PMC

The PMC6 is packed with innovation and providing the same sonic signature as our renowned larger monitors, it’s ideal for smaller control rooms or for use in larger immersive systems, where its astounding resolution allows critical mix decisions to be made with absolute confidence.With 20mm of excursion, the bespoke 6-inch bass driver is designed specifically to integrate with our latest ATL™ bass-loading and Laminair™ airflow technologies. The combination outperforms most 8-inch monitors, offering unparalleled bass extension, headroom, dynamics, and low distortion at all levels. The high end is courtesy of a one-inch precision-built fabric soft-dome tweeter, with a shallow waveguide that creates wide, tonally consistent dispersion and rock-solid imaging. Both the bass and treble drivers are precisely and individually controlled by a pair of 200W ultra-low-distortion, high-damping-factor Class-D amplifiers.Whether in portrait or landscape placement, the PMC6’s sophisticated DSP engine automatically adjusts the crossover, ensuring optimum tonal accuracy, phase and imaging.The monitor can be calibrated using the rear-panel controls or with PMC’s intuitive browser-accessible SoundAlign™ software.The PMC6 can be upgraded by adding a PMC8 SUB to create a full-range, free-standing PMC6 XBD system. Activating the ‘XBD’ DSP mode ensures the perfect marriage of the two units, creating a clean LF extension down to 25Hz.  Active 2-way nearfield reference monitor with ATL™ bass loading Frequency response: 39Hz - 25kHz (- 3dB @1m full space, on-axis) Max. cont. SPL: 106dB @1m (half space value calculated as +3dB from full space measurement.Un-weighted input,20-20kHz Pink Noise (IEC) with 12dB CF for 2 hours AES2-1984 duration) State-of-the-art Class-D amplifiers: HF 200W, LF 200W Analogue/AES3 digital input (16/24-bit, 18 -192kHz sample rate) Digital ‘through’ output (AES3 24-bit 96kHz) SoundAlign™ network control interface for single or group EQ & settings Sophisticated DSP crossover, driver protection, EQ, and delay/polarity options Automatic portrait/landscape placement DSP correction PMC6 + PMC8 SUB creates PMC6 XBD, with LF down to 25Hz Ceiling-mount yoke allows suspension in multi-channel or immersive systems

The PMC6-2 provides main-monitor scale, depth, and dynamics, and allows mix decisions to be made quickly, with absolute certainty and without fatigue.This 3-way active monitor speaker combines two custom 6-inch ultra-long-throw bass-drivers with our radically engineered PMC55 2-inch soft-dome mid-range unit and a precision-built one-inch soft-dome tweeter. The PMC55’s distinctive ‘N-compass’ waveguide enhances the wide dispersion and remarkable mid-range projection of the driver; in combination with the high performance of the tweeter, the result is an ultra-wide and stable image, with a smooth and natural in-room response. Each bass driver is individually powered by a cutting-edge 400W Class-D amplifier and seamlessly integrated by our sophisticated, highly accurate DSP-based crossovers. As with the PMC6, the monitor is configured using rear-panel controls or the browser-based SoundAlign™ software, with comprehensive boundary and EQ options.The PMC6-2 offers astonishing size-to-performance ratio thanks to its ATL™ bass-loading technology, which results in exceptional LF extension and consistent tonal balance at all listening levels. Our Laminair™ airflow technology, visible in the monitor’s hexagonal vent ducts, further reduces colouration and enhances dynamics and efficiency.A simple upgrade path converts the PMC6-2 to a full-range XBD system; just add a PMC8.2 SUB and select XBD mode to perfectly dovetail the two units, extending the response down to 25Hz with additional headroom.  Active 3-way nearfield reference monitor with ATL™ bass loading Frequency response: 33Hz - 25kHz (- 3dB @1m full space, on-axis) Max. cont. SPL: 109dB @1m (Half space value calculated as +3dB from full space measurement.Un-weighted input,20-20kHz Pink Noise (IEC) with 12dB CF for 2 hours AES2-1984 duration) State-of-the-art Class-D amplifiers: HF 400W, MF 400W, LF 2x 400W Analogue / AES3 digital input (16/24-bit, 18 -192kHz sample rate) Digital ‘through’ output (AES3 24-bit 96kHz) SoundAlign™ network control interface for single or group EQ & settings Sophisticated DSP crossover, driver protection, EQ, and delay/polarity options PMC6-2 + PMC8-2 SUB = PMC6-2 XBD, with LF down to 25Hz & increased headroom Ceiling-mount yoke allows suspension in multi-channel or immersive systems

