Ribbon Microphones
AEA Big Ribbon A440 Finally, a high performance phantom-powered Big Ribbon™ AEA is proud to announce the high performance phantom-powered Big Ribbon™ A440. Inspired by AEA’s forty years of experience with ribbon mics, particularly 44s, this mic has the greatest useable dynamic range of any ribbon microphone manufactured today. The A440 is also the quietest ribbon microphone in existence. At the low frequency end the A440 delivers bass with effortless authority. It has a flat frequency response and holds an accurate figure-eight polar pattern down to 20 Hz. The A440 has a smooth and articulate midrange, and at the high end, transients are quick and detailed without hard edges. Frequency Response: 20 Hz to 20 kHz Maximum SPL: 132.5 dB SPL with a 1 kΩ load for < 1% THD Output Sensitivity: 30 mV (-33.5 dBV) /Pa 1 Pa = 94 dB SPL Equivalent Noise Level: 6 dB SPL, A-weighted per IEC 651 Dynamic Range: 126.5 dB Signal to Noise Ratio: 88 dB (A) (94 dB SPL minus equivalent noise) Output Impedance: 92 Ω broadband Recommended Load: 1 kΩ or greater Powering: P48 phantom power, 9 mA Polarity: Pin 2 high for positive pressure on the front of the microphone. Connector: XLR-3M wired to a 3 meter captive cable Directional Pattern : Polar Pattern: Native Figure-8 (Bi-Directional) Horizontal: Level changes with angle, frequency response is consistent, null at right angles to major axis 90° / 270° Vertical: Level changes with angle, reduced HF response above and below 0° / 180° axis, null at right angles to major axis 90° / 270° Transducer element Ribbon Thickness: 1.8 μ (0.0000018 m) of pure aluminum Ribbon Width: 4.7 mm Ribbon Length: 59.7 mm Accessories: Included: Custom storage / shipping case, stand adapter, manual Optional: Any length cable, inquire for price and delivery. Custom transformer case laser engraved with your art or logo Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's
AEA KU4 Unidirectional Ribbon Microphone Details The AEA KU4 unidirectional ribbon microphone is their newest and perhaps most unique offering. The KU4 is AEA's modern interpretation of the original RCA KU3A, which many engineers consider to be the best ribbon microphone ever made. The increased rear rejection of the supercardioid pattern reduces the amount of room sound, which is often desired in modern production applications, particularly vocal recording. With a custom transformer, strong neodymium magnets and a low-tuned RCA new-old stock ribbon, the KU4 continues AEA's legacy for wide-bandwidth, top-quality ribbon microphones handmade in Pasadena, CA. As always, Front End Audio will bring you more information as it becomes available from AEA. Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's
Feature: Supercardioid polar pattern that rejects room tone and instrument bleed Detailed, extended top end with ribbon smoothness and warmth Supreme durability for close-range, outdoor, and live use Active electronics and custom transformer optimized for all preamps Front address design with built-in yoke is simple to position Integrated high-pass filter switch reduces proximity effect at close-range Matte black finish is discreet on camera Made in the U.S.A. The supercardioid KU5A breaks new ground in ribbon technology with its acutely focused directionality that rejects bleed from other instruments, room reflections, and loud ambience in the studio and on stage. Never before has a ribbon mic delivered as much clarity and breadth of sound in a package so fit for both studio and live use. As a near-field ribbon designed for close range recording, the KU5A delivers the low-end heft and pronounced midrange one expects of AEA ribbons and with moderate, manageable proximity effect. Vocalists can sing directly into the grill of the KU5A, as its interior components are the most protected of any in the AEA lineup. The KU5A is equipped with active electronics, fit for any preamp in the studio and on the road, as well as an integrated high-pass filter to roll off low end in close range recording applications. THE SUPERCARDIOID RIBBON The KU5A’s supercardioid polar pattern captures pure, direct sound while rejecting room tone from behind the mic. This feature prevents excessive monitor and audience bleed when tracking musicians live in one room or on stage. Traditional figure-of-8 ribbons, which distinctly incorporate both direct sound and room sound, rely on sharp nulls to reject unwanted bleed. The KU5A’s end-address directionality and tight supercardioid pattern allow for effortless positioning on snare, toms, and other instruments that may be difficult to access. Signal bleed captured by dynamic mics and condensers often sounds harsh and brittle due to top-end frequencies. The minimal bleed captured by the KU5A sounds more natural as a result of its smooth top end and coheres well in a mix.
