Millennia

Authentic Transparency for Unrestricted Creativity     Eight channels of A/D Conversion     24-bit 96 kHz eight-channel AES format converter     Internal/External Clocking with AES or Wordclock in/out on BNC connectors     Millennia’s proprietary True-Lock-Clock for outstanding performance with an external clock     DB25 I/O Connectors that conform to the Tascam wiring standard     -20dBFS reference level     API 500 series compatible format

Millennia AD-D96 Analog-to-Digital Converter Option for HV-3DFeaturesThe AD-D96 from Millennia is an analog-to-digital converter option designed for the HV-3D 8-channel preamp upgrade. This option provides a DB25 AES digital output that supports rates up to 24-bit/96kHz.Provides 8 channels of analog to digital conversion24-bit/96kHz AES digital audioInternal and external clocking with BNC wordclock in/out connectorsDB25 connector conforms to Tascam's wiring standardReference level of -18dBFSCan be added to all HV-3D unitsFor more information, please visit this products webpage

Millennia AD-R96 Analog-to-Digital Converter Option for HV-3RFeaturesThe AD-R96 from Millennia is an analog-to-digital converter option designed for the HV-3R 8-channel preamp upgrade. This option provides a DB25 AES digital output that supports rates up to 24-bit/96kHz.For more information, please visit this products webpage

The AOO Analog Output Option card provides 8 channels of HV-3 balanced output stages, effectively identical to HV-3C, HV-3D, etc. The AOO takes a direct balanced signal feed from the analog gain stage of each HV-316 mic preamp -- there is no ADC or DAC in the analog output path. Analog outputs are terminated on a 25-pin sub-D connector using the AES59/Tascam balanced format standard. The AOO card is a factory-installed option.  

Dante Network Options Works with Audinate's Dante and RedNet Ethernet networks 24-bit 96 kHz eight-channel capability Primary and Secondary connections for redundant networks All HV-3D/HV-3R units with and AD converter can have the option installed

Dante Network Options Works with Audinate's Dante and RedNet Ethernet networks 24-bit 96 kHz eight-channel capability Primary and Secondary connections for redundant networks All HV-3D/HV-3R units with and AD converter can have the option installed

Millennia EQB Balanced Input Option for NSEQ-2FeaturesThe EQB from Millennia is a balanced input option designed for use with the NSEQ-2 parametric equalizer.For more information, please visit this products webpage

Millennia HDOE Output Expansion Card for HV-3DFeaturesThe HDOE from Millennia is an output expansion card designed for the HV-3D. It adds 2 outputs for every input, for a total of 3 outputs per input. The new outputs provide 8 channels each on DB-25 connectors.For more information, please visit this products webpage

Millennia HROE Output Expansion Card for HV-3RFeaturesThe HROE from Millennia is an output expansion card designed for the HV-3R. It adds 2 outputs for every input, for a total of 3 outputs per input. The new outputs provide 8 channels each on DB-25 connectors.For more information, please visit this products webpage

Unrestricted Capacity, Uncomprimised Clarity 16 channels of pristine Millennia HV-3 microphone preamplifiers in a road-hardened 1U chassis Effortless, vividly realistic, dynamically uniform HV-3 musical performance Dante network output standard -- MADI and analog output options. Both 12VDC (battery) and 80-264VAC worldwide powering Redundant power supply for fail-safe, glitch-free operation Paralleled next-generation AKM A-to-D conversion Designed for ultra-high-temperature continuous operation (65C / 150F) RF “pi filter” shielding provided on analog and digital feeds, destroys mobile interference Control up to 256 channels at once via conventional Ethernet +34dBu input headroom for use in the most extreme audio environments Matched discrete-octet transistor gain topology, the classic Millennia HV-3 double-balanced circuit Ælogic Mac & Windows third-generation software offers total control for both HV-316 and HV-3R on the same network High-definition meters, grouping, linking, scene management, temperature monitoring Entirely balanced audio path with precision components maintains signal integrity: THD under 10 PPM (< .001%) Laser-trimmed FET-based output stage (analog output option) drives 1000-foot (300m) cable runs with ease All channels matched to 0.08 dB Advanced power supply rated for 650,000 hours MTBF operation Aluminum 16-gauge rack chassis, ultra-lightweight, just 10 pounds Billet aluminum laser etched front-panel Lovingly hand-built and quality-assured in Northern California USA