The PMC8 SUB can be used as a compact stand-alone subwoofer within conventional multichannel systems, or as an XBD cabinet, creating a full-range PMC6 XBD midfield monitor. When used in this way, the dedicated ‘XBD’ DSP mode marries the speakers and sub unit together, creating a coherent full-range system. Our subs are also perfectly suited to use in multi-channel and immersive systems, as our ATL™ bass-loading technology provides a gentler low-order LF roll-off than conventional ported cabinets, allowing a smoother, seamless integration between the height and surround channels and the sub.Featuring one custom eight-inch long-throw bass-driver, the PMC8 SUB is powered by a single 300W Class-D amplifier and controlled by the same powerful DSP engine as our other active models. DSP facilities include sophisticated room boundary equalisation options, parametric EQ, time delay, phase inversion, and the unique XBD mode, all configured via the loudspeaker’s rear panel or the browser-based SoundAlign™ software.  Active subwoofer with an 8-inch bass driver and ATL™ bass loading Frequency response: 25Hz - 500Hz (- 3dB) (@1m full space, on-axis)     Max. cont. SPL: 109dB @1m (quarter space value calculated as +3dB from half space measurement.Unweighted input,20-20kHz Pink Noise (IEC) with 12dB CF for 2 hours AES2-1984 duration) State-of-the-art Class-D amplifier: 300W Analogue/AES3 digital input (16/24-bit, 18 -192kHz sample rate) Digital ‘through’ output (AES3 24-bit 96kHz) SoundAlign™ network control interface for single or group EQ & settings Sophisticated DSP driver protection, EQ, and delay/phase options Dedicated XBD configuration mode

As with any PMC loudspeaker, thanks to its super-consistent dispersion and tonal balance, the PMC8-2 may be simply and seamlessly combined with smaller PMC speakers to create larger multi-channel or immersive systems.The twin bass drivers are partnered with the same PMC55 mid-range tweeter, DSP system and four channels of 400W Class-D amplification used in the PMC6-2. Again, the speaker is configurable directly via the rear panel or using the browser-based SoundAlign™ software from a computer or tablet.Together with the precisely tuned ATL™ cabinet and hexagonal Laminair™ vents, the PMC8-2 delivers phenomenal performance that approaches that of our Main reference monitors, with smooth and consistent bass response down to 25Hz, a revealing mid-range and wide, stable sound-staging. As with the rest of the range, the PMC8-2’s superb definition, fidelity, dynamics and bass accuracy allow mix decisions to be made quickly with complete confidence, and with no listening fatigue even after long sessions.PMC8-2s can be upgraded through the addition of a PMC8-2 SUB to create an XBD system, enhancing the system’s bass headroom by 6dB. Dedicated short and taller floor-stands are available for the PMC8-2 and PMC8-2 XBD systems which position them on the ideal listening axis.  Active 3-way nearfield reference monitor with ATL™ bass loading Frequency response: 25Hz - 25kHz (- 3dB @1m full space, on-axis) Max. cont. SPL: 113dB @1m (half space value calculated as +3dB from full space measurement.Unweighted input, 20-20kHz Pink Noise (IEC) with 12dB CF for 2 hours AES2-1984 duration) State-of-the-art Class-D amplifiers: HF 400W, MF 400W, LF 2x 400W Analogue / AES3 digital input (16/24-bit, 18 -192kHz sample rate) Digital ‘through’ output (AES3 24-bit 96kHz SoundAlign™ network control interface for single or group EQ & settings Sophisticated DSP crossover, driver protection, EQ, and delay/polarity options PMC8-2 + PMC8-2 SUB creates PMC8-2 XBD, with up to 6dB of additional headroom Optional dedicated floor stands for PMC8-2 (40”) and PMC8-2 XBD (19”)