N13The AEA N13 is designed to be natural and open at a mid-field distance, with a particularly strong ability to pick up fast transients. Relatively bright for a ribbon mic, the N13 microphone excels in capturing drum overheads, strings, acoustic guitars, and piano.N13 MICROPHONE OVERVIEWAEA's first non-Big Ribbon™ bidirectional microphoneEvenly balanced proximity effect at mid-field distances (~8”-36”)1.2 micron thick ribbon excels at capturing transientsLow profile and slate gray finish for discreet placementShines on horns, strings, acoustic guitar, and drum overheadsMade in the U.S.A.Operating Principle: Pressure gradient transducerDirectional Pattern: BidirectionalFrequency Range: <20 Hz to >20 kHzMaximum SPL: 13 dB SPL (1% third harmonic > 1 kHz)Sensitivity: 11.48 mV/Pa (-38.8 dBV) (at 1 kHz, no load)Output Impedance: 92 Ω broadbandRec Load Impedance: 1.0 kΩ or greaterPhantom Power: P48 phantom power, 7 mAPolarity: Pin-2 high for positive pressure at the front of the microphone.Off-Axis ResponseHorizontal: Up to 90 dB rejection at right angles to the front/back axis.Vertical: Level changes with angle of incidence, but frequency response is consistent.Transducer ElementMaterial: Pure aluminum corrugated ribbonThickness: 1.2 µmWidth: 0.113 in (2.87 mm)Length: 1.30 in (33.0 mm)Microphone DimensionsHeight: 8.83 in (22.5 cm)Width: 1.62 in (11.7 cm)Depth: 1.62 in (9.5 cm)Weight: 12 oz (335 g)Shipping Weight: 1 lb 13 oz (810 g)Connector: XLR-3MAccessories Included: Storage/shipping case, mic stand clip, soft cloth bag, user manual.
The AEA N13 Stereoset NUVO is a precision-matched pair of active ribbon microphones engineered for mid-field stereo recording applications. As part of AEA’s modern NUVO series, it combines contemporary performance with the timeless character of classic ribbon microphone design. Designed to deliver a more open and detailed ribbon sound, the N13 features extended high-frequency response while preserving the smooth warmth and natural tonal balance that ribbon microphones are known for. This makes it an excellent choice for capturing both clarity and musicality in a wide range of recording scenarios. The matched stereo set is ideally suited for professional stereo recording techniques such as Blumlein, spaced pair, and ORTF. It excels in recording instruments, small ensembles, and ambient room sound, providing a realistic stereo image with depth and precision. Its active circuitry ensures consistent performance and optimal signal levels across different preamps, making it reliable in modern studio environments. The microphones are particularly effective in mid-field placement, capturing both direct sound and room acoustics in a balanced way. AEA’s long-standing expertise in ribbon microphone design and restoration—rooted in classic RCA-inspired technology—ensures that the N13 Stereoset NUVO delivers both vintage character and modern reliability, making it a trusted tool for professional engineers.
The AEA NUVO N22 is an active, phantom-powered ribbon microphone specifically engineered for near-field recording applications. Designed to excel in close-miking situations, it provides a focused and detailed capture while maintaining the natural characteristics associated with ribbon microphones. As part of AEA’s NUVO series, the N22 delivers a modern ribbon sound with enhanced high-frequency response. This extended top-end clarity allows it to capture more detail and presence compared to traditional ribbon designs, while still preserving the smooth and balanced tonal quality that ribbons are known for. The microphone is particularly well-suited for recording electric guitars, brass, drums, and vocals in close proximity. Its near-field optimization ensures tight low-frequency response and excellent rejection of unwanted room reflections, making it highly effective in both studio and project environments. With its active circuitry, the N22 offers consistent output levels and reliable performance across a wide range of microphone preamps. This eliminates many of the gain-related challenges typically associated with passive ribbon microphones. Combining modern engineering with AEA’s heritage in classic ribbon microphone design, the NUVO N22 provides a versatile and dependable solution for engineers seeking clarity, warmth, and precision in close-miked recordings.
AEA N22 NUVO Series Ribbon Microphone The Missing Link In Your Recording- Specifically designed for singer-songwriters, musicians, and home studios.- Bridging the gap between the top end clarity of a condenser and the classic tone of a ribbon.- Phantom-powered electronics for optimal performance with any preamp.- Highly protected ribbon for close-up use and live sound applications.- Featuring the same Big Ribbon technology as the AEA R44 and R84 microphones.- 100% handcrafted in Pasadena, CA. How is the N22 different from other ribbon microphones?The AEA N22 was designed with the singer-songwriter musician in mind. Hard working artists, honing their musical craft for many years, feel strongly about their personal tone, so they need a microphone that translates their signature sound in a recording. The N22 delivers on exactly those key points - providing a great ribbon tone without the need for EQ in most applications. Most importantly, the N22 was designed by listening first, and measuring only after experienced musicians told us the microphone sounded great. Bridging the gap between vintage and modern, ribbon and condenser, studio and live, the N22 is the perfect companion for musicians and engineers alike. What is under the hood?Featuring the same Big Ribbon technology that has earned AEA its reputation, the N22 offers an incredible sound in close-mic applications like acoustic and electric guitars, piano, vocals, and drums. With phantom-powered JFET electronics and a custom German transformer the N22 achieves optimal performance with a wide range of preamps including USB or Firewire audio interfaces in home studio setups. The highly protected pure aluminum ribbon allows for using the N22 in live sound applications and vocal recording without the need for an additional pop-filter. At well under $1,000 street price it delivers a handcrafted US-made microphone built to last a lifetime. About the NUVO SeriesThe N22 is the first member of AEA's NUVO series of microphones. Rooted in the RCA tradition just like other AEA ribbons, all NUVO microphones are designed to offer a fresh approach to the ribbon transducer and represent Wes Dooley's take on the evolution of the ribbon microphone. Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's
The AEA NUVO N8 is an active ribbon microphone designed to capture the natural, lifelike sound of instruments and acoustic spaces with exceptional realism. It reproduces subtle details and nuances with precision, delivering a sound that closely reflects the experience of hearing a performance live. It excels at handling complex sound sources such as drums, string ensembles, piano, and other instruments that produce intricate transients, bright highs, and powerful low frequencies. The N8 maintains a smooth, balanced response without harshness, even in demanding recording situations. With its wide frequency response and well-controlled low end, the N8 is particularly effective for capturing room ambience and ensemble recordings. It performs exceptionally well when placed further from the source, such as in the rear of a room, as a drum overhead, or above a string section. Offering one of the widest frequency ranges in AEA’s lineup, the N8 handles complex audio material with ease. Its full potential is best realized in stereo configurations, where it delivers a spacious and highly realistic stereo image. The microphone is based on the same proven design philosophy as the AEA R88, bringing together depth, clarity, and the classic warmth that defines AEA’s ribbon microphone heritage.