Unrestricted Capacity, Uncomprimised Clarity 8 channels of pristine Millennia HV-3 microphone preamplifiers in a road-hardened 1U chassis Effortless, vividly realistic, dynamically uniform HV-3 musical performance Dante network output standard -- MADI and analog output options. Both 12VDC (battery) and 80-264VAC worldwide powering Redundant power supply for fail-safe, glitch-free operation Paralleled next-generation AKM A-to-D conversion Designed for ultra-high-temperature continuous operation (65C / 150F) RF “pi filter” shielding provided on analog and digital feeds, destroys mobile interference Control up to 256 channels at once via conventional Ethernet +34dBu input headroom for use in the most extreme audio environments Matched discrete-octet transistor gain topology, the classic Millennia HV-3 double-balanced circuit Ælogic Mac & Windows third-generation software offers total control for both HV-316 and HV-3R on the same network High-definition meters, grouping, linking, scene management, temperature monitoring Entirely balanced audio path with precision components maintains signal integrity: THD under 10 PPM (< .001%) Laser-trimmed FET-based output stage (analog output option) drives 1000-foot (300m) cable runs with ease All channels matched to 0.08 dB Advanced power supply rated for 650,000 hours MTBF operation Aluminum 16-gauge rack chassis, ultra-lightweight, just 10 pounds Billet aluminum laser etched front-panel Lovingly hand-built and quality-assured in Northern California USA

Der Millennia HV-32P ist ein portabler 2-Kanal Mikrofonvorverstärker. Er ist eine Batterie gespeiste Adaption des Mikrofon-Preamp-Klassikers HV-3 von Millennia. Er beherbergt zwei Module des 200er Moduls HV32. Der HV-32P bietet standardmäßig bis zu 60dB Gain und im schaltbaren Ribbon-Mic-Modus bis zu 70dB. An weiteren schaltbaren Optionen ist der HV-32P mit einem 15dB-Pad und 48V Phantomspeisung ausgestattet. Der HV-32P kommt im stabilen Aluminiumgehäuse und wird via Batterie mit Spannung versorgt. Features: Mikrofonvorverstärker Gain: 60dB bzw. 70dB im Ribbon-Modus 15dB Pad Phantomspeisung +48V Frequenzgang: 10Hz bis 200kHz Abmessungen (BxHxT): 14,4 cm x 4,29cm x 20,8cm Gewicht: 0,9kg

Authentic Transparency for Unrestricted Creativity Continuously variable gain control Front panel instrument input DC coupled ribbon mic with 10dB gain boost setting 80 Hz rolloff filter 48V phantom power 15 dB Pad Polarity flip API 500 series compatible format   Specification Minimum Gain 8.5 dB Maximum Gain   (continuously variable) 60 dB (70 dB in Ribbon Mode) Frequency Response   +0 / -3 dB sub 3 Hz to beyond 300 kHz Noise   60 dB Gain, 10 Hz - 30 kHz, Inputs common -133 dB EIN Total Harmonic Distortion + Noise   35 dB Gain, 10 Hz - 20 kHz bandwidth, +27 dBu Out < .001%, Typ. < .0005% (< 5 ppm) Intermodulation Distortion   (50 Hz & 7 kHz) 35 dB Gain, +27 dBu Out < .0009% Phase Response   35 dB Gain, 50 Hz - 20 kHz bandwidth, +27 dBu Out < 2 degrees deviation Common Mode Rejection Ratio   35 dB Gain, 10 Hz - 20 kHz bandwidth, 100 mV C.M. > 65 dB, Typ > 85 dB Slew Rate   35 dB Gain, +27 dBu Out > 25 Volts per microsecond Maximum Input Level   20 Hz - 40 kHz +20 dBu (no attenuator pads required) Maximum Output Level   20 Hz - 40 kHz +28 dBu Phantom Input Impedance   1 kHz 6,750 ohms Output Impedance 24.3 Ohms (x2) Phantom Powering +48 V dc, +/- 2 V dc Dimensions/Shipping Weight 1.5” W x 5.25” H x 6” D, 3 lbs..

