MBP 648 (A) frequency response Hz 50 - 20.000 50 - 20.000 50 - 20.000 sensitivity 15 mV/Pa 7 mV/Pa 7 mV/Pa signal to noise ratio CCIR 70 dB 63 dB 68 dB equivalent SPL rated at CCIR 24 dB 31 dB 26 dB signal to noise ratio DIN / IEC 83 dB 76 dB 81 dB equivalent SPL rated at DIN / IEC 11 dB 18 dB 13 dB max. SPL 131 dB 131 dB 131 dB size ø 21 x 20 m
MBHO MBP 603The 603 microphone amplifier has a sophisticated electronic circuit which is composed of an audio frequency amplifier and a DC converter. The 603 can accomodate all different types of MBHO capsules. The usual transformer is replaced by a symmetrical output amplifier without loosing it's positive qualitites. The benefits of transformerless technology are a particularly high dynamic range in the total transmission range, an exceptionally coloration-free sound, and a frequency independent harmonic precision without partials or artifacts.Specifications Phantom Power16 - 48 VFeed Current4,5 mAElectrical Impedance35 OhmConnectorXLRSize21 X 122 mm
The MBP603 ASTis an autonomous boom stand ver-sion of our successful MBP603 Amicrophone. Incor-porating the KA400 capsule ìoptimized for vocalsîÇ we can guarantee extraordinary results revealing clarity and dynamic range that no wireless microphone can match! In situations where the soloist must be seen and thehighest sound reproduction is a necessity, this is yourchoice. Any MBHO capsule may be utilized to custo-mize the application. Asleek high quality design highlights the mat ìcamera friendlyî finish.This product will accomplish the task while not being least bit imposing.specifications preamp MBP603 A phantom power 16 - 48 V feed currentca. 4,5 mA electrical impedance35 ? boom size ¯ 8 mm x 1000 mm tripod size ¯ 12 mm x 650 mm
Neumann KK 120KK 120 capsule headWood case For more information, please visit this products webpage
Neumann KK 120 nxKK... capsule heads are part of the variable miniature microphone system. Together with the KM D (nx) or KM A (nx) output stages, the KK... capsule heads form a complete microphone. KK 184 (nx) + KM D (nx) = KM 184 D (nx) or KK 184 (nx) + KM A (nx) = KM 184 A (nx).KK 120 is a pressure gradient transducer with figure-8 characteristic, side-fire, realized with a single diaphragm. The diaphragm diameter is just 16 mm. All sound field components reach the diaphragm directly. This results in identical frequency response curves and output levels at 0° and 180° sound incidence. Corresponding accessories allow combining the KK 120 with other active capsules or microphones to obtain an MS-Stereo setup. For more information, please visit this products webpage
Neumann KK 131KK 131 capsule headWood case For more information, please visit this products webpage
The Neumann KK 131 nx is a premium omnidirectional condenser microphone capsule designed for the KM A / KM D modular microphone system. Featuring Neumann's pressure transducer technology, it delivers an exceptionally flat frequency response, natural off-axis pickup, and outstanding transparency for professional recording applications. Its diffuse-field equalization makes it ideal for orchestral recording, choir, ambience, acoustic instruments, and broadcast productions where accurate and natural sound reproduction is essential.
The Neumann KK 143 is a premium wide cardioid condenser capsule head for the modular Neumann KM A / KM D small diaphragm microphone system. Designed for professional studio recording, broadcasting, live sound, and classical music applications, the KK 143 features a pressure-gradient transducer with a wide cardioid polar pattern that delivers natural off-axis response, smooth frequency reproduction, and excellent spatial imaging. Its highly consistent pickup pattern minimizes coloration from surrounding sound sources while maintaining exceptional clarity and detail. Compatible with both the analog KM A output stage and the digital KM D output stage, the KK 143 offers maximum flexibility for modern recording environments.