"Depth, detail, and bottom end for days. So much focus and tone from one phantom powered ribbon mic." - Darrell Thorp (Radiohead, Beck, Paul McCartney) More open and natural than any ribbon mic you've ever heard Designed for overheads, strings, and room mics Unobtrusive, video friendly look The same Big Ribbon™ as the R44 Phantom powered electronics for optimal performance with any preamp 100% manufactured in Pasadena, CA Modern Look, Big Ribbon Sound! Following the successful N22 model designed for singer-songwriters and project studios, the N8 sounds distinctly different despite having a similar appearance to the N22. In designing the N8, we set out to create the most open and natural sounding ribbon microphone ever made. Conceived to render acoustic spaces as faithfully as possible, the new N8 microphone excels in capturing drum overheads and rooms, strings, classical ensembles, and orchestras. As such, it is the ideal complement to the N22 microphone. But even when used up close, the N8 delivers exceptional clarity and warmth, while also taking EQ extremely well without ever being harsh.By employing a similar design philosophy as used on the popular R88 stereo ribbon microphone, the N8 achieves an astonishingly transparent sound with a superior transient response that lets AEA’s famed Big Ribbon truly shine. The aluminum ribbon in the N8 is identical to the flagship R44 model in its dimensions and tuning, putting it in direct lineage of the iconic RCA 44 type.The N8’s unobtrusive size and the “stealth” matte black finish is ideal for orchestral and TV work, where microphones need to be easy to position and more or less invisible. The N8’s phantom-powered electronics and a custom German transformer complete the package and deliver groundbreaking low level detail and optimal distortion performance, even when driving long cable lines in remote recording situations. Just like all other AEA products, the N8 is 100% manufactured in Pasadena, CA. The N8 is the second member of AEA’s NUVO series of microphones. Rooted in the RCA tradition just like other AEA ribbon microphones, all NUVO microphones are designed to offer a fresh approach to the ribbon transducer and represent Wes Dooley’s take on the evolution of the ribbon microphone. About the NUVO Series The N22 is the first member of AEA's NUVO series of microphones. Rooted in the RCA tradition just like other AEA ribbons, all NUVO microphones are designed to offer a fresh approach to the ribbon transducer and represent Wes Dooley's take on the evolution of the ribbon microphone. "The N8 has the wonderful natural sonic characteristics of a ribbon mic, with a very focused tone that captures acoustic instruments like no other mic I own. Whether it's placed near or far from the sound source, there is a warmth imparted that is clear and true to the instrument." - Ben Tolliday (Alanis Morissette, Wolfmother)
"Depth, detail, and bottom end for days. So much focus and tone from one phantom powered ribbon mic." - Darrell Thorp (Radiohead, Beck, Paul McCartney) More open and natural than any ribbon mic you've ever heard Designed for overheads, strings, and room mics Unobtrusive, video friendly look The same Big Ribbon™ as the R44 Phantom powered electronics for optimal performance with any preamp 100% manufactured in Pasadena, CA Modern Look, Big Ribbon Sound! Following the successful N22 model designed for singer-songwriters and project studios, the N8 sounds distinctly different despite having a similar appearance to the N22. In designing the N8, we set out to create the most open and natural sounding ribbon microphone ever made. Conceived to render acoustic spaces as faithfully as possible, the new N8 microphone excels in capturing drum overheads and rooms, strings, classical ensembles, and orchestras. As such, it is the ideal complement to the N22 microphone. But even when used up close, the N8 delivers exceptional clarity and warmth, while also taking EQ extremely well without ever being harsh.By employing a similar design philosophy as used on the popular R88 stereo ribbon microphone, the N8 achieves an astonishingly transparent sound with a superior transient response that lets AEA’s famed Big Ribbon truly shine. The aluminum ribbon in the N8 is identical to the flagship R44 model in its dimensions and tuning, putting it in direct lineage of the iconic RCA 44 type.The N8’s unobtrusive size and the “stealth” matte black finish is ideal for orchestral and TV work, where microphones need to be easy to position and more or less invisible. The N8’s phantom-powered electronics and a custom German transformer complete the package and deliver groundbreaking low level detail and optimal distortion performance, even when driving long cable lines in remote recording situations. Just like all other AEA products, the N8 is 100% manufactured in Pasadena, CA. The N8 is the second member of AEA’s NUVO series of microphones. Rooted in the RCA tradition just like other AEA ribbon microphones, all NUVO microphones are designed to offer a fresh approach to the ribbon transducer and represent Wes Dooley’s take on the evolution of the ribbon microphone. About the NUVO Series The N22 is the first member of AEA's NUVO series of microphones. Rooted in the RCA tradition just like other AEA ribbons, all NUVO microphones are designed to offer a fresh approach to the ribbon transducer and represent Wes Dooley's take on the evolution of the ribbon microphone. "The N8 has the wonderful natural sonic characteristics of a ribbon mic, with a very focused tone that captures acoustic instruments like no other mic I own. Whether it's placed near or far from the sound source, there is a warmth imparted that is clear and true to the instrument." - Ben Tolliday (Alanis Morissette, Wolfmother)
The AEA N28 delivers the velvety sound of classic ribbon microphones – but with added mid-frequency presence, precise stereo imaging, and truly impressive performance features.