Der Millennia HV-35P ist ein portabler Mikrofon- und Instrumentenvorverstärker. Er ist eine Batterie gespeiste Adaption des Mikrofon-Preamp-Klassikers HV-3 von Millennia, die gleichzeitig um einige nützliche Features erweitert wurde. Er bietet alle Features, die bereits vom 500er Modul HV-35 bekannt sind - nur eben im portablen Format. Der HV-35P bietet standardmäßig bis zu 60dB Gain und im schaltbaren Ribbon-Mic-Modus bis zu 70dB. An weiteren schaltbaren Optionen ist der HV-35P mit einem 15dB-Pad, Phasenumkehr, 48V Phantomspeisung sowie einem 80Hz LoCut ausgestattet. Der HV-35P kommt im stabilen Aluminiumgehäuse und wird via Batterie mit Spannung versorgt. Features: Mikrofonvorverstärker mit frontseitig angebrachtem Instrumenteneingang Gain: 60dB bzw. 70dB im Ribbon-Modus 15dB Pad Phasenumkehrschalter Phantomspeisung +48V LoCut bei 80Hz Abmessungen (BxHxT): 14,4 cm x 4,29cm x 20,8cm Gewicht: 0,9kg

Authentic Transparency for Unrestricted Creativity Unsurpassed ambience retrieval Transformerless design with matched hi-speed discrete transistor octet has 23 dB input headroom: no attenuator “pads” needed Uncolored timbral accuracy at all dynamic levels Entirely balanced audio path with precision components maintains signal integrity: THD under 5 ppm (.0005%) Effortless, vividly realistic, musical performance Laser-trimmed FET-based output stage has 32 dB headroom: drives 1000 foot (300 m) cable runs with ease Standard 36-step gain controls (1.5 dB per step) are stereo matched to .08 dB Ultra-clean toroid power supply Gold audio connectors and switches Mogami Neglex OFC audio wiring Silver Teflon power wiring Welded 16 gauge steel rack chassis Options DPA (B&K) +130 V mic inputs DC inputs for ideal performance with dynamic and ribbon microphones

Authentic Transparency for Unrestricted Creativity Unsurpassed ambience retrieval Transformerless design with matched hi-speed discrete transistor octet has 23 dB input headroom: no attenuator “pads” needed Uncolored timbral accuracy at all dynamic levels Entirely balanced audio path with precision components maintains signal integrity: THD under 5 ppm (.0005%) Effortless, vividly realistic, musical performance Laser-trimmed FET-based output stage has 32 dB headroom: drives 1000 foot (300 m) cable runs with ease Standard 36-step gain controls (1.5 dB per step) are stereo matched to .08 dB Ultra-clean toroid power supply Gold audio connectors and switches Mogami Neglex OFC audio wiring Silver Teflon power wiring Welded 16 gauge steel rack chassis Options DPA (B&K) +130 V mic inputs DC inputs for ideal performance with dynamic and ribbon microphones HDOE Output expansion option for three outs per channel AD-D96 analog to digital converter card