The PMC 8-2 SUB is a true low-frequency monitor like the PMC8 SUB and offering the same DSP engine and seamless integration with surround and immersive systems, the PMC8-2 SUB betters the spec of its smaller sibling, offering higher maximum SPL output down to 25Hz.With the same dimensions as the PMC8-2 midfield monitor, the PMC8-2 SUB’s twin eight-inch bass drivers are powered by independent 400W Class-D amplifiers. The same configuration options are available as on the PMC8 SUB, likewise accessible on the speaker’s rear panel or by using the browser-based SoundAlign™ software via a LAN-connected tablet, smartphone or computer.The PMC8-2 SUB can be used as a standalone subwoofer for multichannel and immersive sound systems, or as an XBD cabinet with either PMC6-2 or PMC8-2 s, creating a system of awesome power and dynamic range. The sub is available in either left- or right-handed cabinet versions (PMC8-2 SUB-L or PMC8-2 SUB-R), to allow placement of the bass drivers on the outside edges of a stereo array, matching the arrangement of the main monitors.  Active subwoofer with twin 8-inch bass drivers and ATL™ bass loading Frequency response: 25Hz - 500Hz (- 3dB) (@1m full space, on-axis) Max. cont. SPL: 115dB @1m (quarter space value calculated as +3dB from half space measurement.Unweighted input,20-20kHz Pink Noise (IEC) with 12dB CF for 2 hours AES2-1984 duration) State-of-the-art Class-D amplifier: 2 x 400W Analogue/AES3 digital input (16/24-bit, 18 -192kHz sample rate) Digital ‘through’ output (AES3 24-bit, 96kHz) SoundAlign™ network control interface for single or group EQ & settings Sophisticated DSP driver protection, EQ, and delay/phase options Dedicated XBD configuration mode

The PMC6 XBD is a mid-field reference monitor system that combines the PMC6 monitor with the PMC8 SUB to achieve a true three-way design. By extending the bass response from 39 Hz down to 25 Hz, it delivers deep, accurate low frequencies while reducing distortion and increasing headroom. The mid-bass driver is freed from reproducing the lowest bass frequencies, giving the midrange more clarity and realism, especially for vocals. Configuring the PMC6 XBD is simple: connect the PMC6 input, then use an AES3 digital cable to carry the main monitor ‘through’ output to the PMC8 SUB. The cabinets can communicate via LAN or directly through network ports. Selecting ‘XBD’ mode seamlessly integrates both units into a single larger-scale monitor. Advanced settings can be adjusted from rear-panel controls or through the intuitive SoundAlign™ browser-based software, which displays both speakers as a single PMC6 XBD unit when linked.

The PMC8-2 XBD system combines the PMC8-2 mid-field full-range monitor with the PMC8-2 SUB subwoofer, creating a fully integrated twin cabinet design. Compared to the main monitor alone, the XBD configuration provides an additional 6 dB of bass headroom, delivering powerful, controlled low-frequency performance. The result is a supreme monitoring experience with boundless headroom and an immediate, visceral impact. This is not just about sheer volume—the full dynamic range and deep bass remain consistent at all listening levels, whether for dance, rock, or full-scale orchestral productions. In modest to larger control rooms, the XBD system ensures effortless, full-range monitoring quality. Setup is simple: the audio signal is connected to the PMC8-2 monitor and passed via the digital ‘through’ output to the subwoofer. In XBD mode, the advanced DSP engines in both cabinets seamlessly integrate their performance. Further fine-tuning can be achieved via the intuitive SoundAlign™ web interface, which allows precise adjustments for single or grouped units.

The twin-cabinet BB6 XBD-A extends the staggering performance specification of the BB6-A, taking distortion to new lows and pushing the maximum SPL output of this system to a powerful but tightly controlled 131dB thanks to its twin 15-inch Radial™ low-frequency drivers, and creating a smoother in-room response, even in the most expansive of listening environments. The BB6 XBD-C-A is available as the dedicated centre speaker for multi-channel systems, while the dedicated LFE inputs and effortlessly extended low-end response render stand-alone subwoofers unnecessary. As with the MB3 XBD-A, the twin XBD cabinets can be freestanding or soffit-mounted, and positioned side by side or vertically. In the latter configuration, the BB6 XBD-A gives new meaning to the concept of the stand-alone tower speaker, reaching a height when floor-mounted of nearly seven feet.