AEA R44C Hand-crafted 44 reproduction The R44C is a museum-quality replica featuring details such as a bronze investment cast yoke rather than the original zinc yokes provided by RCA (which have a tendency to corrode over time). The iconic "streamline moderne" transformer case with "radio" finish (black with bright nickel) comes standard. The R44C is distinguished by a black and silver AEA emblem. The microphone package includes a three-meter cloth covered Accusound Silver Studio Pro cable, a zippered canvas bag, and AEA 44VC vertical case for proper shipping and storage. RCA 44 ribbon microphones have remained an essential part of studio life well after RCA stopped manufacturing them in 1955. The sound and response of the 44 B/BX were unlike anything else available, and was cherished for its smoothness, forgiving nature and unique tonal balance. As collectors began to buy up the supply of RCA44’s through the 90’s, the availability of this wonderful ribbon mic to the studio was greatly endangered. Wes Dooley, a specialist in ribbon mics of all kinds, has now restored the 44 type microphone to its rightful position in the studio. After tracking down the engineers whodesigned and built the original RCA 44, AEA acquired ribbon material, made the tooling and custom machined all the parts necessary to build the original RCA 44 B/BX design to its original specifications, just as it was in the 1930s. After years of painstaking work, AEA has again begun production of the most important ribbon mic of all time: the AEA R44C. An accurate reproduction of the original RCA Ribbon Mic Uses the same ribbon material as the original Built to the highest studio standards possible A single diaphragm Figure 8 ribbon microphone High null-axis rejection Custom AEA Transformer High SPL capability, max level of 140dB plus above 200Hz Low Self Noise Consistent polar response Operable in high humidity environments Sounds equal to or better than the original RCA 44 How is the R44 different from other ribbon microphones ?The 44 was RCA’s best microphone from the 1930s into the ‘50s. Is AEA’s R44 that good? Both listeners and measurements saythat the R44 is better and, we’ve been listening to both users and ex-RCA engineers for over 25 years. We start by using only ribbonmaterial originally manufactured for RCA. Next, we use modern magnet technology which is much more robust than periodmagnets. We also combined the original American undamped ribbon design with the British RCA 44 innovations that lower theweight and hum sensitivity.The R44 design runs contrary to all current ribbon microphone manufacturing. It is large and heavy when other microphones aresmaller and lighter. The internal ribbon element is by far the longest and its resonance tuning the lowest of today’s ribbon micro-phones. It is a pure undamped ribbon design, an approach that has been out of production for over 50 years while remaining incontinuous studio use. It is different, and its sound is unique.The R44 sounds good on everything. Leave it out and use it whenever you need to do a quick take. Bruce Swedien particularlylikes them on vocals, Joe Chicarelli on sax, Allen Sides on electric guitar. Everyone has a favorite use and everyone finds theysound good anywhere: brass, woodwinds, percussion, strings or voice work. Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's
AEA R44CE The R44CE is the value edition of the R44C. It comes with a black transformer case with white emblem logo and one-piece cushion mount, satin nickel grill and formed steel yoke with a satin nickel finish. The R44CE comes with a captive three-meter starquad XLR output cable and AEA 44VC vertical carrying case for proper shipping and storage. RCA 44 ribbon microphones have remained an essential part of studio life well after RCA stopped manufacturing them in 1955. The sound and response of the 44 B/BX were unlike anything else available, and was cherished for its smoothness, forgiving nature and unique tonal balance. As collectors began to buy up the supply of RCA44’s through the 90’s, the availability of this wonderful ribbon mic to the studio was greatly endangered. Wes Dooley, a specialist in ribbon mics of all kinds, has now restored the 44 type microphone to its rightful position in the studio. After tracking down the engineers whodesigned and built the original RCA 44, AEA acquired ribbon material, made the tooling and custom machined all the parts necessary to build the original RCA 44 B/BX design to its original specifications, just as it was in the 1930s. After years of painstaking work, AEA has again begun production of the most important ribbon mic of all time: the AEA R44C. An accurate reproduction of the original RCA Ribbon Mic Uses the same ribbon material as the original Built to the highest studio standards possible A single diaphragm Figure 8 ribbon microphone High null-axis rejection Custom AEA Transformer High SPL capability, max level of 140dB plus above 200Hz Low Self Noise Consistent polar response Operable in high humidity environments Sounds equal to or better than the original RCA 44 How is the R44 different from other ribbon microphones ?The 44 was RCA’s best microphone from the 1930s into the ‘50s. Is AEA’s R44 that good? Both listeners and measurements saythat the R44 is better and, we’ve been listening to both users and ex-RCA engineers for over 25 years. We start by using only ribbonmaterial originally manufactured for RCA. Next, we use modern magnet technology which is much more robust than periodmagnets. We also combined the original American undamped ribbon design with the British RCA 44 innovations that lower theweight and hum sensitivity.The R44 design runs contrary to all current ribbon microphone manufacturing. It is large and heavy when other microphones aresmaller and lighter. The internal ribbon element is by far the longest and its resonance tuning the lowest of today’s ribbon micro-phones. It is a pure undamped ribbon design, an approach that has been out of production for over 50 years while remaining incontinuous studio use. It is different, and its sound is unique.The R44 sounds good on everything. Leave it out and use it whenever you need to do a quick take. Bruce Swedien particularlylikes them on vocals, Joe Chicarelli on sax, Allen Sides on electric guitar. Everyone has a favorite use and everyone finds theysound good anywhere: brass, woodwinds, percussion, strings or voice work. Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's