8-Channel Solid State Mic Preamp The Millennia HV-3D is an 8-channel version of the very successful and popular HV-3C stereo preamp. The HV-3D combines multiple channels to minimize redundant mechanical and electrical parts. This is a tool you can build a career around: it will remain valuable and useful no matter how far your sonic explorations take you. Acquiring an HV-3D is a step off the upgrade treadmill, a step that will ultimately save you much more than your initial investment. For pristine audio capture on location and in the studio, Millennia's HV-3D is a great option!Millennia HV-3D at a Glance: Open, Transparent Sound Perfect for Location Recording Pristine Audio Path Open, Transparent SoundMic preamplifiers magnify the input as much as 1000:1. There's no "Undo" after this point. Coloration or distortion become part of the signal. Lost information can never be recovered. Digital plug-ins can't "uncolor" sound or restore lost upper harmonic partials. Data compression algorithms (MPG, AC3, DTS etc.) are unable to distinguish signal from noise, so preserving signal clarity and integrity throughout the recording and production process is critical to communicating the artist's intention and individuality. No matter how subtle or attractive, a colored "signature" sound destroys options at every link in the chain. The HV-3 Series' open, transparent signal path has defined "high definition" since its introduction.Perfect for Location RecordingLocation recording is a high-wire act, with only one chance to capture the living moment of performance in its original ambience. The HV-3 Series is designed to transmit microphone signals to recording devices unaltered and has proven its ability to drive extremely long cable runs.Pristine Audio PathThere's no such thing as a straight wire with gain. But the HV-3 Series' transformerless input, balanced audio path, minimal amplifier design has brought us closer than any other to our goal of absolute accuracy and uncompromised sonic realism.Millennia HV-3D Features: Unsurpassed ambience retrieval Transformerless design with matched hi-speed discrete transistor octet has 23 dB input headroom: no attenuator "pads" needed Uncolored timbral accuracy at all dynamic levels Entirely balanced audio path with precision components maintains signal integrity: THD under 5 ppm (.0005%) Effortless, vividly realistic, musical performance Laser-trimmed FET-based output stage has 32 dB headroom: drives 1000 foot (300m) cable runs with ease Standard 36-step gain controls (1.5 dB per step) are stereo-matched to .08 dB Ultra-clean toroid power supply Gold audio connectors and switches Mogami Neglex OFC audio wiring Silver Teflon power wiring Welded 16 gauge steel rack chassis Minimum Gain 8.5 dB Maximum Gain (1.5 dB per step, 36 steps) 65 dB (up to 75 dB on request) Frequency Response +0 / -3 dB sub 3 Hz to beyond 300 kHz Noise 60 dB Gain, 10 Hz - 30 kHz, Inputs common -133 dB EIN Total Harmonic Distortion + Noise 35 dB Gain, 10 Hz - 20 kHz bandwidth, +27 dBu Out < .001%, Typ. < .0005% (< 5 ppm) Intermodulation Distortion (50 Hz & 7 kHz) 35 dB Gain, +27 dBu Out < .0009% Phase Response 35 dB Gain, 50 Hz - 20 kHz bandwidth, +27 dBu Out < 2 degrees deviation Common Mode Rejection Ratio 35 dB Gain, 10 Hz - 20 kHz bandwidth, 100 mV C.M. > 65 dB, Typ > 85 dB Slew Rate 35 dB Gain, +27 dBu Out > 25 volts per microsecond Maximum Input Level 20 Hz - 40 kHz +23 dBu (no attenuator pads required) Maximum Output Level 20 Hz - 40 kHz +32 dBu Phantom Input Impedance 1 kHz 6,750 ohms Output Impedance 24.3 ohms (x2) Phantom Powering +48 V dc, +/- 2 V dc Power Requirements Selectable: 100-120, 200-240 V ac, 50/60 Hz

Unrestricted Capacity, Uncompromised Clarity Control up to 792 channels (99 units) at once via Ethernet: TCP/IP addressing allows control via the Internet Plug ‘n play Pro Tools interface via MIDI AElogic Windows software offers total control Hi-definition meters, unlimited groups, scene management, voltage/temperature monitoring... Transformerless design with matched hi-speed discrete transistor octet has 23 dB input headroom: no “pads” needed Entirely balanced audio path with precision components maintains signal integrity: THD under 5 PPM (.0005%) Effortless, vividly realistic musical performance Laser-trimmed FET-based output stage has 32 dB headroom: drives 1000 foot (300m) cable runs with ease Gain controls (1 dB per step) on all channels are-matched to .08 dB Ultra-clean toroid power supply Mogami Neglex OFC audio wiring, silver Teflon power wiring Aluminum 16 gauge rack chassis Options DPA (B&K) +130V and 190V mic inputs DC inputs for ideal performance with dynamic and ribbon microphones HROE Output expansion option for three active isolated outs per channel AD-R96 analog to digital converter card