Neumann KK 143 nxKK... capsule heads are part of the variable miniature microphone system. Together with the KM D (nx) or KM A (nx) output stages, the KK... capsule heads form a complete microphone. KK 184 (nx) + KM D (nx) = KM 184 D (nx) or KK 184 (nx) + KM A (nx) = KM 184 A (nx).KK 143 is a pressure gradient transducer with wide-angle cardioid characteristic. Attenuation: 4 dB at 90°, 8 dB at 135°, and 11 dB at 180°. The frequency response for sound sources within an angle of ± 90° (off axis) is parallel up to 12 kHz. For more information, please visit this products webpage
Neumann KK 145KK 145 capsule headWood case For more information, please visit this products webpage
Neumann KK 145 nxKK... capsule heads are part of the variable miniature microphone system. Together with the KM D (nx) or KM A (nx) output stages, the KK... capsule heads form a complete microphone. KK 184 (nx) + KM D (nx) = KM 184 D (nx) or KK 184 (nx) + KM A (nx) = KM 184 A (nx).KK 145 is a pressure gradient transducer with cardioid characteristic just like the KK 184. However, it has an acoustic bass roll-off characteristic in the free field and therefore suppresses interfering LF noise (wind, structure-borne noise). Since proximity effect is a natural feature of pressure gradient microphones, the KK 145 is optimized for a flat frequency response at a recording distance of approximately 15 cm (speech cardioid). For more information, please visit this products webpage
Die Kapselköpfe KK 183 ... 185 sind Bestandteil des variablen, digitalen Kleinmikrophonsystems. Zusammen mit der Ausgangsstufe KM D bilden die KK 183 ... 185 ein vollständiges Mikrophon, z. B. KK 183 und KM D bilden das Mikrophon KM 183 D. KK 183 ist ein diffusfeldentzerrter Druckempfänger mit einem im freien Schallfeld wirksamen Höhenanstieg (ca. 7 dB bei 10 kHz). Dadurch ist der Frequenzgang im diffusen Schallfeld bis 10 kHz eben.
Die Kapselköpfe KK 183 ... 185 sind Bestandteil des variablen, digitalen Kleinmikrophonsystems. Zusammen mit der Ausgangsstufe KM D bilden die KK 183 ... 185 ein vollständiges Mikrophon, z. B. KK 183 und KM D bilden das Mikrophon KM 183 D. KK 183 ist ein diffusfeldentzerrter Druckempfänger mit einem im freien Schallfeld wirksamen Höhenanstieg (ca. 7 dB bei 10 kHz). Dadurch ist der Frequenzgang im diffusen Schallfeld bis 10 kHz eben.
Die Kapselköpfe KK 183 ... 185 sind Bestandteil des variablen, digitalen Kleinmikrophonsystems. Zusammen mit der Ausgangsstufe KM D bilden die KK 183 ... 185 ein vollständiges Mikrophon, z. B. KK 183 und KM D bilden das Mikrophon KM 183 D. KK 184 ist ein Druckgradientenempfänger mit Richtcharakteristik Niere. Sehr gleichmäßige, zur 0°-Schalleinfallsrichtung parallele Frequenzkurven. Daher können in der Praxis große Aufnahmewinkel ohne Klangverfärbungen übertragen werden. Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.
Die Kapselköpfe KK 183 ... 185 sind Bestandteil des variablen, digitalen Kleinmikrophonsystems. Zusammen mit der Ausgangsstufe KM D bilden die KK 183 ... 185 ein vollständiges Mikrophon, z. B. KK 183 und KM D bilden das Mikrophon KM 183 D. KK 185 ist ein Druckgradientenempfänger mit Richtcharakteristik Hyperniere. Dämpfung für Schall von den Seiten und von hinten jeweils ca. 10 dB. Minimale Empfindlichkeit bei ca. 120° Schalleinfallsrichtung.Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.
The Neumann KK 133 nx is a premium diffuse-field equalized omnidirectional condenser microphone capsule for the Neumann KM A and KM D modular microphone systems. Based on the legendary Neumann M 50 design, it features an ultra-thin titanium diaphragm that delivers exceptional transparency, precise spatial imaging, and a natural frequency response. Its diffuse-field equalization makes it particularly suitable for orchestral recordings, choirs, room ambience, acoustic instruments, and professional broadcast applications where faithful sound reproduction is essential.
The Neumann KK 184 nx is a premium cardioid condenser capsule head finished in elegant Nextel® Black (nx) for the modular Neumann KM A / KM D small diaphragm microphone system. Designed for professional studio recording, broadcasting, live sound reinforcement, and classical music production, the KK 184 nx delivers the renowned transparent sound quality of the KM 184 with outstanding transient response, low self-noise, and precise cardioid directivity. Its pressure-gradient condenser design provides excellent off-axis rejection while preserving natural tonal balance, making it ideal for recording acoustic instruments, choirs, orchestras, overheads, piano, and speech. The capsule is fully compatible with both the analog KM A and digital KM D output stages, offering maximum flexibility for demanding recording environments.