The AEA R44CX is a faithful recreation of the iconic RCA 44 microphone, enhanced with AEA’s proprietary “X-Motor” design for increased output and dynamic range. Featuring a modified R44 transducer with two additional magnets, the R44CX delivers an extra 6 dB of output without the use of active electronics. This classic ribbon microphone captures the smooth, natural tone that has defined recordings for over eight decades — from the lush brass of Hollywood soundtracks to warm jazz vocals and the massive drum sounds of classic rock. Built entirely in the USA using new-old-stock (NOS) RCA ribbon material, the R44CX offers museum-grade authenticity and unmatched sonic depth, ideal for capturing instruments and voices with stunning realism.
AEA R44CXE The R44CXE is the value edition of the R44CX. It comes with a black transformer case with red emblem logo and one-piece cushion mount, satin nickel grill and formed steel yoke with a satin nickel finish. The R44CXE comes with a captive three-meter starquad XLR output cable and AEA 44VC vertical carrying case for proper shipping and storage. RCA 44 ribbon microphones have remained an essential part of studio life well after RCA stopped manufacturing them in 1955. The sound and response of the 44 B/BX were unlike anything else available, and was cherished for its smoothness, forgiving nature and unique tonal balance. As collectors began to buy up the supply of RCA44’s through the 90’s, the availability of this wonderful ribbon mic to the studio was greatly endangered. Wes Dooley, a specialist in ribbon mics of all kinds, has now restored the 44 type microphone to its rightful position in the studio. After tracking down the engineers whodesigned and built the original RCA 44, AEA acquired ribbon material, made the tooling and custom machined all the parts necessary to build the original RCA 44 B/BX design to its original specifications, just as it was in the 1930s. After years of painstaking work, AEA has again begun production of the most important ribbon mic of all time: the AEA R44C. An accurate reproduction of the original RCA Ribbon Mic Uses the same ribbon material as the original Built to the highest studio standards possible A single diaphragm Figure 8 ribbon microphone High null-axis rejection Custom AEA Transformer High SPL capability, max level of 140dB plus above 200Hz Low Self Noise Consistent polar response Operable in high humidity environments Sounds equal to or better than the original RCA 44 How is the R44 different from other ribbon microphones ?The 44 was RCA’s best microphone from the 1930s into the ‘50s. Is AEA’s R44 that good? Both listeners and measurements saythat the R44 is better and, we’ve been listening to both users and ex-RCA engineers for over 25 years. We start by using only ribbonmaterial originally manufactured for RCA. Next, we use modern magnet technology which is much more robust than periodmagnets. We also combined the original American undamped ribbon design with the British RCA 44 innovations that lower theweight and hum sensitivity.The R44 design runs contrary to all current ribbon microphone manufacturing. It is large and heavy when other microphones aresmaller and lighter. The internal ribbon element is by far the longest and its resonance tuning the lowest of today’s ribbon micro-phones. It is a pure undamped ribbon design, an approach that has been out of production for over 50 years while remaining incontinuous studio use. It is different, and its sound is unique.The R44 sounds good on everything. Leave it out and use it whenever you need to do a quick take. Bruce Swedien particularlylikes them on vocals, Joe Chicarelli on sax, Allen Sides on electric guitar. Everyone has a favorite use and everyone finds theysound good anywhere: brass, woodwinds, percussion, strings or voice work. Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's
If you are new to ribbons, you are in for a treat! The AEA R84 Ribbon Microphone is an outstanding general-purpose microphone, ideally suited for solo and accent work. It is hard to find an application where the R84 mic does not shine. Its natural sound and figure-8 directional sensitivity mean the R84 gives you everything professionals expect from a quality ribbon mic. Pure natural sound with quick, smooth transients, just as you hear it when you place your mic in the studio Versatility that lets you capture brass instruments, strings, piano, percussion or vocals Extended bass and treble that handles high SPLs at high frequencies and delivers the details without shoving anything in your face Outstanding transient response for natural sound The AEA R84 uses use a big, 2.35' by 0.185' by 2 micron pure aluminum low-tension ribbon element, that ensures a quick response, whatever the application. This means that percussive attacks, vocal consonants, and other rapid-attack material are cleanly and accurately reproduced by the R84 with no 'dull' or 'flabby' characteristics. It sounds just like you're standing right in front of the source! A versatile mic for multiple recording applications The AEA R84 uses Large Ribbon Geometry (LRG) that's suitable for use by the most demanding audio professional or hobbyist. Whether you're recording brass instruments, strings, piano or percussion, or you're trying to capture that elusive 'perfect' vocal take, the R84 large ribbon microphone is up to the task. Superb bass and treble response that handles high SPLs The R84 produces solid bass down to 20Hz and clean, clear highs up to 20kHz. Plus, it's capable of handling better than 165 dB SPL at higher frequencies, so whether used on vocals or instruments the R84 offers a performance that covers the entire frequency and dynamic range yet is still intimate, warm and detailed, yet never harsh. The AEA R84 is supplied in a complete system that includes a shock mount, 6-foot mic cable and sturdy foam-lined carrying case. Weighing-in at under two pounds and measuring eight inches tall and 2.7 inches in diameter, the R84 is a great sounding microphone that is extremely versatile. Reliable ribbon mic with wide dynamic range Large Ribbon Geometry (LRG), 2.35' by 0.185' by 2 micron pure aluminum low-tension ribbon Able to handle better than 165 dB SPL at higher frequencies Figure 8 pattern for duo recording convenience Includes shock mount, 6-foot cable and sturdy foam-lined carrying case Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's