Unrestricted Capacity, Uncompromised Clarity     Control up to 792 channels (99 units) at once via Ethernet: TCP/IP addressing allows control via the Internet     Plug ‘n play Pro Tools interface via MIDI     AElogic Windows software offers total control     Hi-definition meters, unlimited groups, scene management, voltage/temperature monitoring...     Transformerless design with matched hi-speed discrete transistor octet has 23 dB input headroom: no “pads” needed     Entirely balanced audio path with precision components maintains signal integrity: THD under 5 PPM (.0005%)     Effortless, vividly realistic musical performance     Laser-trimmed FET-based output stage has 32 dB headroom: drives 1000 foot (300m) cable runs with ease     Gain controls (1 dB per step) on all channels are-matched to .08 dB     Ultra-clean toroid power supply     Mogami Neglex OFC audio wiring, silver Teflon power wiring     Aluminum 16 gauge rack chassis Options     DPA (B&K) +130V and 190V mic inputs     DC inputs for ideal performance with dynamic and ribbon microphones     HROE Output expansion option for three active isolated outs per channel     AD-R96 analog to digital converter card AD-D96 and AD-R96 Analog to Digital Converter Options     Eight channels of A/D Conversion     24-bit 96 kHz eight-channel AES format converter     Internal/External Clocking with AES or Wordclock in/out on BNC connecters     DB25 Connector that conforms to the Tascam wiring standard     -18dBFS reference level     All HV-3D/HV-3R units can have the option installed

Musical, involving, euphonicHigh speed transformerless, pure Class A, 350 volttriode designDifferential topology: no attenuator “pads” requiredEffortless dynamics, vividly realistic ambience>35 dBu output headroomHigh resolution gain controlPrecision potentiometers, ultra-premium componentsBuilt for critical professional applicationsGold audio connectors, tube sockets, and relays3/8“ thick radius extruded aluminum face plateDurable mirror-gloss anodized finishMil spec 16 gauge cold-rolled steel chassisUltra-clean toroid power supply: internal sub-chassisHand machined aluminum knobs,illuminated IT&T push buttonsRichly musical vintage vacuum tubes availableMogami Neglex OFC audio wiringSilver Teflon power wiring

MADI-D and MADI-R Digital Converter Options Eight channels of A/D Conversion 24-bit 96 kHz eight-channel MADI and AES format converter External Clocking from MADI stream, defaults to 48kHz DB25 Connector that conforms to the Tascam AES wiring standard  Optical and BNC MADI input and output connectors Industry standard i64 MADI card with custom software -18dBFS reference level All HV-3D/HV-3R units can have the option installed

MADI-D and MADI-R Digital Converter Options Eight channels of A/D Conversion 24-bit 96 kHz eight-channel MADI and AES format converter External Clocking from MADI stream, defaults to 48kHz DB25 Connector that conforms to the Tascam AES wiring standard  Optical and BNC MADI input and output connectors Industry standard i64 MADI card with custom software -18dBFS reference level All HV-3D/HV-3R units can have the option installed

Millennia Media Quasi mastering option for TCL2 and NSEQ2FeaturesThe MAST from Millennia is a set of "quasi-mastering" detented controls designed for use with TCL and NSEQ devices.For more information, please visit this products webpage

TWO SELECTABLE AUDIO PATHS — VACUUM TUBE & DISCRETE J-FET SOLID-STATE ENTIRELY CLASS-A TWIN TOPOLOGY (tm) DESIGN SETS NEW PRECEDENT IN EQUALIZER SONIC PURITY ULTRA-PREMIUM COMPONENTRY THROUGHOUT MUSICALLY RICH VINTAGE VACUUM TUBES AVAILABLE GOLD RELAYS, CONNECTORS, SWITCHES, TUBE SOCKETS SILVER/TEFLON POWER WIRING, OFC AUDIO WIRING CONSTRUCTED FOR LIFE (28 pounds), COSMETICALLY APPEALING DETENTED, LOGGABLE CONTROL OPTION AVAILABLE EFFORTLESS, LIFELIKE MUSICAL PERFORMANCE AT ALL DYNAMIC LEVELS