Building on the unique heritage and 25-year success of PMC’s BB5, the BB6 offers the same wide dynamic range and frequency response, 15-inch Radial™ bass driver, unwavering tonal consistency at all output levels and high maximum SPL (up to 128dB) of its predecessor, but with the additional power and flexibility of PMC’s proprietary Class-D amplification and DSP control. Flat down to a truly profound 17Hz and extending to beyond the limits of human hearing at 25kHz, the BB6-A may be used in larger recording, mixing, mastering or outside broadcast applications, and is equally at home in a tower configuration or mounted in soffits — although soffit-mounting is not essential, as the ATL™ bass response is sufficient without the LF gain achieved by soffit-mounting. As with the smaller MB3-A, the BB6-A can form part of a multi-channel loudspeaker system, for which the separate BB6-C-A is available. Subwoofers are not a necessity, as the BB6-A speakers already cover the 20-60Hz sub-bass range with plenty of headroom. Dedicated ‘PointOne’ LFE inputs are therefore included on each Power 1200 amplifer for use with multi-channel content, including film soundtracks.

The BRKT bracket has been engineered to be a rigid, reliable support and will allow PMC’s compact designs to perform to a supreme level.  This bracket provides movement in both vertical and horizontal planes so the cabinets can be angled to the optimum listening axis.  A ‘lock off’ bolt guarantees a ‘no droop’ scenario making the chosen position permanent. The BRKT can be used in conjunction with:result6, twotwo5, twotwo6, DB1 Gold, ci30, ci45 & ci65 – this bracket is not suitable to mount a twotwo.8 loudspeaker.

If you are looking for monitoring that combines phenomenal resolution with greater LF headroom, then the twin cabinet IB2S XBD-AII is the perfect solution. Specifically designed for high-end reference monitoring and mastering applications, this superlative system incorporates a single-driver XBD bass cabinet that adds +3dB of LF headroom to deliver a smoother response and allows users to drive even larger rooms. It also offers analogue and AES digital inputs with a flat response down to 20Hz. To enhance versatility, the IB2S XBD-AII’s active electronics are housed separately to the cabinet for easier soffit mounting and control. The cabinets can be mounted in a vertical or side-by-side format, further increasing their flexibility. Both cabinets feature identical ATL’s for that signature precision bass at all levels. The identical 10-inch carbon-fibre/Nomex™ piston drivers are the same as those featured in our breath-taking QB1 monitors, while the cabinet also features PMC’s 34mm soft-dome tweeter and hand-built 75mm fabric-dome driver to handle the mid-range. Abundant power and headroom is provided by PMC’s own ultra clean amplification that feeds the HF with 275W, the MF with 550W and both LF drivers with 2400W. For ease of use, the IB2S XBD-AII system comes with an RJ45 connected remote control that has three User Presets, HF and LF shelving filters, ±8dB input level trim and the ability to adjust the input sensitivity of the balanced analogue inputs from +4dB to +16dB.

The three-way IB2S-AII offers discerning users all the attributes of PMC’s large ATL™ reference active monitors but in a more compact form. They are ideal for high-end reference monitoring in both stereo and surround formats. The DSP-controlled, Class-D powered cabinets make use of PMC’s ATL™ (Advanced Transmission Line) bass-loading technology, providing a smoothly controlled, high-resolution low-frequency response. Each cabinet features PMC’s hand-built preparatory drivers - the 10-inch carbon-fibre/Nomex™ piston, 75mm fabricdome mid, and the 34mm soft-dome tweeter. The power is supplied by PMC’s ultra-low distortion devices that are conveniently rack mountable, providing HF 275W, MF 550W and LF 1200W of acoustically transparent power. This single cabinet monitor features user-adjustable HF and LF shelving filters, ±8dB input level trim, and an AES3 digital input, as standard. The input sensitivity of the balanced analogue inputs can also be adjusted from +4dB to +16dB. In addition, the EQ, level trims and analogue/digital input election settings can be adjusted from a distance using an RJ45-connected remote, which is supplied as standard.