If you are new to ribbons, you are in for a treat! The AEA R84 Ribbon Microphone is an outstanding general-purpose microphone, ideally suited for solo and accent work. It is hard to find an application where the R84 mic does not shine. Its natural sound and figure-8 directional sensitivity mean the R84 gives you everything professionals expect from a quality ribbon mic. Pure natural sound with quick, smooth transients, just as you hear it when you place your mic in the studio Versatility that lets you capture brass instruments, strings, piano, percussion or vocals Extended bass and treble that handles high SPLs at high frequencies and delivers the details without shoving anything in your face Outstanding transient response for natural sound The AEA R84 uses use a big, 2.35' by 0.185' by 2 micron pure aluminum low-tension ribbon element, that ensures a quick response, whatever the application. This means that percussive attacks, vocal consonants, and other rapid-attack material are cleanly and accurately reproduced by the R84 with no 'dull' or 'flabby' characteristics. It sounds just like you're standing right in front of the source! A versatile mic for multiple recording applications The AEA R84 uses Large Ribbon Geometry (LRG) that's suitable for use by the most demanding audio professional or hobbyist. Whether you're recording brass instruments, strings, piano or percussion, or you're trying to capture that elusive 'perfect' vocal take, the R84 large ribbon microphone is up to the task. Superb bass and treble response that handles high SPLs The R84 produces solid bass down to 20Hz and clean, clear highs up to 20kHz. Plus, it's capable of handling better than 165 dB SPL at higher frequencies, so whether used on vocals or instruments the R84 offers a performance that covers the entire frequency and dynamic range yet is still intimate, warm and detailed, yet never harsh. The AEA R84 is supplied in a complete system that includes a shock mount, 6-foot mic cable and sturdy foam-lined carrying case. Weighing-in at under two pounds and measuring eight inches tall and 2.7 inches in diameter, the R84 is a great sounding microphone that is extremely versatile. Reliable ribbon mic with wide dynamic range Large Ribbon Geometry (LRG), 2.35' by 0.185' by 2 micron pure aluminum low-tension ribbon Able to handle better than 165 dB SPL at higher frequencies Figure 8 pattern for duo recording convenience Includes shock mount, 6-foot cable and sturdy foam-lined carrying case Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's
The R84A: An Active Version AEA offers the Active R84A (formerly known as the A840), a premium version of the R84 complete with JFET electronics and the same custom transformer used in our active R44. It’s basically an R84 with a built-in preamp. The active R84A mic retains the same sonic character of the R84, but with an additional 12dB of output and a stable impedance. This gives a consistent frequency response and greater flexibility with different preamps, including those found in audio interfaces for personal computers. This is great for on-the-road musicians who might have to use a different preamp each night. The extra 12db of output is vital when recording quiet sources like vocals or soft acoustic guitars. The active circuitry also prevents noise interference on long cable runs or when operating near large lighting rigs. The R84A’s active circuitry requires standard 48-volt phantom power to operate. The premium R84A also flaunts an 18-karat, gold-plated grille. AEA A840 Main Features: Higher output than R84 for versatility Compatible with any preamp and input source Low self noise of 17.5 dB Fast, accurate transient reproduction High SPL capability of 141dB Well-controlled, native figure-8 polar pattern Wide-band response from below 20Hz to above 20kHz
The AEA R88 MK2 is a high-performance stereo ribbon microphone that captures the classic “Big Ribbon” sound in a refined and modern design. It effectively combines two matched ribbon elements within a single housing, offering a true stereo recording solution inspired by the sonic character of AEA’s renowned large-format ribbon microphones. Built on the same large ribbon geometry and acoustic principles found in models like the AEA R44C, the R88 MK2 delivers a powerful low-frequency response down to 20 Hz and a smooth, natural high end. This makes it exceptionally well-suited for capturing complex sound sources such as cymbals, strings, woodwinds, and full ensembles with clarity and depth. The microphone features two ribbon motors arranged at a precise 90-degree angle, enabling accurate stereo imaging and excellent off-axis response. It is optimized for stereo recording techniques such as Blumlein and Mid-Side (M-S), making it highly versatile for professional studio and location recording applications. Designed primarily for mid- to far-field use, the R88 MK2 is ideal for chamber music, drum overheads, stereo piano recordings, horn sections, and ensemble capture. Its passive design offers a wide dynamic range with minimal distortion, but it performs best when paired with a high-quality preamp providing at least 60 dB of clean gain and proper impedance matching. The updated MK2 version includes an improved integrated shockmount for easier positioning and reduced stand-borne vibrations. Finished in a low-reflective stealth black coating, it minimizes visual distraction in live recording environments. For close vocal applications, the use of a pop filter is recommended due to its open design, which prioritizes natural sound over wind protection.
The AEA R88A is an active stereo ribbon microphone engineered to capture sound with exceptional realism and natural tonal balance. Equipped with custom toroid transformers, it reproduces audio with an open, honest character that closely reflects the way instruments and spaces are heard in real life. Designed for demanding professional recording applications, the R88A excels at capturing the intricate details of complex sound sources such as drums, strings, piano, and acoustic ensembles. Its smooth transient response and natural frequency balance allow it to reproduce depth, texture, and spatial detail with remarkable accuracy. The microphone features active electronics with an additional 12 dB of transformer gain, providing stronger output levels than traditional passive ribbon microphones. This added gain is particularly beneficial when recording quieter sources such as vocals, acoustic guitars, and delicate instrumental performances. Its integrated active impedance buffers help maintain signal integrity across long cable runs and minimize susceptibility to electromagnetic interference, especially in environments with large lighting systems or complex stage setups. This ensures consistent performance in both studio and live recording situations. The R88A operates using standard 48V phantom power and combines the classic warmth and dimensionality of ribbon microphone technology with the convenience, output level, and reliability expected in modern professional audio environments.
The new stereo R88A active ribbon microphone with custom toroid transformers captures sound as your ears hear it with an honest, open tonality. The R88A effortlessly records the sonic intricacies of drums, strings, piano, and other instruments that produce complex transients. The extra 12dB of transformer gain is advantageous when recording quiet sources like vocals or soft acoustic guitars. The active impedance buffers help prevent noise interference on long cable runs or when operating near large lighting rigs. The R88A requires standard 48V phantom power to operate. Features: Same award-winning stereo perspective as the passive R88mk2 Phantom powered (48V) version of AEA's classic R88mk2 with 12dB more transformer gain Compatible with any preamp and input impedance Fast, accurate transient reproduction Stereo ribbon microphone that offers a natural sound Captures amazingly precise stereo imagery with a single mic Larger-than-normal ribbon elements handle high SPLs with ease Figure-8, Blumlein Configuration (90 degrees) polar pattern 141dB Max SPL
In the past few years AEA's acclaimed R84 Ribbon Microphone has become a new studio standard. Now AEA has once again expanded the sonic possibilities of ribbon mics with the R92 Ribbon Microphone. Reduced proximity bass boost and excellent wind blast protection make it suitable for close micing (6-12 inches) of guitar amps, vocals, percussion, etc. In addition, the smooth high frequency response of the R88 transducer has been further extended in the R92, making the R92 a unique voice in the world of ribbon mics. AEA has designed the R92 to have slightly different tones on the front and rear pickup lobes of the microphone. The front lobe of the R92 is the 'crisp' side, offering exceptionally clean and realistic high end detail. The rear lobe is the 'smooth' side, which has a bit of classic ribbon high end rolloff that can help to handle harsh transients in a very refined and flattering way. Just like its bigger brothers in AEA's LRG™ microphone series, the bass reproduction of the R92 is very solid and extended to the lowest audible bass frequencies. The R92 is designed with an integral elastic shock mount, featuring a unique mounting system that allows excellent flexibility of mic positioning. The mic ships with a two meter cable and a durable plastic carrying case. Matt Ashman comments about the R92: 'It was designed to have a very full range sound, and to capture it all with a minimum of resonance artifacts for the ultimate in realism. It's perfect for getting FAT guitar sounds with a present and clean high end.' Transducer element Ribbon Thickness: 1.8 microns ( .0000018 meter ) of pure aluminum Ribbon Width: 4.7 mm Ribbon Length: 59.7 mm Polar Pattern: Native bidirectional (figure-eight) Frequency Response: 20 Hz to 18 kHz (+/- 3 dB) Maximum SPL: >115 dB SPL (C-weighted fast) Output Sensitivity: > -55 dBv/Pa Output Impedance: 270 ohms nominal Recommended Load: 1.2 K ohm or greater Powering: Not required or recommended Polarity: Pin 2 high Connector: XLR-3M wired to a 2 meter captive cable Includes durable plastic case with foam interior Operating manual for proper care and usage. Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's