The MB2S is perfect for mid sized control rooms either soffit mounted or on its custom studio stands. The MB2S allows higher SPL’s without distortion and loss of definition normally associated with a device of its size. The distinctive MB2S includes the PMC 75 mid driver that has taken the limits of soft dome design and construction to its ultimate conclusion. The Radial™ low frequency driver allows massive controlled excursions and avoids the effects of power compression, by cooling via its cast alloy exo-skeleton and new rear vented magnet. As with all PMC models there is matching low profile centre channels (MB2S-C) and subwoofers for use in surround configuration (XB2S). You can find the MB2S in the following studios Advantage Audio.

The MB2S XBD is a development of the successful MB2S with increased dynamics and LF performance. The addition of the XBD cabinet containing a second precision 12” Radial™ driver increases the LF headroom by 3dB below 380Hz that allows a larger room to be driven to greater effect. In a surround configuration the added headroom of the XBD allows the .1 surround effects channel to be handled with ease, avoiding the installation of further sub units. The MB2 XBD features in many quality conscious facilities including Studio Hilversum – The Netherlands. The 32 element, 4th order passive crossovers are housed in external enclosures which can be mounted to the rear of the XBD cabinets for improved fidelity. An ideal monitor for all music recording, mastering and post production in either stereo or surround configuration.

Featuring a second cabinet devoted exclusively to bass, with an additional single 12-inch Radial bass driver, the twin-cabinet MB3 XBD-A system offers still better dynamics than the MB3, with an additional 3dB of headroom below the bass crossover frequency of 380Hz, and allows larger rooms to be driven with an even smoother frequency response, producing a maximum SPL of 129dB. The twin XBD cabinets can be freestanding or soffit-mounted, and may be positioned vertically or side by side for greater flexibility. As with the MB3-A, a matching low-profile centre channel (MB3 XBD-C-A) is available for use in multi-channel arrays. Thanks to the wide-ranging frequency response of the twin-cabinet system, additional dedicated subwoofers are not a requirement.

Whether mounted in soffits or on stands, the MB3, with its distinctive 12-inch Radial™ bass driver, is ideal for medium-sized recording, mixing, mastering or outside broadcast facilities, or as rear surround speakers in larger multi-channel recording studios, film soundstages, or post-production houses. It produces an extremely smooth frequency response extending from 20Hz to 25kHz thanks to its ATL™ technology, and is also capable of producing high SPLs, to a maximum of 126dB, but without the distortion and loss of definition that are frequently associated with a device of its size, and without becoming fatiguing when used for extended periods. As with all PMC models, there is a matching low-profile centre channel (MB3-C-A) for use in surround configurations. Dedicated subwoofers are not a necessity, as the MB3-A cabinets already cover the 20-60Hz sub-bass frequency range with ease. For this reason, ‘PointOne’ channel inputs are included on the Control 1200 to accommodate the LFE or sub channel from multi-channel mixes.

Introducing the QB1-A,: PMC’s newest large-scale studio monitor design, and a bold statement of the state of the art, the result of extensive customer research and innovative driver performance analyses based on opto-acoustic laser interferometry. This is a Class-D active ATL™ speaker with analogue and digital inputs, featuring exceptional electro-mechanical engineering finessed by DSP control, and immense headroom (4825W per channel) wedded to pinpoint dynamics for unparalleled speed, depth, accuracy and power. With a maximum SPL of 132dB at one metre and a quartet of 10-inch carbon fibre/Nomex® piston bass drivers, the QB1-A can certainly produce level — but not at the expense of accuracy or increased distortion. The cutting-edge on-board DSP provides driver unit optimisation, EQ and sophisticated crossover networks, while the wired RJ45 desktop control provides user-friendly access to user EQ settings via its backlit display and jog wheel, with the ability to store up to four user setup presets. Even the physical dimensions have been carefully considered: at 1092 x 820 x 520 millimetres (WHD), the QB1-A will retrofit into almost all existing studio soffits. Thanks to its ATL™ design, free-standing use has no impact on its effortlessly smooth bass response. Whether soffit-mounted or not, the QB1-A delivers the transparency, resolution, extended frequency response and wide, consistent imaging demanded by the international audio elite.