Mit dem Innovativen AT4080 bietet Audio-Technica den begehrten Klang von Bändchenmikrofonen, wobei die Probleme der Fragilität und der niedrigen Ausgangsleistung gelöst werden konnten, die in der Historie der Bändchenmikrofonen immer ein Makel dieses Mikrofontyps waren. Das von Hand gefertigte, aktive AT4080 liefert den warmen, natürlichen Klang von klassischen Bändchenmikrofonen. Dabei verfügt es über eine robuste Bauweise für eine langfristige, verlässliche Performance und eine höhere Ausgangsleistung für die maximale Kompatibilität mit der Vielfalt von Mikrofonvorverstärkern. Das Mikrofon beinhaltet Audio-Technica´s innovatives MicroLinear™ Bändchengepräge, das eine wesentlich höhere Stabilität für seine Wandler garantiert. Daher ist es gleichermaßen im Aufnahmestudio, wie auch auf der Bühne für eine Vielzahl von Anwendungen voll einsetzbar, da die MicroLinear™-Technologie die Dual-Bändchen vor seitlichen Verwindungen und Bändchenverzerrungen schützt. Mit seinen 18 angemeldeten Patenten und einer lebenslangen Garantie bringt Audio-Technica’s innovativer Bändchen-Wandler die Evolution der Bändchenmikrofon-Technologie einen entscheidenden Schritt nach vorne. Erlebe den Unterschied. Sanfter, warmer und natürlicher Klang mit präziser und klarer Ausprägung, so dass auch die höchsten Ansprüche moderner Aufnahme-, Rundfunk- und Beschallungsprofis erfüllt werden.Zukunftsweisendes Audio-Technica Bändchen-Design mit 18 PatentanmeldungenHerstellerspezifisches MicroLinear™-Verfahren zur Bändchenprägung sorgt für längere HaltbarkeitInnovative Doppelbändchenkonstruktion für erhöhte EmpfindlichkeitExtrem leistungsstarke N50 Neodymmagnete für hohen AusgangspegelEngmaschiger Korb schützt Bändchen vor Beschädigungen durch Wind und PoplauteKlassische zweiseitige Ausrichtung (Acht) sorgt für gleichmäßige Klangaufnahme sowohl von vor als auch hinter dem ElementHohe Schallpegelfestigkeit und breiter FrequenzgangBreiter Frequenzgang für natürliche KlangwiedergabeAkustisches Schallwandsystem und besonders große Ausgangsübertrager bieten natürlichen Bassfrequenzgang und erweiterten DynamikumfangHandgefertigt – einschließlich Bändchenfaltung, -prägung und -einbauOffene Akustik des Gehäuseaufbaus minimierte unerwünschte interne ReflektionenPhantomgespeiste aktive Elektronik sorgt für stabile Impedanz und höhere Ausgangsleistung, so dass beste Kompatibilität mit Mikrofonvorverstärkern erzielt wirdSpezielle Spinne bietet hochklassige Isolierung
Delivering the warmth and natural sound of a classic ribbon microphone, Audio-Technica's handcrafted AT4081 offers a robust build for long-lasting performance and higher output for maximum compatibility with microphone preamplifiers. With its low-profile stick design, this microphone is a natural for use on a wide range of instruments (horns, strings, drum overheads, orchestras and more) and guitar cabinets in recording studios and live-sound settings.Equally at home in recording studios and live-sound settings, the microphone features Audio-Technica's innovative MicroLinear(TM) ribbon imprint, which protects the dual ribbons from lateral flexing and distortion. With 18 patents pending, Audio-Technica's innovative ribbon transducer advances the evolution of ribbon microphone design. Experience the difference.Features- Low-profile stick design maximizes placement options- Smooth, warm and natural sound tuned for instrument reproduction- Audio-Technica ribbon design with 18 patents pending including proprietary MicroLinear(TM) ribbon imprint for superior durability- Innovative dual ribbon construction for increased sensitivity- Extremely powerful N50 neodymium magnets for high output level- Superfine mesh guards against ribbon damage- High-SPL capability and extended frequency response- Handmade production - including ribbon corrugation, imprint and assembly- Phantom-powered active electronics provide stable impedance and higher output for maximum compatibility with microphone preamplifiers- Certified by the METAlliance (Music Engineering and Technology Alliance) SpecificationsElement: RibbonPolar Pattern: Figure-Of-EightFrequency Response: 30-18,000 HzOpen Circuit Sensitivity: -42 Db (7.9 Mv), Re 1v At 1 PaImpedance: 100 OhmsMaximum Input Sound Level: 150 Db Spl, 1 Khz At 1% T.H.D.Noise: 25 Db SplDynamic Range (Typical): 125 Db, 1 Khz At Max SplSignal-To-Noise Ratio: 69 Db, 1 Khz At 1 PaPhantom Power Requirements: 48v Dc, 3.0 Ma TypicalWeight: 152 G (5.4 Oz)Dimensions: 155.0 Mm (6.10") Long, 21.0 Mm (0.83") Maximum Body DiameterOutput Connector: Integral 3-Pin Xlrm-TypeAccessories Furnished: At8471 Isolation Clamp For 5/8"-27 Threaded Stands; 5/8"-27 To 3/8"-16 Threaded Adapter; Windscreen; Protective Carrying CaseAudio-Technica Case Style: S13 NewShipping Weight: 1 lbs Shipping Dimensions: 5 x 10 x 3 in For more information, please visit this products webpage.