To create the awesome QB1-XBD-A, we added a dedicated low-frequency cabinet to work in unison with the full-range main monitor. This additional 'XBD' cabinet contains four identical piston drivers, each driven by four of PMC's 1000w independent, class D power amplifiers, giving a staggering 8825W of ultra-clean power per channel. The sense of limitless headroom and complete confidence gained when working on these is unparalleled from this twin-stacked cabinet design, and this configuration ensures the smoothest possible in-room bass response with 3dB more headroom than the QB1-A single cabinet version. Alongside its incredible power ratio and damping per channel, the QB1-XBD-A offers ultra-low distortion, a forensic sense of detail and incomparable dynamics and transience throughout the entire bandwidth. In keeping with the QB1-A, the QB1-XBD-A features wired RJ45 desktop control, which provides user-friendly access to user EQ settings via its backlit display and jog wheel, and the ability to store up to four user setup presets. Whether soffit-mounted or not, the QB models deliver the transparency, resolution, extended frequency response and wide, consistent imaging demanded by the international audio elite.

The result6 provides an introduction to PMC and the huge benefits of ATL™ technology, the proprietary bass-loading system at the heart of all our designs. This active two-way reference monitor offers all the attributes for which PMC is world-renowned: high resolution and detail, accurate, extended bass, consistent tonal balance at all levels, and wide dispersion and sweet spot. With an emphasis on elegant simplicity, this is a compact nearfield that allows you to work faster and more confidently. There are no overly complex DSP-based user options or room profiles; instead, the result6 achieves its characteristically neutral, dependable PMC reference sound solely on the strength of its engineering. Honed to the fundamentals of our design philosophy, it’s devoted to getting you the best sounding results in the shortest possible time.The distinctive, finned HF driver surround on the result6 are known as D-Fins and they deliver major sonic benefits by widening the stereo sweet spot . The result is an excellent off axis response over a wider area. The D-Fins also eradicate the cabinet edge effects, ensuring high-frequency sound remains razor-sharp and unsmeared. You can change your listening position as you work without adversely affecting what you hear, and that the frequency response remains flat and natural-sounding. With twin low-distortion, (HF 65W, LF 100W) amps, ATL™ bass loading and a plethora major innovations the result6 lets you achieve exactly what you need, quicker.

The PMC result6 provides the perfect introduction to PMC’s renowned monitoring philosophy and the unique benefits of ATL™ bass-loading technology, the foundation of every PMC design. This active two-way nearfield reference monitor delivers high resolution, precise detail, extended and accurate bass, consistent tonal balance at all listening levels, and wide dispersion for an expansive sweet spot. Focused on elegant simplicity, the result6 avoids complex DSP profiles or user options. Instead, it achieves its characteristically neutral and reliable PMC sound purely through advanced engineering. This ensures faster, more confident decision-making and the best-sounding results in the shortest possible time. A standout feature is the distinctive finned HF driver surround, known as D-Fins. These improve off-axis response, expand the stereo sweet spot, and eliminate cabinet-edge diffraction, ensuring high frequencies remain razor-sharp and unsmeared. This allows engineers to move freely in the listening position without compromising accuracy, maintaining a flat and natural response. With twin low-distortion amplifiers (65 W HF, 100 W LF), ATL™ bass loading, and multiple innovative design features, the result6 is a compact nearfield monitor built to deliver outstanding professional results with speed and confidence.

The tube104 high mass high performance stand has been engineered to optimise the imaging, dynamics and overall tonal balance of any one of PMC's two way monitors.  104 denotes its height (104cm) which ensures the monitor is positioned above the bridge of most desks.  For ultimate rigidity and stability, adjustable self leveling feet are included.Suitable for use with the twotwo.5 in both horizontal or vertical orientation or for use with twotwo.6 & 8 models in both horizontal and vertical orientation when used in conjunction with a twotwo series top plate (for further info. click here)